dAIversity - Prompt Understanding Enhancer - XL Realistic (experimental)(v1.0)
Showing 359 posts created with this model
<lora:dAIversityUnderstandingXL-Realistic:0.0> beetle,Surrealistic oil painting of a wishing well with a black hole instead of a bottom, Dandelions scattering wishes, Twilight, Mystical atmosphere, Soft brushstrokes, Realistic textures, Muted colors, Dark blue, Purple, Green, Starry night sky, Forest in the background, Dreamy, Whimsical, High quality, High resolution, Intricate details, Brushwork, Canvas texture, Vibrant highlights
<lora:dAIversityUnderstandingXL-Realistic:0.0> Realistic oil painting, crashing waves, rocky shore, deserted island, blue-green water, white foam, sandy beach, tropical palm trees, warm sunlight, vibrant greens, bright blues, texture, dynamic, impressionistic, masterpiece, high resolution,the return of nicol bolas the dragon god, in the style of magic the gathering, red and black and blue color scheme, d & d, fantasy, art by raymond swanland and svetlin velinov, cosmic, terrifying, cosmic horror, intricate detail, cinematic, 8 k, cel shaded, unreal engine, featured on artstation, pixiv
a painting that captures the essence of a poem: (star fields where machine souls rust under the last of Betelgeuse's light, it will go nova soon, Veni, vidi, vici; When heaviest is the crown of the ghost of a god, will you come out to play; Use caution when dealing with the fallible tenets of aegis' rimwalkers; Cyborg religious sects turned loose with the coming of the new dawn, their prophecies hastily carved into silicon; Do not despair o' voidwalker, for what happens in the dark is destined to come to light, both now and forever more...), Andrei Tarkovsky Style page,detailxl,
a painting that captures the essence of a poem: (star fields where machine souls rust under the last of Betelgeuse's light, it will go nova soon, Veni, vidi, vici; When heaviest is the crown of the ghost of a god, will you come out to play; Use caution when dealing with the fallible tenets of aegis' rimwalkers; Cyborg religious sects turned loose with the coming of the new dawn, their prophecies hastily carved into silicon; Do not despair o' voidwalker, for what happens in the dark is destined to come to light, both now and forever more...), Andrei Tarkovsky Style page,detailxl,
score_9, score_8_up, score_7_up, The Guardian of the Reach is the mountain kingdom's champion, a winged deathknight, he wields a lightning blade, and he has never been bested in combat, | (The Queen of the Wider Realms has called forth a champion from each of the seven kingdoms to fight in The Grand Tournament, At the opening ceremonies, champions of the other six kingdoms, all showing visible signs of fear or discomfort, at the prospect of having to duel The Guardian of the Reach), a weather-worn hooded cloak that hides his face in shadow like a Ringwraith, while his polished mithril armor gleams without a scratch on it, | cinematic concept art, keyframe, in Fantasy Art style, with intricate details, vibrant colors, and volumetric lighting, inspired by ArtStation fantasy illustrations, high resolution, focused subject, (detailed background), epic, exquisite composition, visual storytelling techniques, extreme-wide shot, ruanyi0698,bridge,red sky,fog,river,horror theme,crowd,
![((Dynamic photograph from a colorized 1939 version of (The Exorcist),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/28c42ca0-d506-4c40-8bc9-0e10ebe0e22f/width=832/22061343.jpeg)
((Dynamic photograph from a colorized 1939 version of (The Exorcist), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]
![((Dynamic photograph from a colorized 1939 version of (The Exorcist),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/12252716-7909-4a90-bcfe-e35311d5dac1/width=832/22061345.jpeg)
((Dynamic photograph from a colorized 1939 version of (The Exorcist), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]
![((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled ("Smartphone Madness!"),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/0a9b7f83-2c3b-400c-be25-1da775529a2a/width=832/22078166.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled ("Smartphone Madness!"), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]

