highly detailed, high quality, digital illustration, intricate details, light reflection, trending on artstation, volumetric lighting, her form a poignant juxtaposition of delicate beauty and the encroaching decay. Her wings, once crafted from polished chrome and shimmering titanium, are now tarnished and broken, A man with an opening door on a beach with water that come closely. Cool. Utopia. High tech Asian style. Ink, Charcoal and colourful oil pastels. impressionistic bidimensional. faded watercolours (Klimt :1.2) style of Andreas Achenbach, midjourneyv6.1, klimt style, gold

highly detailed, high quality, digital illustration, intricate details, light reflection, trending on artstation, volumetric lighting, her form a poignant juxtaposition of delicate beauty and the encroaching decay. Her wings, once crafted from polished chrome and shimmering titanium, A man with an opening door on a beach with water that come closely. Cool. Utopia. High tech Asian style. Ink, Charcoal and colourful oil pastels are now tarnished and broken, . impressionistic bidimensional. faded watercolours (Klimt :1.2) style of Andreas Achenbach, midjourneyv6.1, klimt style, gold

artwork, masterpiece, scenic view, Wide Angle Lens (10-35mm), painting of a female mexican guerero in a mexican hacienda adventure landscape, sunset, red sky, clouds, ocre wall, tuquoise swiming pool, cactus, best quality, ultra high res, cinematic lighting, glorious, spectacular, dslr, ultra quality, sharp focus, tack sharp, dof, film grain, technicolor, Fujifilm XT3, photorealistic, 8K UHD, John Berkey Style, style of Andreas Achenbach <lora:J.C. Leyendecker Style:0.6> J.C. Leyendecker Style page <lora:DreamARTSDXL:0.6> DreamARTSDXL <lora:moebzxl:0.6> moebzxl, moebius, Jean Giraud

Huge yellow eye with four legs walks over the trees, high details, fog on the background, style of Andreas Achenbach

masterpiece, best quality, ultra-detailed, 8k, high res, very aesthetic, photorealistic, detailed background, prefect lighting, Fantasy scene, oil painting style, shrouded in mist, dark sky, towering waves covered the sky. a dark and terrifying atmosphere. Death shrouded the small village, in the style of medieval European architecture, midjourneyv6.1, Greg Rutkowski, style of Andreas Achenbach,

A majestic dragon girl stands amidst a misty, turquoise-hued sea, her silver metallic scales glistening in the soft, golden light. Her vibrant watercolor skin on her scalp is woven into an intricate hairstyle that rises like a crown from her head, adorned with a delicate braided hairpiece. In the background, a colossal Kraken rises from the depths, its massive tentacles undulating as it surveys its surroundings.

The neon glare, a sickly green, Reflects off chrome, a twisted scene. I jack into the network's flow, Where data streams, and secrets go. My mind dissolves, a digital haze, Lost in the net's electric maze. I'm just a ghost, a fleeting shade, In this dark city, that man has made. Corporate giants, with iron grip, Control the flow, with cruel, cold lip. They watch us all, with unseen eyes, While we chase dreams, and tell ourselves lies. Augmented bodies, chrome and steel, Conceal the pain, that we all feel. We're slaves to the system, cogs in the machine, Lost in the code, a digital spleen. But somewhere out there, a whisper calls, A promise of freedom, beyond these walls. A glitch in the matrix, a crack in the code, A chance to escape, from this heavy load. I'll search for the truth, in the digital rain, And break free from these chains, again and again. Though the city sleeps, in its neon glow, I'll find my own path, where I need to go.

cinematic clash between roman soldiers and vikings ,battlefield, a rearing white horse loses his jockey, vibring color, explosion,firing cannon, style of Andreas Achenbach, monet, oil painting, style of Andreas Achenbach

cinematic explosion napoleonic soldiers blowing away ,battlefield, a rearing white horse loses his jockey, vibring color, explosion,firing cannon, style of Andreas Achenbach, monet, oil painting, Bosstyle, style of Andreas Achenbach

cinematic view of Augustus with laurel crown in Roman style silver roman armor and open arms, crown of people cheering to him , classical architecture , vibring color, style of Andreas Achenbach, monet, oil painting, , style of Andreas Achenbach

cinematic view of Augustus with laurel crown in Roman style silver roman armor and open arms, faceless crown cheering to him , classical architecture , vibring color, style of Andreas Achenbach, monet, oil painting, , style of Andreas Achenbach

