<lora:Florate Flux_epoch_3:0.9> A Chinese surrealist painting of rosegold and rosegold scene with ruffled winding magenta edges, face made of raspberry

A futuristic warrior in ornate, black armor stands amidst a fiery battlefield. His armor is accented with glowing orange lines and he holds a large, futuristic gun. The background is a raging inferno with billowing smoke. The image is highly detailed and has a cinematic feel, with high contrast and saturation, and subtle film grain.

advertising photograph of a (1930s Bugatti racing car:1.2) parked in an automobile mechanic shop, the Car is waxed and shined to a sheen, (Vehicle has been modified to race specifications, retro race painting:1.1), Magnificent, sexy, official art, hyper realistic, photo realistic, extremely detailed, Exquisite color design, Exquisite composition, ultra highres, absurdres, (best quality, ultra detailed), high budget, RAW photo, car focus <lora:ImageUpgraderV2:0.75> detailmaximizer, by Nick Knight, film grain, fine grain, 35mm, sharp focus, soft lighting, volumetric lighting, <lora:Herbst_Photo_Style_v3:1> herbstphoto, herbst photo

A fine art photograph of an elaborate industrial art Halloween chandelier made of polished steel with many tiny red cracks. The piece has obviously been made by a skilled craftsman, with finely detailed textures and surfaces. It is obviously old, with worn parts and a patina of grime. A phosphorescent glow emanates from it, illuminating the surrounding area. Wisps of glowing orange fog roil in the background. The overall feel of the image is Magical Realism. <lora:BlackColor:0.6> <lora:Magical_Glow_Flux:0.6> <lora:Green_Cracks_on_Black_Flux:0.6>

<lora:Vintage_sketch_style_v.1:0.8> VintageSketch style. (A close view from above). Meticuolously detailed. Slightly, partially colored. An intricate vintage architectural sketch features a masterpiece architectural gem—The Shard (London, UK) – A sleek, glassy pyramid slicing through London’s skyline, blending contemporary design with the city’s historic core.

<lora:daVinciCodex:1> ice cube on fire

A striking, modern townhouse with a blend of historical and contemporary architecture, featuring a facade of arched, circular windows framed in black steel. The exterior is made of a mix of dark brick and stone, with intricate masonry surrounding the windows. Warm, ambient lighting from within the house highlights the elegant design of the interior, visible through the large, glass-paneled archway on the ground floor. The interior is illuminated with soft, golden light, showcasing a cozy, open-plan living space with modern furnishings and bookshelves. The upper floors feature large circular and arched windows, creating a geometric contrast with the rectangular shape of the house. The scene is set at twilight, with the sky darkening and the warm lights creating a welcoming glow. The foreground features a small garden with manicured bushes and stepping stones leading up to the front entrance. aidmaHyperrealism <lora:aidmaHyperrealismv0.3:0.6> <lora:Sinfully_Stylish_.02_for_FLUX:0.6> in the style of Jed-clrfl <lora:flux-colourful:0.3> <lora:FluxDFaeTasticDetails:0.6>

A pair of river otters float on their backs in a crystal-clear pond, their paws clasped around a glossy heart-shaped pebble. The foreground otter ‘offers’ the token under a twilight sky tinged with cotton-candy pinks and purples. Reflections of willow trees ripple in the water, while fireflies glow faintly around them. Negative space emphasizes the otters’ connection, and split-complementary colors (pink, teal, gold) add playful contrast. Rendered in 8K with ultra-detailed fur textures and cinematic bokeh. Realism with a fairy-tale twist. Twilight lighting, reflections, ultra-wide angle.