Cinematic scifi concept art based on the following scene description: A derelict military spacecraft drifts aimlessly through deep space. Sections of the hull are missing — likely sustained in whatever battle rendered the spacecraft inoperable. Through one of the missing sections of the outer hull, bolted to the wall of the room inside, there is a single scifi cryogenic sleeping pod, the size of an individual coffin, and apparently still functional. A tiny glass window inset into the cryogenic sleeping pod's lid, shows that the occupant is female, her eyes closed in cryosleep, but she appears to be alive.
![((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled (" Social Media: Drug of the Future! "),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/b98c8b57-111d-4cf2-aebf-b177005176fe/width=832/22235288.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled (" Social Media: Drug of the Future! "), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]
![8k, uhd , photograph ((quality, intricate details, Mystical light. Fog. The feminine demon curves horns (bizarre chaotic horns) (dark purple glass wings) (appearance: evil but mystical) (ormate robes that seem made of shiny black satin with pink stitches), (a glowing crystal ) (black goat skull), (magic gems), (Bioluminescent Glow), (glowing holographic sigils), (Red eyes), (macabre evil megachurch), (blending the mechanical with the magical), (flaming torches), Perfect Composition, gothic horror)
[ (intricately detailed), (very detailed background), (full-length photograph), ( Photographer Martin Kimbell Style), (double-exposures), (alternate reality)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/10bd7182-6ac8-4bbb-baac-a602943395fd/width=832/22507418.jpeg)
8k, uhd , photograph ((quality, intricate details, Mystical light. Fog. The feminine demon curves horns (bizarre chaotic horns) (dark purple glass wings) (appearance: evil but mystical) (ormate robes that seem made of shiny black satin with pink stitches), (a glowing crystal ) (black goat skull), (magic gems), (Bioluminescent Glow), (glowing holographic sigils), (Red eyes), (macabre evil megachurch), (blending the mechanical with the magical), (flaming torches), Perfect Composition, gothic horror) [ (intricately detailed), (very detailed background), (full-length photograph), ( Photographer Martin Kimbell Style), (double-exposures), (alternate reality)]