cinematic , crowd of roman legionaries ,battlefield, a rearing white horse loses his cavalryman, vibring color, explosion,firing cannon, style of Andreas Achenbach, monet, oil painting, style of Andreas Achenbach

cinematic roman legionary death , crowd of roman legionaries ,battlefield, a rearing white horse loses his cavalryman, vibring color, explosion,firing cannon, style of Andreas Achenbach, monet, oil painting, style of Andreas Achenbach

cinematic , crowd of roman legionaries ,battlefield, a rearing white horse loses his cavalryman, cavalryman hit by a spear is falling from his black horse, vibring color, explosion,firing cannon, style of Andreas Achenbach, monet, oil painting, style of Andreas Achenbach

1770, 18th century, napoleonic soldiers, war room, geographic map on the table, fragonard period, from above view, high angle, a group of men standing and discussing in rococo parisian room, late evening, circa 1770, COLORED CRAYONS drawing, misty haze, MINIMALISTIC rough sketch, mysterious style of Harrison Fisher, Jean Baptiste Monge, comics style, fr4z3tt4 , William Merritt Chase Style, illustration by Jean-Pierre Gibrat, style of Andreas Achenbach, monet, oil painting,

1770, 18th century, fragonard period, from above view, high angle, a group of men standing and discussing in rococo parisian room, late evening, circa 1770, COLORED CRAYONS drawing, misty haze, MINIMALISTIC rough sketch, mysterious style of Harrison Fisher, Jean Baptiste Monge, comics style, <lora:WildcardX-XL-Detail-Enhancer:1>, ultra quality, ultra detailed . Textured, distressed, vintage, edgy,<lora:William Merritt Chase Style:1>

1770, 18th century, napoleonic soldiers, fragonard period, from above view, high angle, a group of men standing and discussing in rococo parisian room, late evening, circa 1770, COLORED CRAYONS drawing, misty haze, MINIMALISTIC rough sketch, mysterious style of Harrison Fisher, Jean Baptiste Monge, comics style, fr4z3tt4 , William Merritt Chase Style, illustration by Jean-Pierre Gibrat, style of Andreas Achenbach

(Ultra-realistic, 32k, Masterpiece, filmfotos, film grain, reversal film photography). St. Millom, the heart of the Feysac Empire, sits perched among mist-covered mountains, its towering stone structures reflecting the empire’s cold and austere grandeur. The city spreads outward in a symmetrical layout, dominated by immense fortresses and gothic-style spires that puncture the cloudy sky. Dark stone buildings with steeply sloped roofs line the wide, cobblestone streets, their facades adorned with intricate carvings of warriors and ancient runes. In the high-angle view, the mighty Palace of the Sun stands at the city’s core, with its sharp spires and metallic accents gleaming faintly in the dim light. A dramatic, moody atmosphere blankets the scene, where soft light filters through heavy clouds, casting long shadows across the city. St. Millom’s architecture reflects its imperial power, with buildings designed for both function and symbolism—evoking strength, combat, and history. The wide streets, designed for grand military parades, are flanked by robust towers and heavy iron gates, evoking the might of the God of Combat. In the distance, a river winds around the edges of the city, reflecting the gray sky and reinforcing the harsh yet awe-inspiring beauty of this northern stronghold. The full, wide shot captures the blend of gothic influence with the Feysac Empire’s traditional elements, offering a cinematic portrayal of a city that embodies power, tradition, and resilience.

(Ultra-realistic, 32k, Masterpiece, filmfotos, film grain, reversal film photography). St. Millom, the heart of the Feysac Empire, sits perched among mist-covered mountains, its towering stone structures reflecting the empire’s cold and austere grandeur. The city spreads outward in a symmetrical layout, dominated by immense fortresses and gothic-style spires that puncture the cloudy sky. Dark stone buildings with steeply sloped roofs line the wide, cobblestone streets, their facades adorned with intricate carvings of warriors and ancient runes. In the high-angle view, the mighty Palace of the Sun stands at the city’s core, with its sharp spires and metallic accents gleaming faintly in the dim light. A dramatic, moody atmosphere blankets the scene, where soft light filters through heavy clouds, casting long shadows across the city. St. Millom’s architecture reflects its imperial power, with buildings designed for both function and symbolism—evoking strength, combat, and history. The wide streets, designed for grand military parades, are flanked by robust towers and heavy iron gates, evoking the might of the God of Combat. In the distance, a river winds around the edges of the city, reflecting the gray sky and reinforcing the harsh yet awe-inspiring beauty of this northern stronghold. The full, wide shot captures the blend of gothic influence with the Feysac Empire’s traditional elements, offering a cinematic portrayal of a city that embodies power, tradition, and resilience.