<lora:Vibrantly_sharp_style_v.2:0.8> VibrantlySharp style. A foreboding temple stands in eerie silence, its dark wooden structure illuminated only by the ominous glow of crimson lanterns that flicker like restless spirits. The steep stone staircase leading to the entrance is worn and shadowed, partially submerged in mist, as if the temple itself is emerging from another realm. Reflections of the lanterns dance upon the surface of the still water below, fragmented by ripples that distort their fiery light. Scarlet maple leaves drift lazily through the air, their vibrant hue mirroring the unnatural glow of the blood-red moon that looms ominously overhead. Above, the night sky churns with swirling storm clouds, their edges tinged with deep grays and ghostly whites. The massive, fractured moon dominates the heavens, its surface scarred and bleeding darkness, as if it is on the verge of collapse. A swarm of black-winged creatures—bats or perhaps something more sinister—spirals through the turbulent sky, silhouetted against the burning celestial body. Wisps of ethereal mist cling to the temple’s curved rooftops, swirling around the ornate eaves, creating the illusion that the structure is shifting between worlds. The surrounding forest is a dense void of twisted trees, their skeletal branches reaching out like grasping fingers. Hidden within the shadows, faint glimmers of red light flicker intermittently, hinting at unseen figures or spectral watchers lurking beyond the temple grounds. The air is thick with an oppressive stillness, a silence so heavy that even the soft rustling of the wind feels intrusive. The color palette is an exquisite balance of deep charcoal blacks, muted ash grays, and vibrant, bleeding crimsons, creating a haunting contrast that enhances the scene’s surreal, supernatural ambiance. The intricate details of the temple’s architecture—weathered wood, delicate railings, and finely carved pillars—add a sense of history, as if this place has stood for centuries, waiting for something… or someone. The entire composition evokes an overwhelming sense of mystery and dread, capturing a world on the precipice of something dark and ancient awakening. It is a place where the boundaries between the living and the dead blur, where time stands still under the watchful gaze of a moon that has seen the rise and fall of forgotten gods.

A white-haired female warrior with glowing red eyes, stands with a glowing blue sword, next to a large blue dragon with glowing red eyes, in front of a sunset background. Fantasy art style, highly detailed, high contrast, saturated colors, cinematic lighting.

A shot from a 1960s espionage thriller inspired by On Her Majesty’s Secret Service and The Pink Panther, directed by Peter Hunt with the crisp, sharp cinematography of Michael Reed. The scene is set at an exclusive alpine resort nestled high in the Swiss Alps, surrounded by snow-covered peaks. In the background, the pristine slopes stretch as far as the eye can see, dotted with luxury chalets. A sleek cable car ascends the mountainside, disappearing into the mist, while the warm glow of a lodge’s fireplace flickers through the windows of a nearby chalet. In the foreground, the entrance to the resort is framed by towering pine trees dusted with snow, and an array of luxury cars is parked along the driveway, their chrome accents gleaming in the crisp mountain air. The heavy scent of pine and fresh snow fills the scene, and the crunch of boots on snow breaks the stillness. At the center of the frame, a striking Italian woman emerges from one of the luxury cars, her long, fur-lined coat billowing in the cold mountain breeze. Her dark hair is slicked back into an elegant bun, and her eyes are hidden behind oversized cat-eye sunglasses. Beneath her coat, she wears a form-fitting black turtleneck and sleek, high-waisted trousers, her silhouette sharp and alluring against the snow-covered landscape. The camera focuses on her in a dramatic close-up, capturing the moment she removes her sunglasses, revealing dark, piercing eyes that scan the area with cold precision. She pulls a small, concealed envelope from the lining of her coat, her lips curving into a faint, knowing smile. The lighting is stark and natural, with the bright sunlight reflecting off the snow, casting sharp shadows across her face. The cold, crisp air is palpable as the camera slowly zooms in on her, capturing the tension in her expression as she steps forward, the envelope clasped tightly in her gloved hand. Shot on 35mm Kodak film, with deep contrasts and a sharp focus typical of spy thrillers from the 60s, the scene plays with light and shadow to create a sense of mystery and intrigue against the breathtaking backdrop of the Swiss Alps

Create a Hollywood-style movie poster titled: "Jaws 19". The poster shows an ugly holographic shark emerging from the water. Slogan is - "Now it's really personal... in HOLOMAX!". Below in small text it says: "Directed by MAX SPIELBERG". Movie studio logos and credits are placed at the bottom in typical poster fashion.