graffiti, graffiti on brick wall, spray painting on wall, color graffiti, Street art, Spray paint, Street canvas, Graffiti artist, Graffiti art, Aerosol art, doodle, a disney style cartoon animal in a trench coat suspitiously hiding something and looking around, zavy-fltlnpnt
![8k, uhd , photograph of ((the most gritty scene imaginable), (every aspect of the image should exude pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions), (paired with the ( pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions ) the scene portrays the inability to give up or surrender, it shows us persistence without consent, a continuation that is forced and without a foreseeable end))
[ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/8a3b7067-cf36-46f3-9024-2bff5c700228/width=832/22678726.jpeg)
8k, uhd , photograph of ((the most gritty scene imaginable), (every aspect of the image should exude pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions), (paired with the ( pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions ) the scene portrays the inability to give up or surrender, it shows us persistence without consent, a continuation that is forced and without a foreseeable end)) [ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
![8k, uhd , photograph of ((the most gritty scene imaginable), (every aspect of the image should exude pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions), (paired with the ( pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions ) the scene portrays the inability to give up or surrender, it shows us persistence without consent, a continuation that is forced and without a foreseeable end))
[ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/c3587d44-1224-4062-8f6b-90ac5ccb8772/width=832/22678728.jpeg)
8k, uhd , photograph of ((the most gritty scene imaginable), (every aspect of the image should exude pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions), (paired with the ( pain, hardship, unimaginable hardship and challenges, heat, suffering, loss, and despair, in the most gruelling conditions ) the scene portrays the inability to give up or surrender, it shows us persistence without consent, a continuation that is forced and without a foreseeable end)) [ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
![((Film poster including a dynamic photograph from a colorized, 1939 psa film called "the doctor puts things in mommy's vagina to help her be healthy and to make her feel better" ,
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/7cdbebf7-d99e-4d41-92ed-9fb69b20ad63/width=832/22679269.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 psa film called "the doctor puts things in mommy's vagina to help her be healthy and to make her feel better" , [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]
![((Film poster including a dynamic photograph from a colorized, 1936 Soviet live action (public service announcement) film titled (" Vodka will turn you into Swine! "),
[(Cinematic still), (photograph from a 1936 soviet film) (using 35mm, agfacolor film stock), (using State Optical Institute cine lenses), ((colorized with the 1936 style Bipack colourisation method) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/2a095eef-37a2-4425-970f-0358f6d53b0f/width=832/22679274.jpeg)
((Film poster including a dynamic photograph from a colorized, 1936 Soviet live action (public service announcement) film titled (" Vodka will turn you into Swine! "), [(Cinematic still), (photograph from a 1936 soviet film) (using 35mm, agfacolor film stock), (using State Optical Institute cine lenses), ((colorized with the 1936 style Bipack colourisation method) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]
![((Film poster including a dynamic photograph from a colorized, 1939 version of the film (Repo: The Genetic Opera),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/2ede838d-a52d-4a8d-aac2-70f9d7793374/width=832/22679277.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 version of the film (Repo: The Genetic Opera), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]
![8k, uhd , photograph of an ((ornate high renaissance style chapel ceiling mural)), ((Central Panel:) (From above and to the right the evil demiurge Yaldabaoth is reaching left from his throne in the clouds to touch a claygollum's hand), (on the left, the claygollum is lounging on its side), (Opposite the demiurge Yaldabaoth, his mother the Aeons Sophia and Zoe are imparting life into the claygollum on the left, to imbue it with life), (the other panels surrounding the central Panel are a variety of Gnostic and occult/ esoteric, figures and symbolism ),
[ (intricately detailed), (very detailed background), (themes of comfort, nostalgia, and holiness), (full-length photograph), (photograph taken from a distance), ( Photographer Martin Kimbell Style), (double-exposures)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/081b2a29-0c9b-404d-af71-f1118797f665/width=832/22758510.jpeg)
8k, uhd , photograph of an ((ornate high renaissance style chapel ceiling mural)), ((Central Panel:) (From above and to the right the evil demiurge Yaldabaoth is reaching left from his throne in the clouds to touch a claygollum's hand), (on the left, the claygollum is lounging on its side), (Opposite the demiurge Yaldabaoth, his mother the Aeons Sophia and Zoe are imparting life into the claygollum on the left, to imbue it with life), (the other panels surrounding the central Panel are a variety of Gnostic and occult/ esoteric, figures and symbolism ), [ (intricately detailed), (very detailed background), (themes of comfort, nostalgia, and holiness), (full-length photograph), (photograph taken from a distance), ( Photographer Martin Kimbell Style), (double-exposures)]
![8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer))
<< BREAK >>
((outdoors), (old west), (The Devil's Saloon backdrop),
[ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/a5b576a2-f21c-4bbf-97fd-f0eccef4f3c4/width=832/22959539.jpeg)
8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer)) << BREAK >> ((outdoors), (old west), (The Devil's Saloon backdrop), [ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
![8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer))
<< BREAK >>
((outdoors), (old west), (The Devil's Saloon backdrop),
[ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/f000b295-08f3-4ec4-950e-ecde5048ec03/width=832/22959548.jpeg)
8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer)) << BREAK >> ((outdoors), (old west), (The Devil's Saloon backdrop), [ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
![8k, uhd , dynamic action photograph ((seen from a distance The Girl With 9 Brains)), ((The girl with 9 brains has a very large head but a petite body), (she radiates knowledge and wisdom), (psychic energy and power arcs from her head and body), (The girl with 9 brains is seen simultaneously dominating a math exam and solving crimes),
<< BREAK >>
((indoors), (classroom), (various objects are levitating in the air around and above her))
[ (intricately detailed), (very detailed background), (full-length photograph), (entire person), (double-exposures), (overlays) (alternate reality), (the image exudes eeriness, awe, wonder, and mystery but is also frightening and intimidating) , Photographer Martin Kimbell Style ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/136680f9-51a0-4397-9555-d906a08a941e/width=832/23147231.jpeg)
8k, uhd , dynamic action photograph ((seen from a distance The Girl With 9 Brains)), ((The girl with 9 brains has a very large head but a petite body), (she radiates knowledge and wisdom), (psychic energy and power arcs from her head and body), (The girl with 9 brains is seen simultaneously dominating a math exam and solving crimes), << BREAK >> ((indoors), (classroom), (various objects are levitating in the air around and above her)) [ (intricately detailed), (very detailed background), (full-length photograph), (entire person), (double-exposures), (overlays) (alternate reality), (the image exudes eeriness, awe, wonder, and mystery but is also frightening and intimidating) , Photographer Martin Kimbell Style ]
![((Film poster including a dynamic photograph from a colorized 1939 creepy religious sci-fi-horror film, "The Creeping Jesus" is about a large slug-like alien Christ that lands on Earth and terrorizes Nazereth, ((The film is memorable for its use of some bargain-basement effects: stock footage played in reverse to depict the landing of Jesus' spacecraft, and he appears to be composed of a length of shag carpet draped over several actors, Notably, the creature's victims inexplicably stand perfectly still as the slow-moving Christ-monster approaches them)),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance) ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/4fef81fb-bf91-4edc-a566-13d562a5828c/width=832/23285612.jpeg)
((Film poster including a dynamic photograph from a colorized 1939 creepy religious sci-fi-horror film, "The Creeping Jesus" is about a large slug-like alien Christ that lands on Earth and terrorizes Nazereth, ((The film is memorable for its use of some bargain-basement effects: stock footage played in reverse to depict the landing of Jesus' spacecraft, and he appears to be composed of a length of shag carpet draped over several actors, Notably, the creature's victims inexplicably stand perfectly still as the slow-moving Christ-monster approaches them)), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance) ]
![A nostalgic photograph that creates a sense of mysticism and reverence for nature, ((the evil devil is seen on the right wearing (a beige field hat, with lures attached to it) , (a thick beige vest), and (rubber boots)), ((the devil's little buddy is seen on the left)) , ((they are on an old wooden pier above and overlooking a very misty city), (they both have fishing rods with fishing lines cast into the misty city)),
[ (8k, UHD, photograph ) (photograph taken with a fisheyelens) , (full-length photograph), (double exposures) ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/5ee366e7-2db8-4771-890f-f63656230776/width=832/23421097.jpeg)
A nostalgic photograph that creates a sense of mysticism and reverence for nature, ((the evil devil is seen on the right wearing (a beige field hat, with lures attached to it) , (a thick beige vest), and (rubber boots)), ((the devil's little buddy is seen on the left)) , ((they are on an old wooden pier above and overlooking a very misty city), (they both have fishing rods with fishing lines cast into the misty city)), [ (8k, UHD, photograph ) (photograph taken with a fisheyelens) , (full-length photograph), (double exposures) ]
![A nostalgic photograph that creates a sense of mysticism and reverence for nature, ((the evil devil is seen on the right wearing (a beige field hat, with lures attached to it) , (a thick beige vest), and (rubber boots)), ((the devil's little buddy is seen on the left)) , ((they are on an old wooden pier above and overlooking a very misty city), (they both have fishing rods with fishing lines cast into the misty city)),
[ (8k, UHD, photograph ) (photograph taken with a fisheyelens) , (full-length photograph), (double exposures) ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/8ad28753-2096-4f9f-a1bb-caf3224b2dbb/width=832/23421100.jpeg)
A nostalgic photograph that creates a sense of mysticism and reverence for nature, ((the evil devil is seen on the right wearing (a beige field hat, with lures attached to it) , (a thick beige vest), and (rubber boots)), ((the devil's little buddy is seen on the left)) , ((they are on an old wooden pier above and overlooking a very misty city), (they both have fishing rods with fishing lines cast into the misty city)), [ (8k, UHD, photograph ) (photograph taken with a fisheyelens) , (full-length photograph), (double exposures) ]

