NSFW FLUX LoRA(V1)
Showing 180 posts created with this model

Award winning album cover for "Intermission" by the band "yolkhead".

tanya maniktala nsfw bengali dracula. 1940s noir style. in a gothic mansion. shot by satyajit ray

Album titles: Open Office. By the PC backrooms band, Yolkhead. The album cover shows old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

A close-up portrait of a beautiful 27yo young woman with pastel purple hair falling on her succulent bare breasts, her face adorned with delicate purple flowers. She wears a crown of lilacs and peonies, illuminated by soft, ethereal light. She gently holds a lilac sprig to her lips, her innocent gaze meeting the viewer's with a touch of wonder,

MadiKat, An extremely high resolution photograph of a stunningly beautiful redhead woman. She is wearing a tight purple tee shirt. Portrait photo zoomed in on only her face. in the style of Jed-clrfl, Real Nipples and Areola Textures, RNAT, AiArtV

Create a character similar to Casper from the 1995 movie "Casper." This character should be a friendly and gentle ghost with a deep desire to make friends and connect with the living. Despite their ethereal nature, they possess a kind heart and a longing for companionship. They live in an old, possibly haunted place, but rather than being scary, they are endearing and misunderstood.

Award winning album cover for "Late Bloomers" by the band "yolkhead".

cover for the slowcore album titled "Brut", by the band "yolkhead".

Award winning album cover for "Intermission" by the band "yolkhead".

Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind. 3D graphics, nostalgic.

Album art for an album titles "and your heart flowed out freely like water", a truly stunning masterpiece, metaphorical and not on the nose

thick eyelashes that are naturally curled., a striking shade of hazel, friendly expression. She has a fair complexion and a light dusting of freckles across her cheeks and nose. Her hair is a medium red color, likely of brazilian girl, almond-shaped hazel eyes with a hint of green and brown, and a slightly upturned mouth with her tongue playfully sticking out. Her eyes are large and almond-shaped, vintage style., tousled waves that frame her face

AiArtV, woman, open mouth, blue hair, earrings, teeth, choker, tongue, tongue out, mole, black choker, makeup, portrait, realistic, long tongue

Mesmerizing close-up portrait bathed in vibrant neon colors. Face illuminated by a kaleidoscope of electric hues - cyan, magenta, yellow, and emerald green. Striking contrast between cool blues and warm oranges across the features. Iridescent, glitter-like particles scattered over the skin, creating a cosmic effect. Piercing eyes with multicolored reflections, framed by dramatic lashes. Lips shimmering with holographic sheen. Hair melting into the background in streaks of hot pink and electric blue. Sharp contours accentuated by bold color transitions. Black background amplifying the intensity of the neon palette. Cyberpunk aesthetic meets high-fashion makeup artistry. Hyper-realistic rendering with ultra-sharp focus on every colorful detail.

analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"

analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"

A woman discovers she can fly, soaring over New York as she takes a selfie, laughing, tongue out

My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see, The fractured prism of my mind struggles to contain its disparate facets, as shards of identity splinter and refract, revealing parallel existences and unwelcome glimpses into the labyrinthine corridors of my own chronology, The kaleidoscope of my psyche is in disarray, as mirrored shards of selfhood shatter and reassemble, each reflection revealing a divergent path, a haunting echo of what could have been, or what may yet be, In the hall of mirrors that is my consciousness, reflections of myself proliferate, each one a portal to a divergent reality, a testament to the infinite possibilities that I dare not confront, and the lives that I've yet to live, The crystalline structure of my identity is under siege, as facets of my being cleave and recombine, birthing parallel selves that haunt the periphery of my awareness, their whispers echoing through the chambers of my mind like the ghosts of unlived lives

analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"

A close-up portrait of a beautiful young woman with pastel purple hair, her face adorned with delicate purple flowers. She wears a crown of lilacs and peonies, illuminated by soft, ethereal light. She gently holds a lilac sprig to her lips, her innocent gaze meeting the viewer's with a touch of wonder,

a portrait of a single carnival participant wearing an elaborate, hand-painted mask. The focus is on the mask’s intricate details and the subject’s eyes peeking through, conveying mystery and intrigue

