Photographer Martin Kimbell Style(SD XL)

    Showing 306 posts created with this model

    🖼️
    [(8k, uhd,  photograph)], 
((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.))
[((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )
    SDXL 1.0

    [(8k, uhd, photograph)], ((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.)) [((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )

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    🖼️
    [(8k, uhd,  photograph)], 
((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.))
[((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )
    SDXL 1.0

    [(8k, uhd, photograph)], ((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.)) [((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )

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    🖼️
    [(8k, uhd,  photograph)], 
((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.))
[((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )
    SDXL 1.0

    [(8k, uhd, photograph)], ((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.)) [((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )

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    🖼️
    [(8k, uhd,  photograph)], 
((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.))
[((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )
    SDXL 1.0

    [(8k, uhd, photograph)], ((the devil uses every ideology, way of thinking, and lifestyle, of every creed and group as hand-puppets, pointing the fingers of each towards the others, pointing to they and them, and everyone who looks, can and does see the devil in they and them and every other of the devil's hand-puppets for his finger is within the nooks and cranies of each ; but while the people following the pointing fingers, you, me, we are distracted just enough for the devil to force his hand up our own bottoms and work us too as his hand-puppet, pushing a claw into our own opinions, a finger into our hearts and minds, a hook in our intuitions, working our hopes and fears manipulating our self-righteousness and ego driving our anger and despair, dancing the desires and certainties of our own beings. And all is well, for while devil works his puppets; the monad watches through astonished Aeons, with a chuckle; knowing the ineffable does just the same with them.)) [((double exposures), (low opacity overlays) (surrealism photograph), (award winning photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, )

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    🖼️
    (8k, uhd,  highangle photograph overlooking a vast valley), ( where skies darken, splitting with flashes of blinding light.) (The ground trembles as the great white horse and its rider, cloaked in white, descend with eyes blazing like fire). (Around him, countless armies in white robes on white horses follow). (Mountains shatter, cities collapse)).
<<BREAK>>
 ((A beast, immense and grotesque, emerges from the earth, crowned heads roaring). (Beside it stands a second beast, commanding fire from the sky). (Blood fills rivers), (the sun blackens), (the moon turns blood red). (Armies clash), (the earth quakes)). ((Suddenly, the heavens open, revealing an overwhelming, brilliant light.))
[((double exposures), (low opacity overlays) (surrealism photograph), (apocalyptic photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, ) ( double exposure ), Photographer Martin Kimbell Style ]
    SDXL 1.0

    (8k, uhd, highangle photograph overlooking a vast valley), ( where skies darken, splitting with flashes of blinding light.) (The ground trembles as the great white horse and its rider, cloaked in white, descend with eyes blazing like fire). (Around him, countless armies in white robes on white horses follow). (Mountains shatter, cities collapse)). <<BREAK>> ((A beast, immense and grotesque, emerges from the earth, crowned heads roaring). (Beside it stands a second beast, commanding fire from the sky). (Blood fills rivers), (the sun blackens), (the moon turns blood red). (Armies clash), (the earth quakes)). ((Suddenly, the heavens open, revealing an overwhelming, brilliant light.)) [((double exposures), (low opacity overlays) (surrealism photograph), (apocalyptic photography) (ornately detailed), (very detailed background) , ( realisticvision-negative-embedding, ) ( double exposure ), Photographer Martin Kimbell Style ]

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    🖼️
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view )  showcases intense dynamic composition of a (partially vaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) , ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), (terrifying shadow vampire looming, dark and smokey shadow,  nighttime ,
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background, dissolving ghost,  endless echo,  pain, 
 epiCRealism,  Photographer Martin Kimbell Style, ral-dissolve,
masterpiece, ultra high detail
    SDXL 1.0

    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view ) showcases intense dynamic composition of a (partially vaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) , ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), (terrifying shadow vampire looming, dark and smokey shadow, nighttime , cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, dissolving ghost, endless echo, pain, epiCRealism, Photographer Martin Kimbell Style, ral-dissolve, masterpiece, ultra high detail

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