Surrealist painting. It was as if I stood at the end of the world, the end of the universe, the end of everything. But far, far out from where I stood, something hovered on a mount of sheerest black - a blackness itself, but edged and tempered with barely perceptible flashes of light. I could not guess at its size, for distance, depth, perspective, were absent here. A single edifice? A group? A city? Or simply a place? The outline varied each time that it fell upon my retina. Now faint and misty sheets drifted slowly between us, twisting, as if long strands of gauze were buoyed by heated air. The mandala ceased its turning when it had exactly reversed itself. <lora:harmony-in-fusion_v20_rank32_bf16:0.5> <lora:impossible_geometry_V1.0:0.5> <lora:Midjourney_Whisper_AgateX_v1:0.5>

Thought Augmenter, A visionary with a neural interface helmet and augmented reality glasses. The color palette includes futuristic silvers, teals, and neon glows, embodying a sense of advanced technology and innovation, ( <lora:FANCHA_style:1> ), <lora:CPA:0.85>

<lora:Anime_Sky:1.0> AnimeSky style. The image is a digital artwork in the style of digital painting, depicting a serene, dramatic sunset scene. The scene features a large, gnarled tree in the center, its branches reaching out across the canvas, slightly to the left. The tree is silhouetted against a breathtaking sunset sky. The sky is a gradient of deep purples, dark blues, and oranges, transitioning smoothly from the deep navy at the top to vibrant, fiery reds and oranges near the horizon, with the sun just below the horizon, partially obscured by a thin layer of cloud, casting a warm, golden glow on the landscape. The foreground is a field of grass, dotted with small, glowing flowers or seeds, giving the impression of a field in bloom. The grass is a dark green, contrasted by the fiery hues of the sky. The horizon line is slightly elevated, giving the scene a sense of depth.

a beautiful elven cyborg woman with a robot body, she has a human face in completely sharp focus, she is engaged in an interesting and unique activity, facing the camera, long flowing hair, outdoors, her body color randomly uses any two of the following: navy blue - sky blue - dark green - army green - dark red - maroon - dark orange - orange - dark purple - purple - dark brown - sandy brown - black - white - gray - silver - gold, her body is trimmed with silver or gold color, her hair color randomly uses any two of the following: blonde - silver - red - brown - auburn - black, the background setting is a random unique and interesting place but is also blurred bokeh to not distract from the subject, either a cat or a dog or another animal can be seen with the woman, the faces of all animals are clearly visible

A dungeon filled with swirling purple mist and glowing orange goo is home to a gelatinous cube with a grin so wide it nearly splits its slimy body in half. Its robotic human-like teeth ral-rbotth drip with slime that sizzles as it hits the floor. The cube jiggles gleefully. "Don't worry," it seems to say, "my bite's much worse than my bark. <lora:ral-rbotth-flux:1> <lora:gelatinous_cube-flux-by_oneviolentgentleman:1>

The 1972 Nissan Datsun 240Z Fairlady, transformed with a Liquid Marble paint job swirling with molten gold, deep crimson, and iridescent orange. Its long hood and sloping roofline reflect the evening city lights, parked under a flickering neon sign in a gritty urban alleyway. The chrome fuel cap and trim shimmer against the dynamic, flowing colors. The black six-spoke alloy wheels give it an aggressive stance, while the rear ducktail spoiler completes the vintage-meets-modern look. <lora:ral-lqdmrbls-flux:0.75> <lora:ral-nssndtsn:1.1>

A 1972 Nissan Datsun 240Z Fairlady, coated in a Liquid Marble blend of deep indigo, ultraviolet purple, and electric cyan, parked in a narrow Tokyo alleyway glowing with vibrant neon lights. The wet pavement has transformed into a glossy Liquid Marble surface, swirling with reflections of neon pinks and blues, shifting like an otherworldly mirror. Neon kanji signs flicker on the walls, their distorted reflections stretching across the fluid-like ground. The chrome bumpers and round side mirrors shimmer, absorbing the ambient glow, while the black alloy wheels with polished lips contrast against the flowing, futuristic scene. <lora:ral-lqdmrbls-flux:0.9> <lora:ral-nssndtsn:1.1>

Seraphina is waist-deep in the murky waters of a South Texas river, fleeing a cartel stronghold with a small group of survivors. The scene is captured in a medium close-up, the golden hour sunlight filtering through the dense foliage and glinting off the water. Her delicate soft features are tense with concentration, her Latvian-Mongolian heritage reflected in her fair skin and dark, almond-shaped eyes. She’s dressed in soaked tactical gear, her camouflage jacket clinging to her form as she moves through the water. Her hair, a rich auburn, is slicked back and wet, framing her face in wild tendrils. In her hands, she holds a Glock 19 with a mounted flashlight, the weapon steady despite the treacherous footing. Her gear is adorned with microfiber patches to dry off quickly, with a tactical knife strapped to her thigh. Cinematographer Greig Fraser uses the warm light of the setting sun to create a stark contrast between the serenity of the natural environment and the tension of their escape. The camera stays close to Seraphina as she leads the group through the river, her eyes scanning for any sign of pursuit as they move toward freedom. Directed by Denis Villeneuve, from River of Shadows

