colourful confections dramatically spill from the mouth of a (gumballmachine) cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, <lora:ral-dissolve-sdxl:0.6> epiCRealism, epiCNegative, ral-dissolve, <lora:SDXLFaeTastic2400:0.5> rising rebirth, epiCRealism, epiCNegative,

Amazing photograph of a 50 foot tall demoniaboot

Partisanship, including centrist, not only stops your brain from being able to identify the lies, incongruencies, and bad behaviour of your leaders but causes your brain to actually reward you for doing the mental gymnastics required to fail in this way ( cit. https://pubmed.ncbi.nlm.nih.gov/17069484/ ). When you are unable to see any merit in the thoughts and statements of those in opposition to your leader, when your partisanship stops you from recognising the serious problems in the thoughts or statements of your leader, when you oppose ideas and statements that you used to support because they came from the opposition... you are no longer participating in politics or debate; you are participating in a cult - and that applies to leftists, centrists, liberals, libertarians, right-wing, conservatives... EVERYONE [Surrealism style, epiCNegative, epiCRealism, ]

care, nurturing, evoking feelings of safety, innocence, adorableness contrasted with the sadistic, macabre, and depraved! [SFW, Surrealism style, epiCNegative, epiCRealism]

((Annabelle is accepting her inauguration as president of the USA)), [ 8k, uhd, glossy full-length photograph, horror scene , Movie Still, realisticvision-negative-embedding, in focus ]

inside of the imaginarium of Dr. Parnassus [ 16k, uhd, photograph, surrealism, cinematic, (extremely detailed), (very detailed and complex background) , realisticvision-negative-embedding, Surrealism style ]

((old snobby uppermiddleclass caricature The US Democrat Donkey) (is carrying a (pile of books) and wearing a (thick rimmed glasses), (the stack of books that the US Democrat Donkey is feebly carrying, is very detailed and recognisable), [((16k, uhd, cinematic photograph, (extremely detailed), (very detailed background)]

56. Expect him not from the East, nor from the West; for from no expected house cometh that [παιδί]. Aum! All words are sacred and all prophets true; save only that they understand a little, solve the first half of the equation, leave the second unattacked. But if thou hast all in the clear light, and some, though not all, in the dark. 57. Invoke me under the stars! Love is the law, love under will. Nor let the fools mistake love; for there are love and love. There is the dove, and there is the serpent. Choose ye well! He, my prophet, hath chosen, knowing the law of the fortress, and the great mystery of tje House of God. All these old letters of my Book are aright; but [Tzaddi] is not the Star. This also is secret: my prophet shall reveal it to the wise. 58. I give unimaginable joys on earth: certainty, not faith, while in life, upon death; peace unutterable, rest, ecstasy; nor do I demand aught in sacrifice. 59. My incense is of resinous woods & gums; and there is no blood therein: because of my hair the trees of Eternity. 60. My number is 11, as all their numbers who are of us. The Five Pointed Star, with a Circle in the Middle, & the circle is Red. My colour is black to the blind, but the blue & gold are seen of the seeing. Also I have a secret glory for them that love me.

professional aerial photograph, ((a vast sprawling black gothic unholy city and citadel emerges from shadows), (dark spiral and cylindrical towers, adorned with menacing gargoyles, pierce the crimson sky), (the architecture, a symphony of pointed arches and intricate tracery, is shrouded in a perpetual twilight, as if the sun has been banished), (wrought iron fences twist like serpents around the city, enclosing courtyards filled with black roses and ancient tombstones)), ((The grand central cathedral looms, its facade a cascade of obsidian, with stained glass windows that bleed hues of deep red and violet), (cobblestone pathways wind through the mist-laden grounds, leading to towering statues of hooded figures, their eyes gleaming with a spectral light), (shadows dance and flicker, giving life to the gothic structures, creating an eerie, yet mesmerizing tableau), [photograohed (with, a Nikon D850 camera with a NIKKOR 14-24mm f/2.8G ED lens, ISO 400, an aperture of f/8 for depth of field, fast shutter speed 1/125 seconds) (during the blue hour, just after sunset, to enhance the ominous atmosphere with natural twilight hues), realisticvision-negative-embedding, epiCRealism, ( Photographer Martin Kimbell Style )

