<lora:ck-LttleGhost-000011.safetensors:1> in the style of ck-lttlegh0stA 12-inch tall teddy bear doll stands amidst a foreboding forest setting, its once-adorable face now twisted into a grotesque grimace. Tattered and stained clothing replaces the original outfit, while a black cap remains on its head.

Ultra-realistic 8k CG, masterpiece, best quality, polecat wear inquisitor robe and bite off bloody chicken head in a medieval Cathedral, pr3y style, look to viewer, still life, high detailed, beautiful intricately and detailed, DOF, <lora:add-detail-xl:1> <lora:NicolaSamori:0.7> <lora:Inquisition_v2:1> <lora:bloodyface:0.2>

score_9, score_8_up, score_7_up, score_6_up, source_real, source_photo, a 3/4 three-quarters length portrait, WitcherToxinV1 , heavytoxin, veins, black veins, veins, 1girl, deadite woman , female deep one, valak, source_real, source_photo, in the style of the Exorcist movie, exorcist style, a possessed woman, bloodless lips, valak, Body horror, pale body, yellow eyes, long black hair, grey skin, black veins, monster, scary, paranormal, pale, black veins, long tangled black hair, teeth, hands on hips, front view, very pale skin, very pale grimy filthy skin, evil smile, demonic possession. Evil smile, a possessed woman,, yellow eyes, large breasts, hands by side, floating in mid-air, floating above ground, stained filthy white open old-fashioned stained filthy tattered nightgown, stained filthy basic Victorian nightgown, long nightgown,long sleeves, black pupils, red lighting, bedroom with peeling wallpaper, horror, scary face, monstrous, evil, claws, red lighting, Expressiveh, g0thicPXL, glowing, neon,, zPDXL2, exorcist style

cinematic still, Georgina Montana as the demonic mother-bride, aging voluptuous Latina woman in a scorched white wedding veil threaded with rosary beads and burnt lace, subtle black horns curving softly beneath her low bun, her expression warm yet unblinking, with her forked tongue slightly extended in a tender beckon, wearing a high-collared bridal gown stained with ash and sacramental wine, arms gently open as if inviting a final embrace, upper body close-up, eye-level shot, setting is a decaying cathedral aisle flanked by weeping statues, mood of tender coercion and spiritual entrapment, diffused backlighting through smoke and glass, color theme of faded ivory, candle gold, and sacrificial crimson, directed by Brian De Palma, cinematography by John A. Alonzo, inspired by Scarface’s emotional standoffs reframed in infernal gothic surrealism