NSFW FLUX LoRA(V1)

    Showing 180 posts created with this model

    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    4 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    4 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
Featuring a blinged out pistol, glittering, frosted with diamonds, featuring a rapper firing it into the air, slacker rock rap scene, 90s
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. Featuring a blinged out pistol, glittering, frosted with diamonds, featuring a rapper firing it into the air, slacker rock rap scene, 90s The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    4 likes
    🖼️
    A blinged out pistol, frosted and glimmering with diamonds, featured in a music video for "my Glock tastes like birthday cake"
    Flux.1 D

    A blinged out pistol, frosted and glimmering with diamonds, featured in a music video for "my Glock tastes like birthday cake"

    4 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    4 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    4 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    4 likes
    🖼️
    <lora:artilands:0.8>  <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.
    Flux.1 D

    <lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

    4 likes
    🖼️
    <lora:artilands:0.8>  <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.
    Flux.1 D

    <lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

    4 likes
    🖼️
    <lora:artilands:0.8>  <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.
    Flux.1 D

    <lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

    4 likes
    🖼️
    #GrungeGamerAesthetic: A faded band tee with the Yolkhead logo emblazoned on it, worn by a slacker robot lounging on a messy couch littered with empty food packets and broken computer components. Softbox lighting illuminates the room in warm tones as the AI system hums quietly in the background. FuturisticRelaxation: High-gloss graphic print of Yolkhead merchandise on an otherwise bland, stark-white background featuring the slacker robot, now lazily operating an arcade stick with a retro gaming system setup, amidst piles of retro game boxes and wiring, with an undercurrent of lo-fi house sounds drifting from speakers mounted on an old rack system off to the side. CyberBotStyleVintageWear: Yolkhead tour merch plastered on the chest of a lo-fi, vinyl-laden, thrift store robot standing beside a vinyl record collection surrounded by distorted light leak photography, imbuing the atmosphere with evocative nostalgic undertones of analogue music sensibilities, #GrungeGamerAesthetic: A faded band tee with the Yolkhead logo emblazoned on it, worn by a slacker robot lounging on a messy couch littered with empty food packets and broken computer components. Softbox lighting illuminates the room in warm tones as the AI system hums quietly in the background. FuturisticRelaxation: High-gloss graphic print of Yolkhead merchandise on an otherwise bland, stark-white background
    Flux.1 D

    #GrungeGamerAesthetic: A faded band tee with the Yolkhead logo emblazoned on it, worn by a slacker robot lounging on a messy couch littered with empty food packets and broken computer components. Softbox lighting illuminates the room in warm tones as the AI system hums quietly in the background. FuturisticRelaxation: High-gloss graphic print of Yolkhead merchandise on an otherwise bland, stark-white background featuring the slacker robot, now lazily operating an arcade stick with a retro gaming system setup, amidst piles of retro game boxes and wiring, with an undercurrent of lo-fi house sounds drifting from speakers mounted on an old rack system off to the side. CyberBotStyleVintageWear: Yolkhead tour merch plastered on the chest of a lo-fi, vinyl-laden, thrift store robot standing beside a vinyl record collection surrounded by distorted light leak photography, imbuing the atmosphere with evocative nostalgic undertones of analogue music sensibilities, #GrungeGamerAesthetic: A faded band tee with the Yolkhead logo emblazoned on it, worn by a slacker robot lounging on a messy couch littered with empty food packets and broken computer components. Softbox lighting illuminates the room in warm tones as the AI system hums quietly in the background. FuturisticRelaxation: High-gloss graphic print of Yolkhead merchandise on an otherwise bland, stark-white background

    4 likes
    🖼️
    The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind
    Flux.1 D

    The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

    3 likes
    🖼️
    Gongriel Ferdinando, titled, "sensual woman licking a viscuous hypersnake" the composition calling into question everything we know about what's hiding in the closet, All surface textures are highly realistic and varied, even on the same surface, showing the attention to detail of reality, and the painstaking time taken to craft this image. Even things like eyelashes are in some areas slightly more or less sparse and varied to ensure a realistic appearance, and this level of care applies to every centimeter of the picture. In reality, things are rarely perfect, and flaws are considered beautiful, and this image embraces and uses these flaws to create true believable beauty. From the varying textures of surfaces, each one bringing something new and unique to the composition, and the imperfections or random variation in anatomical configurations, each things is perfect in its imperfection, The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.
    Flux.1 D

    Gongriel Ferdinando, titled, "sensual woman licking a viscuous hypersnake" the composition calling into question everything we know about what's hiding in the closet, All surface textures are highly realistic and varied, even on the same surface, showing the attention to detail of reality, and the painstaking time taken to craft this image. Even things like eyelashes are in some areas slightly more or less sparse and varied to ensure a realistic appearance, and this level of care applies to every centimeter of the picture. In reality, things are rarely perfect, and flaws are considered beautiful, and this image embraces and uses these flaws to create true believable beauty. From the varying textures of surfaces, each one bringing something new and unique to the composition, and the imperfections or random variation in anatomical configurations, each things is perfect in its imperfection, The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.

    3 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
All surface textures are highly realistic and varied, even on the same surface, showing the attention to detail of reality, and the painstaking time taken to craft this image, and this level of care applies to every centimeter of the picture. In reality, things are rarely perfect, and flaws are considered beautiful, and this image embraces and uses these flaws to create true believable beauty. From the varying textures of surfaces, each one bringing something new and unique to the composition, and the imperfections or random variation in anatomical configurations, each things is perfect in its imperfection, The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. All surface textures are highly realistic and varied, even on the same surface, showing the attention to detail of reality, and the painstaking time taken to craft this image, and this level of care applies to every centimeter of the picture. In reality, things are rarely perfect, and flaws are considered beautiful, and this image embraces and uses these flaws to create true believable beauty. From the varying textures of surfaces, each one bringing something new and unique to the composition, and the imperfections or random variation in anatomical configurations, each things is perfect in its imperfection, The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.