Gongriel Ferdinando, 3D horror artwork, surreal ambiance, mystery and intrigue, expert rendering, Autodesk software, flickering shadows Gongriel Ferdinando crafts a profoundly unsettling 3D horror artwork titled 'at the edge of hypermurder,' ensconcing the surreal ambiance within the unknown confines of a flickeringly shadowed world meticulously painted with Autodesk, invoking the horrors secretly concealed behind innocence. disturbing installation, first-rate image, darkest chambers, forbidden fruit effects, unclassified materials, ultra hd digital editing Underneath insinuations cast through resurfacing dark arts, in this disorienting nightmare inspired from the unseen realm summoned by the masterfully woven tapestry conveyed with this compelling disturbing as featured in renowned 'at the edge of hypermurder,' inlaid amongst subtle evocation through unadulterated forbidden materials meticulously built around a dark palette crafted through contemporary ultra hd digital art, culled darkness spills over. A surrealist vision, exclusive rating, blurred transitions, sharp intensity contrasting bright surroundings, hypermodern imaging devices

#GrungeGamerAesthetic: A faded band tee with the Yolkhead logo emblazoned on it, worn by a slacker robot lounging on a messy couch littered with empty food packets and broken computer components. Softbox lighting illuminates the room in warm tones as the AI system hums quietly in the background. FuturisticRelaxation: High-gloss graphic print of Yolkhead merchandise on an otherwise bland, stark-white background featuring the slacker robot, now lazily operating an arcade stick with a retro gaming system setup, amidst piles of retro game boxes and wiring, with an undercurrent of lo-fi house sounds drifting from speakers mounted on an old rack system off to the side. CyberBotStyleVintageWear: Yolkhead tour merch plastered on the chest of a lo-fi, vinyl-laden, thrift store robot standing beside a vinyl record collection surrounded by distorted light leak photography, imbuing the atmosphere with evocative nostalgic undertones of analogue music sensibilities, #GrungeGamerAesthetic: A faded band tee with the Yolkhead logo emblazoned on it, worn by a slacker robot lounging on a messy couch littered with empty food packets and broken computer components. Softbox lighting illuminates the room in warm tones as the AI system hums quietly in the background. FuturisticRelaxation: High-gloss graphic print of Yolkhead merchandise on an otherwise bland, stark-white background

Upper body portrait, in the style of dark white and light bronze, gold filigree, fierce alien priest on an alien planet, adorned with garnet and bloodstone gemstones, standing in ancient white marble temple, by Brian Froud and Heather Theurer, extremely detailed head and face, very realistic and symmetrical eyes, (eye contact with viewer), hyper detailed, hyper quality, artstation award winner, Epic realism, meticulous masterpiece The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

Prepare to be dazzled by a portrait that defies description, a kaleidoscopic explosion of color and form that seems to dance on the very edge of reality. In this awe-inspiring digital masterpiece, a woman's face emerges from a swirling maelstrom of orange and black, her features fragmented and reassembled in a dizzying array of geometric shapes and luminous fractals. Inspired by the boundary-pushing work of visionaries like Alberto Seveso and Mike Winkelmann, this is an image that challenges the very concept of portraiture, transforming the human face into a canvas for pure, unbridled artistic expression. The level of detail is simply staggering, with every shimmering pixel and every razor-sharp line contributing to an overall sense of hypnotic, almost psychedelic beauty. To gaze upon this image is to lose oneself in a world of infinite possibility, where the only limits are those of the artist's boundless imagination

A captivating optical illusion of a zebra standing against a mesmerizing backdrop of alternating black and white horizontal stripes. The zebra's pose, with its curved body and head tilted towards the top-right corner, creates an illusory sense of motion amidst the static pattern. The stripes rise from the bottom, giving the impression of an infinite upward journey, merging art and perception in a visually striking manner.

Upper body portrait, in the style of dark white and light bronze, gold filigree, fierce alien priest on an alien planet, adorned with garnet and bloodstone gemstones, standing in ancient white marble temple, by Brian Froud and Heather Theurer, extremely detailed head and face, very realistic and symmetrical eyes, (eye contact with viewer), hyper detailed, hyper quality, artstation award winner, Epic realism, meticulous masterpiece The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind
Poster for the eclectic 90s backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. This poster is the last one for sake at their merch booth, the design strangely compelling and very 90s slacker, All surface textures are highly realistic and varied, even on the same surface, showing the attention to detail of reality, and the painstaking time taken to craft this image, and this level of care applies to every centimeter of the picture. In reality, things are rarely perfect, and flaws are considered beautiful, and this image embraces and uses these flaws to create true believable beauty. From the varying textures of surfaces, each one bringing something new and unique to the composition, and the imperfections or random variation in anatomical configurations, each things is perfect in its imperfection, The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind.

