japanese line art , two woman intertwined on a bed, floral patterns, roses, linen , (bloody face, dripping blood:1.2) , dripping blood, skeletal figures, gore, (aged black background:1.2) , weathered canvas and brushstroke , (intricate eyeball pattern background:1) , , bad quality , low res, , in the style of takato yamamoto unfinished, ugly, <lora:takma2:1.2>

body horror Hello Kitty with a ♥, Raw photo, dramatic lighting, film grain, cave,(Game of thrones movie style), <lora:body_horror:1>

<lora:split2:1> split head and body, split Harry Potter, inside The Queen of Hearts

A high-quality, body shot close-up photograph of a ck-owct style hand-painted wooden Christmas toy featuring a skinny one-arm cute little black zombie rabbit with a ripped ear, long teeth and eating a human brain flowing with blood. Green and red vivid ambient light.

digital illustration, monster, action shot of Lovecraftian tentacled entity in a suburban cul-de-sac a group of men dressed in full biohazard gear armed with traditional hunting shotguns engaged in battle with it, some are being dragged into the maw of the monster while others lay lifeless on the ground, while some are fleeing, the scene is horrific, most of the humans are in pure panic flight or fight, there is significant recent damage to some of the houses, the weather is overcast and the mood is dark and the scene visceral, the monster is upon them and in the process of eating one of the men, none of the men have a clam demeanor or stance, their fear is evident in their body language and the ground is littered with dead men in biohazard suits, there is also a large amount of red ichor on the street and all over the houses<lora:Abstract_Monstrosities_-_FLUX.safetensors:1.0:1.0> <lora:cheats.safetensors:0.5:0.5>

Outdoors,basement,looking at viewer, scared, shocked, sad look,1man,ugly face,skinny, glasses, ginger bob hair,blue eyes, red t-shirt, freckled face,Gorecore,horror,gore,disturbing,death,blood,murder,dismembered,slasher imagery,violence,red

Dark Fantasy page, Inside a crypt. sluggirl, undead, twitching, writhing. Walls made of flesh. Painting. Monster Manual. s34slug, flaps, stalks zombie slug hybrid man monster.

A large fat man wearing a leather gimp suit, a blood-stained butcher's apron, and a leather mask with a metal muzzle on his mouth is carrying a bear trap in a grim basement complex, 90s horror illustration.

cybernetic style <lora:Xenomorph_Facehugger_Attack_-_Alien_Flux_v2:0.7>(Xenomorph Facehugger),A realistic live-action sci-fi horror scene inside a futuristic spaceship medbay. Viewed from a high angle above, a woman with long blonde hair lies defeated on a high-tech surgical table. Her arms and legs are limp and hanging off the sides of the table, restrained only by loose or broken metallic cuffs. She is wearing the iconic Supergirl costume from the TV series starring Melissa Benoist: a dark blue fitted top with the red and yellow 'S' emblem, a red skirt, and a red cape. Her costume is badly torn, shredded, and soaked in blood, exposing bruises and wounds on her body. A grotesque alien facehugger is latched tightly to her face, with bony fingers wrapping around her head and neck. Another biomechanical parasitic alien with fleshy, organic textures and tendrils is clinging to her torso as if merging with her. The scene is lit with cold, dim lighting; the environment is sterile, metallic, and futuristic. The mood is bleak, cinematic, and horrifying — evoking the style of 1980s sci-fi horror classics like Alien. Ultra-realistic textures, cinematic lighting, high detail in skin, blood, torn fabric, and alien anatomy. <lora:EXM:0.36> ,<lora:Flux Muscle v2 fp8:0.33>, <lora:Facehugger:0.5>, <lora:supergirl_dev_f1:0.3>, <lora:MysticXXX-V6:0.6> . futuristic, technological, cybernetic enhancements, robotics, artificial intelligence themes

Dark Fantasy page, Inside a crypt. sluggirl, undead, twitching, writhing. Walls made of flesh. Painting. Monster Manual. s34slug, flaps, stalks zombie slug hybrid man monster.

old woman side profile skeletal corpse looking, with maggots on face dripping, showered with australian money cash currency falling in front of her face, she has a wild look in her eyes like she has just won a jackpot in a very clean white room science experiment, woman of 98 years old with brunette bangs in anervous system and veins bodysuit, curly hair sitting at a modern slot machine. She has no face and only skin for a face. She is surrounded by multi colored bolts of high intensity electricity and lightning as well as holograms of futuristic cubes projecting around the room with eyeballs inside them

written at the top of the image is the words 'THE LOST FUTURES'. below, a kaleidoscopic man with head coming apart like the woman in total recall four eyes two on each side of the face and two noses and two mouths very high technology greedy fat man eating big wads of paper cash money, he has a very bright halo around his head, in the background are esoteric magic symbols and sacred geometry as well as floating rats and severeed heads. he has a split face with blood coming out of his eyes color bars dripping blood faces screaming tv test pattern static imagery glitch pattern but embedded with cash symbols, dollar signs, money

A cinematic photograph of a watermelon made of poly acrylic in the shape a crayfish in the shape of a morbidly obese woman, in the style of Raphael, Movie Still, Film Still, Cinematic, Cinematic Shot, Cinematic Lighting, JuggernautNegative, biopunkai, Disgusting, Globby, Goo, Yucky, Icky

Dark Fantasy page, Inside a crypt. sluggirl, undead, twitching, writhing. Walls made of flesh. Painting. Monster Manual. s34slug, flaps, stalks zombie slug hybrid man monster.

postal1, Monster, bloodyface, blood, looking at viewer, smiling, perfecteyes

lazympos, advntr, lovecraft1an, 8weod, score_9, score_8_up, score_7_up, amazing quality, high resolution, ultra-detailed, absurdres, scenery, depth of field, volumetric lighting, landscape, ((made of skulls)), masterpiece, best quality, very aesthetic, watercolor painting, horror, The ​asylum cell​ was a ​cage of madness, its ​iron bars rusted​ with ​age and neglect, while the ​straw-strewn floor​ was ​stained with dark patches​ that reeked of ​old suffering. The ​walls were scratched​ with ​insane scribbles—some in ​charcoal, others in what I feared was ​dried blood—forming ​twisted geometries​ that seemed to ​shift and writhe​ when viewed from the corner of the eye.