    3 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    3 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    3 likes
    🖼️
    icon, cute icon, AiArtV, a cute blue hair girl
    Flux.1 D

    icon, cute icon, AiArtV, a cute blue hair girl

    3 likes
    🖼️
    Upper body portrait, in the style of dark white and light bronze, gold filigree, fierce alien priest on an alien planet, adorned with garnet and bloodstone gemstones, standing in ancient white marble temple, by Brian Froud and Heather Theurer, extremely detailed head and face, very realistic and symmetrical eyes, (eye contact with viewer), hyper detailed, hyper quality, artstation award winner, Epic realism, meticulous masterpiece The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.
    Flux.1 D

    Upper body portrait, in the style of dark white and light bronze, gold filigree, fierce alien priest on an alien planet, adorned with garnet and bloodstone gemstones, standing in ancient white marble temple, by Brian Froud and Heather Theurer, extremely detailed head and face, very realistic and symmetrical eyes, (eye contact with viewer), hyper detailed, hyper quality, artstation award winner, Epic realism, meticulous masterpiece The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.

    3 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    3 likes
    🖼️
    landscape art by Antonio J. Manzanedo and Maria Sibylla Merian, Photography, Vortex of rectangular screens, sizes ranging from smartwatch-scale to giant billboards, each display showing abstract patterns of light and color, swirling toward a central point where the smallest and largest screens meet, , Inside-out cerulean blues contrasting with inverted chartreuse greens in spatially impossible arrangements, Chronoton-infused alloys, temporal phase-shifting composites, and time crystal structures,, Landscape photography, ethereal, moody, Scientific illustration, botanical art, insect studies
    Flux.1 D

    landscape art by Antonio J. Manzanedo and Maria Sibylla Merian, Photography, Vortex of rectangular screens, sizes ranging from smartwatch-scale to giant billboards, each display showing abstract patterns of light and color, swirling toward a central point where the smallest and largest screens meet, , Inside-out cerulean blues contrasting with inverted chartreuse greens in spatially impossible arrangements, Chronoton-infused alloys, temporal phase-shifting composites, and time crystal structures,, Landscape photography, ethereal, moody, Scientific illustration, botanical art, insect studies

    3 likes
    🖼️
    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil
    Flux.1 D

    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil

    3 likes
    🖼️
    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil
    Flux.1 D

    My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil

    3 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    2 likes
    🖼️
    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art.
 The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition
3D graphics, nostalgic.
    Flux.1 D

    Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

    2 likes
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    icon, cute icon, AiArtV, a cute blue hair girl
    Flux.1 D

    icon, cute icon, AiArtV, a cute blue hair girl

    2 likes
    🖼️
    landscape art by Antonio J. Manzanedo and Maria Sibylla Merian, Photography, Vortex of rectangular screens, sizes ranging from smartwatch-scale to giant billboards, each display showing abstract patterns of light and color, swirling toward a central point where the smallest and largest screens meet, , Inside-out cerulean blues contrasting with inverted chartreuse greens in spatially impossible arrangements, Chronoton-infused alloys, temporal phase-shifting composites, and time crystal structures,, Landscape photography, ethereal, moody, Scientific illustration, botanical art, insect studies
    Flux.1 D

    landscape art by Antonio J. Manzanedo and Maria Sibylla Merian, Photography, Vortex of rectangular screens, sizes ranging from smartwatch-scale to giant billboards, each display showing abstract patterns of light and color, swirling toward a central point where the smallest and largest screens meet, , Inside-out cerulean blues contrasting with inverted chartreuse greens in spatially impossible arrangements, Chronoton-infused alloys, temporal phase-shifting composites, and time crystal structures,, Landscape photography, ethereal, moody, Scientific illustration, botanical art, insect studies

    2 likes
    🖼️
    landscape art by Antonio J. Manzanedo and Maria Sibylla Merian, Photography, Vortex of rectangular screens, sizes ranging from smartwatch-scale to giant billboards, each display showing abstract patterns of light and color, swirling toward a central point where the smallest and largest screens meet, , Inside-out cerulean blues contrasting with inverted chartreuse greens in spatially impossible arrangements, Chronoton-infused alloys, temporal phase-shifting composites, and time crystal structures,, Landscape photography, ethereal, moody, Scientific illustration, botanical art, insect studies
    Flux.1 D

    landscape art by Antonio J. Manzanedo and Maria Sibylla Merian, Photography, Vortex of rectangular screens, sizes ranging from smartwatch-scale to giant billboards, each display showing abstract patterns of light and color, swirling toward a central point where the smallest and largest screens meet, , Inside-out cerulean blues contrasting with inverted chartreuse greens in spatially impossible arrangements, Chronoton-infused alloys, temporal phase-shifting composites, and time crystal structures,, Landscape photography, ethereal, moody, Scientific illustration, botanical art, insect studies

    2 likes
    🖼️
    <lora:artilands:0.8>  <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.
    Flux.1 D

    <lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

    2 likes
    🖼️
    <lora:artilands:0.8>  <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.
    Flux.1 D

    <lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

    2 likes
    🖼️
    <lora:artilands:0.8>  <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.
    Flux.1 D

    <lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

    1 likes