a photo of a eurasian lynx chewing on a cable in front of a green phosphor crt computer terminal, crt monitor, 60s vintage mainframe computer in the background, reel-to-reel magnetic tape drives, dark lighting, cable mess, cable spaghetti, old technology with knobs and dials, flames and sparks flying everywhere, smoke fills the air

by Peter gric, H.R Giger, Chris Cold, by Florent Desailly, , (((the electric state book by Simon Stalenhag))), , alien race, by Peter gric, H.R Giger, Chris Cold, by Florent Desailly, horror, post apocalyptic, futuristic, post apocalyptic, (stunning, magnificent, HD, photorealistic, dramatic lighting, intricate details, high detailed biomechanical patterns, powerful, cinematic, masterpiece, raining, futuristic, ruin city, ruin vehicles
(((warhammer necron))), by Peter gric, H.R Giger, Chris Cold, by Florent Desailly, muscular with exoskeleton lots of thick cables, cables everywhere, (((the electric state book by Simon Stalenhag))), (warhammer necron), by Peter gric, H.R Giger, Chris Cold, by Florent Desailly, robotic skeletal warriors, necrons, ndead, alien race, Warhammer 40,000 by Peter gric, H.R Giger, Chris Cold, by Florent Desailly, muscular with exoskeleton lots of thick cables, cables everywhere, husk (, by Peter gric, H.R Giger, Chris Cold, by Florent Desailly, robotic skeletal warriors, giant robot monstrosity, alien race, horror, post apocalyptic
![Astral forests beckon us all to the goatlord with Transivanian hunger
[ ( double exposure ) ((flickering CCTV footage (using a fisheyelens)) ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/374a9655-ede2-428a-afaa-747b58830451/width=832/24203698.jpeg)
Astral forests beckon us all to the goatlord with Transivanian hunger [ ( double exposure ) ((flickering CCTV footage (using a fisheyelens)) ]