cinematic , a digital artwork inspired by Mauro Cerati's "Temple of Ascension," featuring a grand staircase leading into a celestial sky framed by ancient, majestic columns. The scene should evoke a sense of spiritual ascent, with light filtering through ethereal clouds, and include subtle elements of nature like birds in flight, to enhance the feeling of transcendence.

cinematic view of a fortified church , soldiers ,battlefield, A gothic cathedral covered in ice and snow. Forest. Thunderstorm, lightnings, At sunset, vibring color, reflections on rose_windows, Icy, Cold touch, ominous atmosphere, explosion, style of Andreas Achenbach, monet, oil painting, style of Andreas Achenbach

cinematic giant kraken

simple beautiful voxel sunset in winter transition to intricate painting moonlight reflecting on a lake with sakura pedals flying in the wind in spring , landscape, bridge,

masterpiece, cinematic, a creepy village on the coast from Lovecraft's stories. docks, houses, church with belfry, dense fog, tranquil sea, at night, moonlit scene, cloudy

cinematic giant kraken

cinematic giant kraken, god rays

Cerberus, the three-headed infernal dog of Greek mythology, guarding the gate of Underworld, flaming eyes

masterpiece, cinematic, an uphill road, cobbled and furrows. under the rain, unlit wall lamps, in white and black, fog, at night, cloudy

Goddess of fire floating above a futuristic city, dramatic, epic

Goddess of fire floating above a futuristic city, dramatic, epic

RAW photo, (masterpiece:1.3), subsurface scattering, heavy shadow, (high quality:1.4), (intricate, high detail:1.2), professional photography, HDR, High Dynamic Range, realistic, ultra realistic, photorealistic, high resolution, film photography, ambient lighting, atmospheric effects, <lora:detail_slider_v4:2>, OverallDetail, cinematic, aerial shot, a dark medieval city, docks, dirty streets, dark atmosphere, at dusk, high walls, belfries, boats, OverallDetailXL, DonMN1gh7XL

Goddess of Justice floating above a half destroyed dystopic city, dramatic, epic, style of Andreas Achenbach,

Masterpiece, oil painting, high resolution, dynamic composition, intricate details, highly detailed, focus on rogue, view from behind, wide shot, female rogue, leather armor, bow, tempered cape, hood, rag gloves, in the distance a Gothic castle on a weightless rock, lianas hang from the rock and pieces of rock gravitate aroundraging storm, rain, dark clouds, chiaroscuro techniques, volcano, lava, (((majestic dragon spit fire to viewer))),oil painting, precision, precise details, carravage's painting style, rambrandt, terrifying, horror:1.3, creepy:1.2, sadness

Masterpiece, oil painting, high resolution, dynamic composition, intricate details, highly detailed, focus on rogue, view from behind, wide shot, female rogue, leather armor, bow, tempered cape, hood, rag gloves, in the distance a Gothic castle on a weightless rock, lianas hang from the rock and pieces of rock gravitate aroundraging storm, rain, dark clouds, chiaroscuro techniques, volcano, lava, (((majestic dragon spiting fire to viewer:1.3))),oil painting, precision, precise details, carravage's painting style, rambrandt, terrifying, horror:1.3, creepy:1.2, sadness

The probability of being killed by a cat is minimal but never zero

2 men looking at a fenced city with red walls, And the good Master said: "Even now, my son, The city draweth near whose name is Dis, With the grave citizens, with the great throng." And I: "Its mosques already, Master, clearly70 Within there in the valley I discern Vermilion, as if issuing from the fire They were." And he to me: "The fire eternal That kindles them within makes them look red, As thou beholdest in this nether Hell."