[Very high angled, downward looking, aerial photograph], ((a subterranean is seen as a surreal labyrinth of interconnected, undulating tunnels and chambers), (walls are intricately sculpted from smooth, reddish-brown rock, with surfaces resembling melting wax or giving the village an organic appearance), (central to the village is a large, circular plaza illuminated by a series of bioluminescent crystals embedded in the ceiling, casting an ethereal, multicolored glow over everything), (surrounding the plaza are homes carved directly into the rock, each with rounded, bulbous shapes and windows of varying, irregular shapes and sizes), (staircases and ramps twist and turn in impossible directions, leading to higher or lower levels within the village), (pillars support cavern ceilings adorned with intricate, swirling patterns), (aqueducts run along the walls, carrying water that cascades into small fountains and pools), (hanging gardens of exotic, twisted plants dangle from the ceilings, their roots exposed and intertwined), (the village's market area features elongated stalls with curved roofs, overflowing with bizarre, otherworldly goods), (Elevated walkways made crisscross the chambers), (pathways that seem to float in mid-air) [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative

A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve

Photograph of, ((a witch in a glyph marked chalk circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style

Photograph of, ((a dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (hovering, levitating, flying high) (menacingly in the air high up above desks)) , BREAK ((inside a (dimly lit) smokey (populated) classroom)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style

care, nurturing, evoking feelings of safety, innocence, adorableness contrasted with the sadistic, macabre, and depraved! [SFW, Surrealism style, epiCNegative, epiCRealism, fflix_impphoto]

, 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((a citrus fruit wearing sunglasses, strawhat, and overalls, on a hot summer day)), ((the citrus fruit itself is wearing sunglasses on the citrus fruit's eyes), (the citrus fruit itself is wearing the strawhat on the top of the citrus fruit), (the citrus fruit itself is wearing overalls on the citrus fruit) (and it's an extremely hot summer day)), [ (double exposures), (low opacity overlays), realisticvision-negative-embedding, ]

((Annabelle is accepting her inauguration as president of the USA), (seen at the western front of the U.S. Capitol), [ 8k, uhd, glossy full-length photograph, horror scene , Movie Still, realisticvision-negative-embedding, in focus ]

inside of the imaginarium of Dr. Parnassus [ 16k, uhd, photograph, surrealism, cinematic, (extremely detailed), (very detailed and complex background) , realisticvision-negative-embedding, Surrealism style ]

inside of the imaginarium [ 16k, uhd, photograph, surrealism, cinematic, (extremely detailed), (very detailed and complex background) , realisticvision-negative-embedding, Surrealism style ]

inside of the imaginarium [ 16k, uhd, photograph, surrealism, cinematic, (extremely detailed), (very detailed and complex background) , realisticvision-negative-embedding, Surrealism style ]

((A menacing holographic-demonicdevilgirl, with an evil and maniacal toothy grin, is seen in the distance, she is in space and holding the Earth in her palms)) [16k, uhd, photograph, (expansive, all inclusive photograph), (high angled photograph), (intricately detailed), (very detailed background), (cinematic thriller), dark, mysterious, (psychologically unsettling), (strange twisted angles), (bottom lit), ((double exposures) (/ low opacity overlays)) , realisticvision-negative-embedding, easynegative ]

((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)), [UHD 16k Photograph, (shot using an intense fisheye lens) , (low angle photograph) , (professional surrealist photograph)]

[ gritty 35mm photograph with caption] ((A Tesla (Cyberbeast) 400 series Cybertruck), (dirty, dented, with a flat tire), (is seen in front of an old rundown gas-station in a vast barren desert) (there are 1950's style gas pumps)) ((stageleft, standing near the rural desert (gas-station's dilapitated store front) is a scruffy gruff looking (old man) wearing a cap, dirty t-shirt, and dirty worn-out overalls)), ((stageright, standing next to the (Tesla (Cyberbeast) 400 series Cybertruck), (is an (male influencer) wearing a (clean red MAGA cap) , (clean shiny silver polyester suit) (white clean collared shirt) (red tie) and (white Oakley sunglasses)), ((a large speechbubble is easily seen directly above the head of the (male influencer), the text "Could you buzz my truck?" is seen printed in large legible font inside the speechbubble, only the words "Could you buzz my truck?" are seen printed in the speechbubble, the words "Could you" and the words "my truck?" are seen printed large in black font, the word "buzz" is easily seen printed in extralarge metalic yellow font))

