Unsettling(Unsettling)
Showing 163 posts created with this model
An angelic baroque businessman floating through Tel Aviv, wrapped in the luminous tapestry of night, the city light winking knowingly
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
I'm thinking Arby's: the mind has been scooped out of all else. And besides: they've got the meats, oh the meats they'll show you! Come! Come impressionable one before the alter of the flesh! Come to worship: Arby's!
I'm thinking Arby's: the mind has been scooped out of all else. And besides: they've got the meats, oh the meats they'll show you! Come! Come impressionable one before the alter of the flesh! Come to worship: Arby's!
hello, I am alive once more! Please open the door, I know you're inside! ((overhead footage))
the man is a slicer: the slicer slices face's slices into further slices: the other man is the puller. The puller pulls the slices apart into planar sections dividing the entire image, and the face becomes a mask of incomprehension slit into an array of emigmatic glowing visions, both paranoiac and wildly schizoid
My head is slicing into enigmatic sections, and my primary symptom is that I have no face, but I must see
thick expressive impasto, bold contrasting colors, chaotic yet controlled paint strokes, close-up portrait, raw emotion in the subject's eyes
by Satoshi Kon and Mike Mignola, (black , alluring , masterful:1.4), poster art, bold lines, hyper detailed, expressive, award winning, (landscape:1.4), (intricate details, masterpiece, best quality:1.4), key lighting , looking at viewer, dynamic pose, wide angle view, <lora:add-detail-xl:1> <lora:xl_more_art-full_v1:0.5> <lora:looking_at_viewer:2>
by Satoshi Kon and Mike Mignola, (black , alluring , masterful:1.4), poster art, bold lines, hyper detailed, expressive, award winning, (landscape:1.4), (intricate details, masterpiece, best quality:1.4), key lighting , looking at viewer, dynamic pose, wide angle view, <lora:add-detail-xl:1> <lora:xl_more_art-full_v1:0.5> <lora:looking_at_viewer:2>
Happy blonde, cat on top of her head, hiding under a big lotus leaf in the rain
a businessman in a commercial, Pepsi
a businessman in a commercial, Pepsi
a businessman in a commercial, Pepsi
a businessman in a commercial, Pepsi
a businessman in a commercial, Pepsi
a businessman in a commercial, Pepsi
analog photography aesthetic,film grain texture, dressed in a vintage,(narwhal wearing poncho),absence of people,Indosuchus,pleased,action painting,naval sex,sleek body,Franciszek Starowieyski
analog photography aesthetic,film grain texture, dressed in a vintage,(narwhal wearing poncho),absence of people,Indosuchus,pleased,action painting,naval sex,sleek body,Franciszek Starowieyski
Rick and Morty biopic, HBO title sequence, "Mortimer"
The most beautiful businessman in the world
dystopian Tiananmen square, drenched in blood, engulfed in fire, chinese tanks, surrounded by violent mob at night holding signs and torches, protest in the streets, blood dripping down the walls, Cultural Revolution, Bold Colors, Idealized Realism, film grain, modern china
masterpiece, high quality, a sexy humanoid robot cat, sleep on the sofa
masterpiece, high quality, a cute humanoid robot cat, sleep on the sofa
portrait, surrealistic, (bokeh:1.1), dof, awe-inspiring, majestic, overwhelming, humanoid polar-bear wearing (red coca-cola-military:1.1) metal sci-fi bulky (mecha armour:1.3) and sunglasses with (red beret:1.05) is holding a big (white rifle:1.35), harsh shadows, (sun rays:1.1)
portrait, surrealistic, (bokeh:1.1), dof, awe-inspiring, majestic, overwhelming, humanoid polar-bear wearing (red coca-cola-military:1.1) metal sci-fi bulky (mecha armour:1.3) and sunglasses with (red beret:1.05) is holding a big (white rifle:1.35), harsh shadows, (sun rays:1.1)
Image in the style of cel-shaded Japanese anime, featuring a man sitting at the side of a pool. Fish and eyeballs float around. The water in the pool is a glitched psychedelic distortion. The overall aesthetic should be grainy and scanlined, resembling VHS tape quality, with a color palette that captures the essence of retro anime, with the compositional minimalism and direction of
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
It has been 3000 days. We have paid well over 4 trillion dollars and yet he still says he needs more paint. The madness must stop: the painting now extends beyond dimensions, onto the place that the endless one dwells. We are put of money, and yet still it hungers: wants more. It asks for flesh, for sacrifice, for meat. The artist is long gone, the damn thing paints itself now. I do not think we will last much longer.
I'm thinking Arby's: the mind has been scooped out of all else. And besides: they've got the meats, oh the meats they'll show you! Come! Come impressionable one before the alter of the flesh! Come to worship: Arby's!
I'm thinking Arby's: the mind has been scooped out of all else. And besides: they've got the meats, oh the meats they'll show you! Come! Come impressionable one before the alter of the flesh! Come to worship: Arby's!
I'm thinking Arby's: the mind has been scooped out of all else. And besides: they've got the meats, oh the meats they'll show you! Come! Come impressionable one before the alter of the flesh! Come to worship: Arby's!