style of Rembrandt [FLUX] 135(V1)

    Showing 377 posts created with this model

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    Flux.1 D
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    On the Victorian table is a large book in embossed brown leather binding with gold corners.At the top of the cover is the author's name: R. Zelazny written in overlaid dark bronze letters.
Below it is written "A night in the" in ancient letters with monograms. In the middle of the cover, an open gate is painted, flooded with a dead-green fog. Right from the cover, long monstrous tentacles crawl out of the fog onto the table, breaking through from the cover into the real world and creating a sense of three-dimensionality of the image. At the bottom of the cover, the words "linesome October" are written in ancient letters with monograms. There is a large hound dog sitting next to the table, and a black rat on the table next to Smith's book. One leg of the table is wrapped around a snake. in the photo, Victorian-style wallpaper and an antique grandfather clock on which an owl is sitting. A ruby ring is lying on the floor. the whole drawing should be executed with saturated colors, in the style of Rembrandt
    Flux.1 D

    On the Victorian table is a large book in embossed brown leather binding with gold corners.At the top of the cover is the author's name: R. Zelazny written in overlaid dark bronze letters. Below it is written "A night in the" in ancient letters with monograms. In the middle of the cover, an open gate is painted, flooded with a dead-green fog. Right from the cover, long monstrous tentacles crawl out of the fog onto the table, breaking through from the cover into the real world and creating a sense of three-dimensionality of the image. At the bottom of the cover, the words "linesome October" are written in ancient letters with monograms. There is a large hound dog sitting next to the table, and a black rat on the table next to Smith's book. One leg of the table is wrapped around a snake. in the photo, Victorian-style wallpaper and an antique grandfather clock on which an owl is sitting. A ruby ring is lying on the floor. the whole drawing should be executed with saturated colors, in the style of Rembrandt

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    cinematic still Minimalist painting of a young influencer woman (art by Albert Lynch, Abbott Handerson Thayer), very cute, highly detail, best quality, red tight dress with exposed shoulders and low neck line, medium breasts with perky nipples, white splash background, dynamic pose, black outline, innocent, serene, pale skin, green eyes, long flowing blonde hair, ultra detailed, romantic, Rembrandt lighting, brush strokes, warm light, magical, extremely coherent, cute, beautiful, cinematic, stunning, creative, positive, cheerful, unique, cool, inspiring, pure, rational, very inspiring, friendly, thoughtful, luminous, magical, perfect, intricate, wonderful, lovely, style of Rembrandt, del1cate_balance style, vantablack
    Flux.1 D

    cinematic still Minimalist painting of a young influencer woman (art by Albert Lynch, Abbott Handerson Thayer), very cute, highly detail, best quality, red tight dress with exposed shoulders and low neck line, medium breasts with perky nipples, white splash background, dynamic pose, black outline, innocent, serene, pale skin, green eyes, long flowing blonde hair, ultra detailed, romantic, Rembrandt lighting, brush strokes, warm light, magical, extremely coherent, cute, beautiful, cinematic, stunning, creative, positive, cheerful, unique, cool, inspiring, pure, rational, very inspiring, friendly, thoughtful, luminous, magical, perfect, intricate, wonderful, lovely, style of Rembrandt, del1cate_balance style, vantablack

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    Flux.1 D
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    Flux.1 D
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    On the Victorian table is a large book in embossed brown leather binding with gold corners.At the top of the cover is the author's name: R. Zelazny written in overlaid dark bronze letters.
Below it is written "A night in the" in ancient letters with monograms. In the middle of the cover, an open gate is painted, flooded with a dead-green fog. Right from the cover, long monstrous tentacles crawl out of the fog onto the table, breaking through from the cover into the real world and creating a sense of three-dimensionality of the image. At the bottom of the cover, the words "linesome October" are written in ancient letters with monograms. There is a large hound dog sitting next to the table, and a black rat on the table next to Smith's book. One leg of the table is wrapped around a snake. in the photo, Victorian-style wallpaper and an antique grandfather clock on which an owl is sitting. A ruby ring is lying on the floor. the whole drawing should be executed with saturated colors, in the style of Rembrandt
    Flux.1 D

    On the Victorian table is a large book in embossed brown leather binding with gold corners.At the top of the cover is the author's name: R. Zelazny written in overlaid dark bronze letters. Below it is written "A night in the" in ancient letters with monograms. In the middle of the cover, an open gate is painted, flooded with a dead-green fog. Right from the cover, long monstrous tentacles crawl out of the fog onto the table, breaking through from the cover into the real world and creating a sense of three-dimensionality of the image. At the bottom of the cover, the words "linesome October" are written in ancient letters with monograms. There is a large hound dog sitting next to the table, and a black rat on the table next to Smith's book. One leg of the table is wrapped around a snake. in the photo, Victorian-style wallpaper and an antique grandfather clock on which an owl is sitting. A ruby ring is lying on the floor. the whole drawing should be executed with saturated colors, in the style of Rembrandt

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    On the Victorian table is a large book in embossed brown leather binding with gold corners.At the top of the cover is the author's name: R. Zelazny written in overlaid dark bronze letters.
Below it is written "A night in the" in ancient letters with monograms. In the middle of the cover, an open gate is painted, flooded with a dead-green fog. Right from the cover, long monstrous tentacles crawl out of the fog onto the table, breaking through from the cover into the real world and creating a sense of three-dimensionality of the image. At the bottom of the cover, the words "lonesome October" are written in ancient letters with monograms. There is a large hound dog sitting next to the table, and a black rat on the table next to Smith's book. One leg of the table is wrapped around a snake. in the photo, Victorian-style wallpaper and an antique grandfather clock on which an owl is sitting. A ruby ring is lying on the floor. the whole drawing should be executed with saturated colors, in the style of Rembrandt
    Flux.1 D

    On the Victorian table is a large book in embossed brown leather binding with gold corners.At the top of the cover is the author's name: R. Zelazny written in overlaid dark bronze letters. Below it is written "A night in the" in ancient letters with monograms. In the middle of the cover, an open gate is painted, flooded with a dead-green fog. Right from the cover, long monstrous tentacles crawl out of the fog onto the table, breaking through from the cover into the real world and creating a sense of three-dimensionality of the image. At the bottom of the cover, the words "lonesome October" are written in ancient letters with monograms. There is a large hound dog sitting next to the table, and a black rat on the table next to Smith's book. One leg of the table is wrapped around a snake. in the photo, Victorian-style wallpaper and an antique grandfather clock on which an owl is sitting. A ruby ring is lying on the floor. the whole drawing should be executed with saturated colors, in the style of Rembrandt

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