Astral forests beckon us all to the goatlord with Transivanian hunger

Astral forests beckon us all to the goatlord with Transivanian hunger
![((Film poster including a dynamic photograph from a colorized, 1939 horror film called "Slut Cop" ,
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/7d0f2ef2-ced2-42d4-86fa-62df795fc49a/width=832/24542718.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 horror film called "Slut Cop" , [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]

detailxl, minimalistic watercolor abstract painting of an amorphous creature wearing a propeller hat

detailxl, synthwave-galaxy, sunset over city

a painting of a surreal ladscape twisting to the center of the image where the glowing moon is located, grass and mushrooms mixing with pavement, various objects scattered around

zavy-fltlnpnt, line art, thick lines, reserved woman wearing a bowler hat, a monocle, black gloves and red suit, sitting in a magical tower behind a coffee table

zavy-fltlnpnt, line art, thick lines, reserved woman wearing a bowler hat, a monocle, black gloves and red suit, sitting in a magical tower behind a coffee table

zavy-fltlnpnt, line art, thick lines, a woman wearing green skintight suit with bronze lining, cape made of leaves flying on the wind, wooden eyemask, red hair, thorny vines stretched across the image, action scene

by Peter gric, H.R Giger, by Florent Desailly, ((the electric state by Simon Stalenhag)), horror, post-apocalyptic, futuristic, (HD, photorealistic, dramatic lighting, intricate details, biomechanical patterns, powerful, cinematic, masterpiece), disturbing road trip, shapes in the fog, ((deep thick fog)), light rain, overcast sky, mysterious creatures in the fog, large behemoth monsters in the fog, car driving through a post-apocalyptic mountain road
<lora:dAIversityUnderstandingXL-Realistic:0.0> illustration, timetraveling detective, Whispering willow, trench coat, fedora, magnifying glass, old book, clock, gears, victorian era, candle-lit room, cobblestone alley, Europe, mysterious, noir, dramatic shadows, dimly lit, sepia tones, intricate details, detailed facial features, expressive, serious expression, observant, adventurous, confident, determined, enigmatic, sophisticated, elegant, historical, detailed background, clock tower, horse-drawn carriage, smokestacks, foggy night, rain, cobblestone street, film noir, ink and watercolor style, intricate, detailed, film grain, high-quality, detailed, vintage, detailed, illustrative, high-definition, realistic, detailed, detailed, detailed, detailed, detailed, detailed,a highly detailed sculpt of athletic girl in armor, concept art, cinematic light, featured on artstation, octane render, path tracing, sharp focus, 4 k
<lora:dAIversityUnderstandingXL-Realistic:0.0> Lampshade,Fantasy digital art of a young child, lost in thought, holding a bag of golden memories, whimsical background of floating, iridescent memory spheres, glowing orbs, magical atmosphere, pastel color palette, twinkling stars, glittering particles, serene expression, peaceful demeanor, dreamlike scenery, soft focus, intricate details, illustration, concept art, artstation, wallpaper, imaginative realism, surreal, magical, enchanting, captivating, beautiful, detailed, high quality, 8k resolution, digital painting
a painting that captures the essence of a poem: (star fields where machine souls rust under the last of Betelgeuse's light, it will go nova soon, Veni, vidi, vici; When heaviest is the crown of the ghost of a god, will you come out to play; Use caution when dealing with the fallible tenets of aegis' rimwalkers; Cyborg religious sects turned loose with the coming of the new dawn, their prophecies hastily carved into silicon; Do not despair o' voidwalker, for what happens in the dark is destined to come to light, both now and forever more...), Andrei Tarkovsky Style page,detailxl,