In the stillness of the land, where whispers fade to mist, A somber shadow lingers, where the lost ones gently kissed. Their names upon the wind, like petals softly tossed, In memory they linger, their absence never lost. Through the rivers' gentle flow, and the mountains' silent cry, Their spirits dance in moonlight, beneath the endless sky. Though taken from this earth, their presence still remains, In every leaf that rustles, in every gentle refrain. We honor their existence, their stories left unsaid, With solemn hearts we gather, to remember those who've fled. On this awareness day, we must vow to never rest, Until every missing sister finds her soul justice and truth caressed. , mournful after image, north american indigenous women themes, double exposure, memories in the back of her mind, memories echo image, echo image, refection, sidelit, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph, sad but warm endearing photograph contrasted by melancholy terror and regret , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism

In the stillness of the land, where whispers fade to mist, A somber shadow lingers, where the lost ones gently kissed. Their names upon the wind, like petals softly tossed, In memory they linger, their absence never lost. Through the rivers' gentle flow, and the mountains' silent cry, Their spirits dance in moonlight, beneath the endless sky. Though taken from this earth, their presence still remains, In every leaf that rustles, in every gentle refrain. We honor their existence, their stories left unsaid, With solemn hearts we gather, to remember those who've bled. On this MMIW awareness day, we must vow to never rest, Until every missing sister finds her soul, justice and truth caressed. gritty , themes of unsettling contrast in community, cinematic sadness and hope, indigenous echo image, cinematic photograph, noise offset, <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism

photograph of a suburban house which is seen ((behind it's front yard) (the house's yard includes ((winding (dark stone) pathway)), ((the house's yard is bordered by (low, textured walls))), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom further from the house)), ((a trellis is between the house and the viewer (the trellis is draped in climbing vines creating a canopy, casting varied textures and patterns on the ground below)), ((in a secluded corner of the house's yard, (a very small and very unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism

At dawn’s first blush, the sky ignites, With hues of gold and crimson bright. Across the suburban sprawl they come, A fleet of triplanes, engines' hum. Wings of three in layered grace, Slice through morning’s velvet face. Menacing shadows, sleek and bold, Stories of freedom yet untold. Homes below in slumber deep, Awake from lifeless, dreamless sleep. Windows shudder, curtains sway, As hope arrives on break of day. Trailing these, an airship grand, Floats like a city, high and planned. Silhouettes against the sun, Promises of battles won. Its massive hull a floating star, Beacon seen from near and far. From lifeless streets to hopeful cries, A liberation from the skies. Passion stirs in hearts anew, Colors burst in every view. Gone the grey of yesterday, In its wake, a brighter way. The fleet above, a soaring sign, Of change to come, of life divine. With morning light, the future’s cast, A glorious new day breaks at last. <<BREAK>> ((Award winning expansive photograph, Getty images quality photograph, (multiple short exposures overlaid on long exposure), (ethereal/ spectral echoimages), militaristic, emblem, paint splash, realisticvision-negative-embedding, epiCRealism))

56. Expect him not from the East, nor from the West; for from no expected house cometh that [παιδί]. Aum! All words are sacred and all prophets true; save only that they understand a little, solve the first half of the equation, leave the second unattacked. But if thou hast all in the clear light, and some, though not all, in the dark. 57. Invoke me under the stars! Love is the law, love under will. Nor let the fools mistake love; for there are love and love. There is the dove, and there is the serpent. Choose ye well! He, my prophet, hath chosen, knowing the law of the fortress, and the great mystery of tje House of God. All these old letters of my Book are aright; but [Tzaddi] is not the Star. This also is secret: my prophet shall reveal it to the wise. 58. I give unimaginable joys on earth: certainty, not faith, while in life, upon death; peace unutterable, rest, ecstasy; nor do I demand aught in sacrifice. 59. My incense is of resinous woods & gums; and there is no blood therein: because of my hair the trees of Eternity. 60. My number is 11, as all their numbers who are of us. The Five Pointed Star, with a Circle in the Middle, & the circle is Red. My colour is black to the blind, but the blue & gold are seen of the seeing. Also I have a secret glory for them that love me.