In the third circle am I of the rain Eternal, maledict, and cold, and heavy; Its law and quality are never new. Huge hail, and water sombre-hued, and snow, Athwart the tenebrous air pour down amain; Noisome the earth is, that receiveth this. (2men), Dante AND Virgil, XIII century clothes, hats, (heavy rain), flood, hvrn

For millennia humanity has traveled the stars, building empires that span hundreds of light-years. Those empires are home to a myriad of complex civilizations. This sourcebook takes an in-depth look at the cultures and societies of the powers of the BattleTech universe. Take a candid look at what life is like in the Inner Sphere, whether you're a Capellan who just gained citizenship or a Federated Suns student attempting to gain entrance to the prestigious

epic picture, ultra detailed illustration, very high quality, 8k, masterpiece, best quality, hyper detailed, (cinematic wide shot) , ultra intricately detailed textures, a lighthouse in the storm, only its light breaks through the terrible black clouds, the waves crash high against the lighthouse, night scene, spray, Brittany, in the distance a boat is fighting trapped in the storm, another boat is crushed on reefs, dramatic landscape, low lights

bad time for fishing :)

And the good Master said: "Even now, my son, The city draweth near whose name is Dis, With the grave citizens, with the great throng." And I: "Its mosques already, Master, clearly70 Within there in the valley I discern Vermilion, as if issuing from the fire They were." And he to me: "The fire eternal That kindles them within makes them look red, As thou beholdest in this nether Hell."

2men in medievil clothes at the foot of a tower, 2 little torches upon the tower, 1boat approaching the coast, 1man on board, ((very calm sea)), I SAY, continuing, that long before We to the foot of that high tower had come, Our eyes went upward to the summit of it, By reason of two flamelets we saw placed there, And from afar another answer them, So far, that hardly could the eye attain it, ... As I beheld a very little boat Come o'er the water tow'rds us at that moment, Under the guidance of a single pilot, Who shouted, "Now art thou arrived, fell soul?" "Phlegyas, Phlegyas, thou criest out in vain19 For this once," said my Lord; "thou shalt not have us Longer than in the passing of the slough."

2men in medievil clothes at the foot of a tower, 2 little torches upon the tower, 1boat approaching the coast, 1man on board, ((swamp)), I SAY, continuing, that long before We to the foot of that high tower had come, Our eyes went upward to the summit of it, By reason of two flamelets we saw placed there, And from afar another answer them, So far, that hardly could the eye attain it, ... As I beheld a very little boat Come o'er the water tow'rds us at that moment, Under the guidance of a single pilot, Who shouted, "Now art thou arrived, fell soul?" "Phlegyas, Phlegyas, thou criest out in vain19 For this once," said my Lord; "thou shalt not have us Longer than in the passing of the slough."

I SAY, continuing, that long before We to the foot of that high tower had come, Our eyes went upward to the summit of it, By reason of two flamelets we saw placed there, And from afar another answer them, So far, that hardly could the eye attain it, ... As I beheld a very little boat Come o'er the water tow'rds us at that moment, Under the guidance of a single pilot, 2men in medievil clothes at the foot of the tower, 2 little torches upon the tower, 1boat, ((quiet sea)),

(score_9, score_8_up), score_7_up, masterpiece, highres, absurdres, trees, huge old tree, tiny mountains, dark sky, dark lake, shadows, surreal, imposing, eldritch, nightmare, fortress, tower, ruins, ice, flames, moon, bleeding moon

(score_9, score_8_up), score_7_up, masterpiece, highres, absurdres, trees, huge old tree, tiny mountains, dark sky, dark lake, shadows, surreal, imposing, eldritch, nightmare, fortress, tower, ruins, ice, flames, moon, bleeding moon

masterpiece, anim style, ultra realistic, ultra detailed, 8K, ultra HD, detailxl,intricate details,sharp,crisp, focused Bosstyle, a massive eagle made of orange, eerie, scary, hyperkraximalism, made of blood_orange,

In a vast cemetery inside a red walled city, a transparent spirit wearing XIII_century clothes stands on his grave

masterpiece, best quality, oil painting, illustration, style of Andreas Achenbach, portrait of a female kling0n alien pirate, forehead ridges, brown skin, nose ridges, large eyebrows

crowd wearing XIII century clothes, crowd sitting in the sand, (little flames on faces), burnt faces, moving hands trying to extinguish the flames, mad-flames ... I see A little farther off upon the sand A people sitting near the hollow place. ... I went, where sat the melancholy folk. Out of their eyes was gushing forth their woe; This way, that way, they helped them with their hands Now from the flames and now from the hot soil. ... When I had turned mine eyes upon the faces Of some, on whom the dolorous fire is falling,