Misty Valley, a close-up of a mysterious female entity, one half of her body and face is beautiful fire goddess angelic appearance, red eyes, flaming hair, the other half of her body and face is frozen, blue icy skin, glowing eye and hair are freezing from cold, cold breath, on her back are wings corresponding to each part of the body. cold atmosphere, cinematic, masterpiece, clear focus.

Neo-noir/Sci-Fi scene of sw33ny as a rogue replicant, standing in the rain-soaked streets of a bustling neon-lit market district. she has short stylish peroxide blonde bob cut Her eyes are an intense green, scanning the crowd for her target. She’s dressed in a low cut sleek black jumpsuit that hugs her athletic figure, with a high-tech visor over her eyes displaying data in real-time in the corners. The vibrant market stalls around her are a mix of futuristic technology and gritty, old-world decay, with steam rising from food vendors and holographic ads flickering above. Medium close-up, from a low angle, showing her determined expression as the rainwater streams down her visor, face and body. The lighting is dominated by the harsh neon signs and the occasional spark of faulty electronics, casting a chaotic, colorful glow over the scene. Shot on digital using ARRI Alexa LF, with a 4.5K ALEV III sensor, in the style of Ridley Scott, with cinematography by Roger Deakins. rule of thirds, golden section, dynamic composition. <lora:bustyfc_v2:0.5> <lora:sydneySweeneyFlux:1>

A fine art photograph of an elaborate industrial art Halloween Grim Reaper statues made of anodised copper with many tiny green cracks. The piece has obviously been made by a skilled craftsman, with finely detailed textures and surfaces. It is obviously old, with worn parts and a patina of grime. A phosphorescent glow emanates from it, illuminating the surrounding area. Wisps of glowing orange fog roil in the background. The overall feel of the image is Magical Realism. <lora:BlackColor:0.6> <lora:Magical_Glow_Flux:0.6> <lora:Green_Cracks_on_Black_Flux:0.6>

An illuminated manuscript illustration depicting a valiant medieval knight duo, one male and one female, standing side by side in a regal pose. They wear ornate plate armor with golden engravings and heraldic crests on their surcoats, symbolizing their noble lineage. The male knight holds a longbow, carefully strung, with a quiver of arrows at his waist. The female knight grips a crossbow, its intricate carvings reflecting medieval craftsmanship. Behind them, an aged parchment backdrop features Latin script annotations and gold-embossed borders. The scene is enriched with detailed foliage and stylized botanical motifs, common in illuminated manuscripts. <lora:BowFlux-000001:1> <lora:ral-medieval-manuscripts-flux:0.8> Illuminated manuscript illustration of

The scene is a vast alien desert at noon with pale silver rippled sand stretching to the far horizon. Back monoliths float in a line over the desert, defying gravity, inscribed with faint golden alien symbols. There are stark sharp shadows under the monoliths. A solitary female figure dressed in flowing garments takes shelter from the sun under a black monolith hanging unsupported in the air, defying gravity. She shades her eyes with her hand and looks out across the desert. There is a strong sense of mystery and great age. Although the composition is fairly minimal, the textures of the sand, the monoliths and the woman's garments provide intricate details. Overall, the image is fine art on an epic scale.