(Arial, downward angled, expansive photograph), ((colossal flying city in the sky above the desert is hovering ahead at a distance), in a (dramatic sky streaked with orange and red hues of a setting sun), (the flying city, is supported by massive, churning propellers and jet engines spewing thick black smoke)), ((The flying city's cityscape is a labyrinth of metal and rivets, with jagged spires and towers bristling with antennas, pipes, radar dishes, suspended walkways and bridges connect various parts of the city, rust-streaked fuel tanks and oil drums are bolted onto buildings, connected by thick tubes), (buildings vary from gothic cathedrals with stained glass windows to utilitarian factories with soot-stained chimneys)), <<BREAK>> ((A cluster of zeppelins and airships hovers near the flying city, docked to gantries, below, a massive rotating turbine creates a shimmering heat haze, adding to the city's fortress-like presence), ((The industrial aesthetic, scene is illuminated by the warm glow of incandescent lamps and occasional sparks from welding torches, highlighting the contrast between the mechanical and the signs of human life))

Arial, downward angled, expansive photograph, ((colossal flying city in the sky is hovering ahead at a distance), in a (dramatic sky streaked with orange and hues of a setting sun), (the flying city, is supported by massive, churning propellers and jet engines spewing thick black smoke)), ((The flying city's cityscape is a labyrinth of metal and rivets, with jagged spires and towers bristling with antennas, pipes, radar dishes, suspended walkways and bridges connect various parts of the city, rust-streaked fuel tanks and oil drums are bolted onto buildings, connected by thick tubes), (buildings vary from gothic cathedrals with stained glass windows to utilitarian factories with soot-stained chimneys)), <<BREAK>> ((A cluster of zeppelins and airships hovers near the flying city, docked to gantries, below, a massive rotating turbine creates a shimmering heat haze, adding to the city's fortress-like presence), ((The industrial aesthetic, scene is illuminated by the warm glow of incandescent lamps and occasional sparks from welding torches, highlighting the contrast between the mechanical and the signs of human life))

[Very high angled aerial photograph], ((a vast alien city spreads through a nightmarish cavernscape), (organic, biomechanical architecture) , (the city is embedded in a cavernous, dimly lit environment, with everything covered in a slimey dark, chitinous substance that gives everything a slick, glistening appearance), (central to the city are massive, hive-like buildings, their surfaces riddled with pulsating, vein-like ridges and openings) (these hivebuildings are connected by an intricate network of tunnels and passageways, resembling the interior of a living organism), (throughout the city, larger chambers are visible lined with countless alien eggs, guarded by terrifying sentinel creatures), (pools of dark, viscous liquid dot the cavernscape, reflecting the eerie bioluminescence emanating from various organic structures, casting a sickly green glow), (the city is busy with movement, as the aliens scuttle along the surfaces, maintaining and expanding it), (ar the city's edges heavily fortified areas serve as breeding grounds and defensive positions), (with vile alien warriors ready to fend off any intruders), [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative

[Very high angled, downward looking, aerial photograph], ((a subterranean is seen as a surreal labyrinth of interconnected, undulating tunnels and chambers), (walls are intricately sculpted from smooth, reddish-brown rock, with surfaces resembling melting wax or giving the village an organic appearance), (central to the village is a large, circular plaza illuminated by a series of bioluminescent crystals embedded in the ceiling, casting an ethereal, multicolored glow over everything), (surrounding the plaza are homes carved directly into the rock, each with rounded, bulbous shapes and windows of varying, irregular shapes and sizes), (staircases and ramps twist and turn in impossible directions, leading to higher or lower levels within the village), (pillars support cavern ceilings adorned with intricate, swirling patterns), (aqueducts run along the walls, carrying water that cascades into small fountains and pools), (hanging gardens of exotic, twisted plants dangle from the ceilings, their roots exposed and intertwined), (the village's market area features elongated stalls with curved roofs, overflowing with bizarre, otherworldly goods), (Elevated walkways made crisscross the chambers), (pathways that seem to float in mid-air) [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative

A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style,

Photograph of, ((a witch in a glyph marked chalk circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style

Photograph of, ((a witch in a glyph marked chalk circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style