Album cover for Open Office, by the eclectic backrooms band, Yolkhead, which evaporated into the mist at a concert and was never seen again. The album features old 90s limimal animation art. The most compelling album cover ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire album is lauded by the modern masters as a commercial success, the album itself considered by some too sacred to even show the common world. The work is dynamic and complicated, featuring a video game rendering of a liminal office space, with old software logos worked into the composition 3D graphics, nostalgic.

cinematic photo a block of stone, the left half of the block has been carved into a realistic beautiful woman's face, from the eye pours a waterfall the stone is covered in tiny cracks, the eye is a real photorealistic eye . 35mm photograph, film, bokeh, professional, 4k, highly detailed

My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil

My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil

Upper body of subject stands in an urban alleyway, bathed in the vibrant glow of neon lights. Reds, blues, and greens cast colorful reflections on the wet pavement, the subject’s features partially illuminated in a striking contrast, graffiti walls framing the scene, extreme close-up, colorful, dynamic light.

psychologically paranoia thriller style found footage of a hyper-snuff documentary, glitch-faced, the watcher follows his empty statuary patterns, long ago the whole thing broken down, and yet the damn thing continues to run. Do you think you know his mind? The scanlines of your Time's traversal are but motes of empty vapid things on the mind of the endless. And so you paint, the textured brushstrokes somehow becoming skin, the skin becoming you, the you becoming and becoming: gone and gone. So you spill your onanist painting like frauds little slut and? Does that make it bad? Like flowers we wilt but like weeds I for one refuse to let go of the rutting earth, my trashy plastic skirt a fucking riot in your glimmering eyes of trash and all the things we haven't yet forgotten
![<lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/3e35f0f5-8f6c-47ff-938e-640108f782c5/width=832/29564250.jpeg)
<lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.
![<lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
I call Anonke.
Astral shape taken.
I journey over Spain to Morocco. Turn S.E.
Assume red robes and bloody sword.
Cannot see any guide.
A domed temple.
Tall--face Anonke.
Attended by pigs.[not/6]
These are tall men in brazen armour with spears, as appears after on my invocation of [...].
Anonke greenish or reddish.
Sensual, cruel. Makes love to me.
With difficulty I refrain.
This continues some time.
I ask the questions. She looks to W.
Fire and earth.
I distrust her and call on [...] threatening with sword.
I perceive men writhing within her stomach and bowels.
She advances over me with legs outspread.
(She is vastly bigger than I.)
I call on [...]. Her brazen men appear. I strike.
She sinks back to her throne slain.
I receive the allegiance of the men, call them in 24 hours from then.
I bid them remove her.
I call down fire to consume her.
I attempt to take her throne but am warned not to.
I return N.E. Cannot enter Egypt, but turn N.W. I enter circle. Have had suspicions, and now turn to see my guide--a [...]. (He cannot enter.) Great eyes--sun-fish face, body indistinct. I threaten him and he disappears. I pray for a time and an angel enters circle. We ascend.
White platform. Anonke as in picture.
In answer to questions:
``I look to the East.''
``I am of all elements. I ripen in the earth. I dream in the water; in the fire I burn and in the air I smoke.''
Quick return to physical.](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/9c6df889-4f57-48b2-af77-8d947e1d8079/width=832/29564253.jpeg)
<lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. I call Anonke. Astral shape taken. I journey over Spain to Morocco. Turn S.E. Assume red robes and bloody sword. Cannot see any guide. A domed temple. Tall--face Anonke. Attended by pigs.[not/6] These are tall men in brazen armour with spears, as appears after on my invocation of [...]. Anonke greenish or reddish. Sensual, cruel. Makes love to me. With difficulty I refrain. This continues some time. I ask the questions. She looks to W. Fire and earth. I distrust her and call on [...] threatening with sword. I perceive men writhing within her stomach and bowels. She advances over me with legs outspread. (She is vastly bigger than I.) I call on [...]. Her brazen men appear. I strike. She sinks back to her throne slain. I receive the allegiance of the men, call them in 24 hours from then. I bid them remove her. I call down fire to consume her. I attempt to take her throne but am warned not to. I return N.E. Cannot enter Egypt, but turn N.W. I enter circle. Have had suspicions, and now turn to see my guide--a [...]. (He cannot enter.) Great eyes--sun-fish face, body indistinct. I threaten him and he disappears. I pray for a time and an angel enters circle. We ascend. White platform. Anonke as in picture. In answer to questions: ``I look to the East.'' ``I am of all elements. I ripen in the earth. I dream in the water; in the fire I burn and in the air I smoke.'' Quick return to physical.