<lora:Vibrantly_sharp_style_v.3:0.85> VibrantlySharp style. <lora:Watercolor_sketch_v.1:0.7> Watercolorsketch style. This breathtaking artwork depicts a young woman standing beneath an awe-inspiring celestial display, blending the vastness of the cosmos with a tranquil, earthly moment. She is dressed in a richly detailed crimson kimono adorned with floral patterns, the soft fabric catching subtle highlights from the ethereal glow above. A golden obi is tied elegantly at her back, complementing her poised, contemplative stance. Her short hair moves gently in the unseen breeze, while her gaze is lifted upward, captivated by the cosmic wonders unfolding before her. The sky is an explosion of color and light, dominated by a swirling galactic ribbon of luminous blues, purples, and fiery oranges stretching across the heavens. Stars glitter densely within this celestial river, while meteors streak dramatically through the night, leaving trails of light that cut through the deep indigo expanse. Wisps of clouds, painted in dark blues and faint crimson highlights, add depth and texture, framing the radiant nebula and creating an interplay of shadow and illumination. Pink petals, carried by the wind, rise into the sky, merging with the stardust and lending an ethereal connection between earth and the cosmos. The foreground is subtly grounded with faint outlines of grass and flowers illuminated by the cosmic light. To the side, a small, blue-tinted moon rests low on the horizon, adding a serene planetary touch to the scene. The composition is masterfully balanced, contrasting the warmth of the figure’s attire with the cool, infinite expanse above. The overall style merges anime-inspired fantasy with a painterly approach, emphasizing intricate detailing and luminous gradients to create an otherworldly yet deeply emotional atmosphere. This piece evokes themes of wonder, solitude, and the infinite connection between humanity and the universe.

<lora:Vibrantly_sharp_style_v.3:0.85> VibrantlySharp style. <lora:Watercolor_sketch_v.1:0.7> Watercolorsketch style. This dark and enigmatic figure embodies the essence of a shadowy sorcerer, cloaked in mystery and infused with a sinister, arcane energy. Draped in a tattered, hooded robe of deep black and murky gray, the figure’s face is obscured save for a glowing, ethereal violet light that emanates from within the hood—a pulsing void that exudes otherworldly menace. The texture of the robe is rough and frayed, adding a sense of age and wear, as though it has endured countless rituals and battles. The sorcerer’s gaunt, sinewy arms are partially covered in battered armor pieces, etched with runic symbols glowing faintly with the same malevolent purple energy that courses through their being. One hand grips a gnarled staff, its jagged form twisted and unnatural, pulsing with tendrils of violet energy that flicker and writhe like living flames. The other hand glows with raw power, engulfed in crackling, purple arcane fire that seems ready to unleash destruction at a moment’s notice. The magical light illuminates the figure faintly, casting eerie shadows and emphasizing their commanding presence. Around the sorcerer’s waist hangs an assortment of arcane tools—a rusted belt adorned with metal rings, ancient scrolls, and a tome bound in cracked leather, suggesting a mastery of forbidden knowledge. The figure’s stance is powerful yet poised, as if preparing to invoke a dark incantation or summon forces from beyond the mortal realm. The backdrop is an abstract void of swirling earthy tones and dim yellow light, giving the impression of an oppressive, desolate environment. Faint arcane glyphs, rendered in luminous violet, hover ominously in the air behind the figure, adding to the sense of ritualistic magic and forbidden power. The painterly style enhances the raw energy of the piece, with loose, textured brushstrokes emphasizing movement and atmosphere over fine detail. This dark mage radiates an aura of dread and mystical authority, a being shaped by the darkness they wield and feared for the destructive power they command.

HDR Photo of a scared woman hiding in the closet. Streaks of lights are casted on the woman's face through the blinds

A shot from a 1960s romantic musical inspired by The Sound of Music (1965) and My Fair Lady (1964), with the grand, sweeping style of Robert Wise and elegant choreography by Hermes Pan. The scene opens in an opulent ballroom, where chandeliers hang from the high, gilded ceiling, casting warm, golden light over the polished marble floor. In the background, a grand staircase leads up to a gallery filled with elegantly dressed guests, who watch the dancers below with quiet admiration. In the foreground, a pair of sparkling crystal glasses sit abandoned on a table, their contents forgotten as the music swells and the dance begins. In the center of the frame, a young woman twirls gracefully across the dance floor, her long, flowing gown sweeping behind her as she moves. Her partner holds her gently by the waist, guiding her effortlessly through the waltz. Her dark hair is styled in a classic 60s updo, with diamond-studded pins glinting in the soft light. She wears a pale pink gown with a fitted bodice and a wide, flowing skirt that flares out as she spins. Her face is lit with joy, her eyes sparkling as she loses herself in the music. The camera moves in for a close-up of her face, capturing the genuine happiness and the soft blush on her cheeks. Her smile is wide and radiant, and her eyes are half-closed as she savors the moment. The lighting is soft and romantic, with warm, golden tones that give the entire scene a sense of timeless elegance. The chandelier light reflects off the polished floor, adding to the magical atmosphere of the ballroom. Shot on 70mm film, with wide-angle lenses to capture the grandeur of the ballroom and the sweeping motion of the dance, in the elegant, classic style of 60s musicals.