Photograph of, ((a ghastly demonic and holographic spectre) (hovering, levitating, flying) (menacingly above desks)) , BREAK ((inside a (dimly lit) (populated) classroom)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, epiCRealism, Photographer Martin Kimbell Style

Photograph of, ((a dark ghastly demonic and transparent/ transluscent ethereal shadow spectre) (hovering, levitating, flying high) (menacingly in the air high up above desks)) , BREAK ((inside a (dimly lit) (populated) classroom)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, epiCRealism, Photographer Martin Kimbell Style

Photograph of, ((a ghastly demonic and holographic spectre) (hovering, levitating, flying) (menacingly above desks)) , BREAK ((inside a (dimly lit) (populated) classroom)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, epiCRealism, Photographer Martin Kimbell Style

colourful confections dramatically spill from the mouth of a (gumballmachine) cinematic photograph, dynamic, 8k photograph , ((double exposures)), very detailed background, very detailed background, epiCRealism, epiCNegative

A lost train of thought; such fleeting trains, bound for nowhere, slip through the mist of memory. Silent echoes fill the void where thoughts once danced with direction, now rhythms lost in fog. Tracks vanish in the twilight, where dreams scatter like leaves. A wistful sigh follows, tracing shadows of forgotten musings. In this realm of absence, whispers fade into dusk, a journey unfinished. The heart aches for clarity, for a train that may never return. [((double exposures) (Photographer Reuben Wu Style ) (ornately detailed), (very detailed background)]

, 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), (very low angle), full body, large view, ((War bike), (raked out), (high handlebars), (heavily armoured), ((heavily armed with a variety of weapons (high calibre gatlingguns), (small missiles), (bladed weapons)), (in a busy dystopian/ anteutopian cyberurban area), (raining, nighttime) [more dystopian, horror style, (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]

, 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), (very low angle), full body, large view, ((Alice in Wonderland) is seen using witchcraft to summon demons)) [horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]

inside of the imaginarium of Dr. Parnassus [ 16k, uhd, photograph, surrealism, cinematic, (extremely detailed), (very detailed and complex background) , realisticvision-negative-embedding, Surrealism style ]

((Bucketface!) , (The gritty, riveted, bucketheaded (cenobitelike), chaos creature who lurks between dimensions, half in one dimension and half in another displacing people from their reality into another to feed off of their confusion), (is seen at night half in a residential neighbourhood and half in a surreal world), (actively in the process of shifting between realities), [ 16k, uhd, photograph, cinematic, (extremely detailed), (very detailed and complex background) , realisticvision-negative-embedding]

((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of green light from the sky) (/ beams of green light coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]

((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of green light from the sky) (/ beams of green light coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]

((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of green light from the sky) (/ beams of green light coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]

Astral forests beckon us all to the goatlord with Transivanian hunger [ ( double exposure ) ((flickering CCTV footage (using a fisheyelens)) ]

[gritty, (expansive photograph ((A large garbagetruck with the Civitai logo and the text "CIVITAI" printed legibly in well defined font on the side of the garbagetruck)), ((beside the (large garbage truck with the word "CIVITAI" seen printed in easily read script and the Civitai logo on the side of it) is a (retrofuturist civitairobot) (the retro futurist civitai robot is shovelling piles of money, coins, and creditcards into the back of the) (large garbagetruck with the Civitai logo and the text "CIVITAI" printed legibly in well defined font on the side of the garbagetruck)) <<BREAK>> [ultra-high resolution, 64K, UHD, High Depth of Field, RAW photo, best quality, epic composition, fine details, (extremely intricate details), (very detailed and disturbing background that adheres to the prompt), high contrast, bottom lit, HDR, (ghastly double exposures), (low opacity overlays of spectral echoimage), elaborately designed, Perfectly composed, bleak and dystopian absurdism],

[Vivid photograph ((A warning sign is at the top of a (pinboard) on a wall in an office filled with religious icons and symbols), (the text on the warning sign is visible and easily read it says “Cursed Images – DO NOT LOOK!” printed in large legible font )), ((Pinned to the pinboard below the warning sing, are several photographs (the photographs pinned to the pinboard in the office filled with religious icons and symbols all contain the following imagery: ((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)),