E-Girls_Mansion_Blackee,cute,dynamic seductive pose,(high detail:1.4), (highres:1.4), (ultra detailed:1.4), A stunning, hyper-realistic full body captures the face and body of a beautiful woman. Her intense, beautiful pale blue eyes reflect a fierce resolve, shining with both quiet strength and an underlying vulnerability. The sharp, delicate features of her face are framed by long, sleek white hair, slightly tousled, adding to her mysterious allure. Her expression is a mesmerizing mix of determination and fragility, capturing the duality of a warrior ready to fight yet imbued with an ethereal, almost otherworldly beauty. Soft beads of sweat cling to her flawless, pale skin, subtly glowing in the dramatic side lighting that enhances every detail. The lighting casts intricate shadows across her face, highlighting the contours of her high cheekbones and the softness of her lips, which tremble slightly with tension. There’s a moody, atmospheric glow surrounding her, blending the ethereal elements of a fantasy world with the timeless elegance of modern fashion. Her gaze is piercing yet distant, as if contemplating both the battle before her and the weight of her existence. The overall style evokes a luminous blend of John Anster Fitzgerald’s dreamy fantasy elements, creating a hauntingly beautiful, cinematic moment, Long white hair, Neck belt accessoires, full body picture no close-up, low cut corset, show belly, clean face , full body in picture,

Upper body portrait, in the style of dark white and light bronze, gold filigree, fierce alien priest on an alien planet, adorned with garnet and bloodstone gemstones, standing in ancient white marble temple, by Brian Froud and Heather Theurer, extremely detailed head and face, very realistic and symmetrical eyes, (eye contact with viewer), hyper detailed, hyper quality, artstation award winner, Epic realism, meticulous masterpiece The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

a cyberpunk robot samurai woman, robot face with mirrored face shield, robot joints, body made of metals, cables and wires, holding a katana by the hilt, in a cyberpunk subway station, dim lighting from overhead strip lighting, silhouetted in the gloom. Perfect Composition, realistic photographic image, RAW photo highest quality, perfect directional lighting

The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind

A blinged out pistol, frosted and glimmering with diamonds, featured in a music video for "my Glock tastes like birthday cake"

A blinged out pistol, frosted and glimmering with diamonds, featured in a music video for "my Glock tastes like birthday cake"

cinematic photo a block of stone, the left half of the block has been carved into a realistic beautiful woman's face, from the eye pours a waterfall the stone is covered in tiny cracks, the eye is a real photorealistic eye . 35mm photograph, film, bokeh, professional, 4k, highly detailed
![<lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke.
Long journey--passed one pageant.
efile. Very Black. Luminous blue man with sword.
I ask his guidance. Immediate acquiescence.
Turn left through rock door. I notice I have my white<<Qy.>> robes on.
Out on to cliff-face as before.
Through air.
I fall--recover by aid of shepherd or alone.<<Myrtle?>>
I am winged.
A silver-moss rugged hill.
a circular bright temple, domed, sign of crescent.
I hesitate for this reason to enter.
The guide makes me understand.<<Quite easy--previous prayer?>>
Brilliant woman ([...]) in centre. I go to her and kneel.](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/d2ab075c-e105-45f8-b4a1-028ef7b0dded/width=832/29564258.jpeg)
<lora:artilands:0.8> <lora:FluxBossBattle:0.9> <lora:dark_fantasy_flux:0.7>I call Anonke. Long journey--passed one pageant. efile. Very Black. Luminous blue man with sword. I ask his guidance. Immediate acquiescence. Turn left through rock door. I notice I have my white<<Qy.>> robes on. Out on to cliff-face as before. Through air. I fall--recover by aid of shepherd or alone.<<Myrtle?>> I am winged. A silver-moss rugged hill. a circular bright temple, domed, sign of crescent. I hesitate for this reason to enter. The guide makes me understand.<<Quite easy--previous prayer?>> Brilliant woman ([...]) in centre. I go to her and kneel.

My head will not stay together, it only wishes to split itself into endless refractions of the self, each one a planar liquid static, each one displaying lives and alternations of the timeline that I do not wish to see The cohesion of my consciousness eludes me, as it yearns to fragment into an infinite prism of selves, each facet a stagnant pool reflecting lives and temporal divergences from which I seek refuge. Psychic integrity evades my grasp, for my mind craves to shatter into a kaleidoscope of alternate egos, each a frozen liquid mirror projecting existences and chronological permutations I dare not witness. Cerebral harmony evades my essence, as it thirsts to cleave into a myriad of refracted identities, each a crystalline quiescence portraying sojourns and chronological deviations from which I recoil

The most compelling work of art ever produced, every intricate detail holding a narrative or philosophical concept that entrances. The entire composition is lauded by the modern masters as truly mesmerizing, the artwork itself considered by some too sacred to even show the common world. The work is dynamic and complicated, with multiple forms of media layered in complex and innovative ways, at times mind-bending in the creative solutions the artist found to produce what is lauded as the only truly creative work ever produced by mankind