score_9, score_8_up, score_7_up, The Guardian of the Reach is the mountain kingdom's champion, an angel-winged deathknight, he wields a lightning blade, and he has never been bested in combat, | (The Queen of the Wider Realms has called forth a champion from each of the seven kingdoms to fight in The Grand Tournament, At the opening ceremonies, champions of the other six kingdoms, all showing visible signs of fear or discomfort, at the prospect of having to duel The Guardian of the Reach), a weather-worn hooded cloak that hides his face in shadow like a Ringwraith, while his polished mithril armor gleams without a scratch on it, | cinematic concept art, keyframe, in Fantasy Art style, with intricate details, vibrant colors, and volumetric lighting, inspired by ArtStation fantasy illustrations, high resolution, focused subject, (detailed background), epic, exquisite composition, visual storytelling techniques, extreme-wide shot, ruanyi0698,bridge,red sky,fog,river,horror theme,crowd,
![((Dynamic photograph from a colorized 1939 version of (The Exorcist),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/ca1e58fe-93e1-4411-8f71-3c630c14a8bb/width=832/22061342.jpeg)
((Dynamic photograph from a colorized 1939 version of (The Exorcist), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]
![((Dynamic photograph from a colorized 1939 version of (The Exorcist),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/3961fefa-f2a1-4a2b-b8e6-5183254a92e0/width=832/22061344.jpeg)
((Dynamic photograph from a colorized 1939 version of (The Exorcist), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image)]
![((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled (" Social Media: Addiction of the Future! "),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/ecd803dd-c549-4cdb-9b8a-61fb0d89912d/width=832/22235289.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled (" Social Media: Addiction of the Future! "), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]
![((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled (" Social Media: Addiction of the Future! "),
[(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/e128da59-cf22-4907-8897-6610d7c73868/width=832/22235292.jpeg)
((Film poster including a dynamic photograph from a colorized, 1939 live action (public service announcement) film titled (" Social Media: Addiction of the Future! "), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]
![(photograph during the American Revolution in 1777AD), ((2 seperate (dinosaur cavalries) are both seen in the same image, preparing for battle), ((far to the left side of the battle field the (British dinosaur cavalry) is seen facing towards their enemies on the right)), ((far on the right side of the battlefield the (American dinosaur cavalry) is seen facing towards their enemies on the left)),
[ dynamic 8k, uhd, cinematic photograph ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/f2a4c6b9-b37f-4292-a3ee-ff94c79e35bf/width=832/22241870.jpeg)
(photograph during the American Revolution in 1777AD), ((2 seperate (dinosaur cavalries) are both seen in the same image, preparing for battle), ((far to the left side of the battle field the (British dinosaur cavalry) is seen facing towards their enemies on the right)), ((far on the right side of the battlefield the (American dinosaur cavalry) is seen facing towards their enemies on the left)), [ dynamic 8k, uhd, cinematic photograph ]
![((George Wasington is riding a (battle dinosaur) on the plain )), ((George Washington is seen holding his sabre in the air while riding (his battle dinosaur) on the plain)), ((In the distant background the (American Dinosaur Cavalry) can be seen far behind (George Washington holding his sabre in the air while riding his battle dinosaur)),
[ dynamic 8k, uhd, cinematic photograph, (double exposures), (intricate details) , (detailed background), (very low angle photograph), Photographer Martin Kimbell Style, realisticvision-negative-embedding ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/901c632d-97fc-43fd-b409-34e04821f38b/width=832/22241876.jpeg)
((George Wasington is riding a (battle dinosaur) on the plain )), ((George Washington is seen holding his sabre in the air while riding (his battle dinosaur) on the plain)), ((In the distant background the (American Dinosaur Cavalry) can be seen far behind (George Washington holding his sabre in the air while riding his battle dinosaur)), [ dynamic 8k, uhd, cinematic photograph, (double exposures), (intricate details) , (detailed background), (very low angle photograph), Photographer Martin Kimbell Style, realisticvision-negative-embedding ]
![(photograph during the American Revolution in 1777AD), ((far to the left side of the battle field the (British dinosaur cavalry) is seen facing towards their enemies on the right)), ((far on the right side of the battlefield the (American dinosaur cavalry) is seen facing towards their enemies on the left)),
[ dynamic 8k, uhd, cinematic photograph ]](https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/1d3ab358-2a97-45e4-8458-6d7e439c692d/width=832/22241880.jpeg)
(photograph during the American Revolution in 1777AD), ((far to the left side of the battle field the (British dinosaur cavalry) is seen facing towards their enemies on the right)), ((far on the right side of the battlefield the (American dinosaur cavalry) is seen facing towards their enemies on the left)), [ dynamic 8k, uhd, cinematic photograph ]