<lora:claudemonet1_cap_d8a4e12:0.85> claudemonet1 painting features A nocturne variation on Monet's classic water lily series: the pond at midnight, illuminated by a full moon. Luminous whites and pale blues cast soft glows over lily pads, which glisten like precious stones–sapphire, jade, and amethyst. The water is dark velvet with occasional starlit glimmers. The surrounding vegetation forms abstract, inky silhouettes. The moon itself is diffuse, filtered through layers of mist. The brushwork is delicate yet rich, evoking a dreamlike quietude that merges night, nature, and reverie.

<lora:Marquetry_v1_e8:0.9> <lora:Paper_Marbling_Flux:0.7> cs-m4rq style exotic jade stone 3D model of a recursive fist made up of expanding icosahedron structures. (Fibonacci-based layering:1.2), (hybrid base form:1.4), (fire:0.5), (color runs as the oracle sings:1.5), (chaotic randomness in geometry:1.5), (prismatic glow:1.3), (internal illumination pulses:0.7), (visible energy fields or currents:1.3), (extremely fine detail:1.5), (depth of field emphasized:1.3), (lightly patterned backdrop), (sci-fi surreal tone, dimensional ambiguity).

A Datsun 240Z Fairlady, finished in a Liquid Marble fusion of jungle green, earthy brown, and vibrant yellow, nestled deep within the Amazon Rainforest after a light rain. The damp, glossy forest floor acts as a mirror, reflecting the car’s vibrant hues alongside the towering trees and misty atmosphere. The chrome trim, black wheels, and classic 240Z silhouette contrast beautifully against the dense foliage, making the car feel like a rare, exotic gem in the heart of nature. <lora:ral-lqdmrbls-flux:1> <lora:ral-nssndtsn:1.1>

Misty Valley, a close-up of a mysterious female entity, one half of her body and face is beautiful holy goddess angelic appearance, blue eyes, white hair, the other half of her body and face is evil grudge demonic, coal-black skin, red blood from eye and hair are burning with fire, demonic horn, on her back are wings corresponding to each part of the body. Dark atmosphere, cinematic, masterpiece, clear focus.

The photograph is a captivating double exposure, a mesmerizing blend of two distinct worlds. In the forefront, a young woman with striking white hair, almost ethereal in its purity, stares out with piercing blue eyes. Her gaze is both captivating and enigmatic, drawing the viewer into her mysterious depths. However, it is her silhouette that truly steals the show. Instead of being defined by the usual edges of her form, her outline is filled with the swirling majesty of a galaxy. The cosmos explodes within her, a kaleidoscope of swirling nebulas and glittering stars. Colors dance and intertwine, a symphony of blues, purples, and fiery oranges that mirror the intensity in her eyes. The effect is ethereal, almost otherworldly, as if the woman is both grounded in reality and connected to something vast and cosmic. The photograph hints at a story untold, a life lived in the shadow of the stars, a soul forever intertwined with the universe.

digital art of a peacock in nature, the tail of the peacock is made entirely out of pizza,the eyes on the tail are represented by salami slices,the image represents an unnatural mockery of nature,the image has a realistic looking texture and lighting

digital art of a peacock in nature, the tail of the peacock is made entirely out of pizza,the eyes on the tail are represented by salami slices,the image represents an unnatural mockery of nature,the image has a realistic looking texture and lighting

A grand celebration in a massive, glowing pumpkin field, where enchanted pumpkins of all sizes float above the ground, swirling gently in the cool night air. At the center of the field stands a giant pumpkin throne, where the Pumpkin King—a regal figure with a glowing jack-o'-lantern head and a cloak made of glowing autumn leaves—sits, watching the festivities below. Around him, tiny pumpkin sprites dance in circles, their bodies made of vines and glowing orange light. The air is filled with the soft hum of magical energy, and glowing lanterns hang from the twisted branches of the surrounding trees. The atmosphere is both magical and celebratory, with a sense of ancient tradition. In a richly detailed, fantastical style with glowing light sources and intricate patterns on the pumpkins.

Kate, portrait <lora:Kate:1>