(medieval_sword:1.4), (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4), (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4), (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4), (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4), (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4), (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(medieval_sword:1.4),FTwo-handed swords (Claymore, Zweihänder),uller (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(medieval_sword:1.4),FTwo-handed swords (Claymore, Zweihänder),uller (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4),FTwo-handed swords (Claymore, Zweihänder),uller (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

(medieval_sword:1.4),FTwo-handed swords (Claymore, Zweihänder),uller (engraved_blade:1.5) with Latin_inscriptions, (cross_design:1.4) in the shape of a crucifix, leather_wrapped_handle, handmade_design, To achieve ultra-detail, training images should Macro shots of hilts, guards, and hilts., include:,medieval_engravingultra_detailed_texture, PBR_material, , 8k,

"Surreal digital painting, divided vertically into two contrasting worlds. Hell (left): A pit of molten lava, twisted silhouettes of demons with wings of ash, broken chains, and fiery whirlwinds. Colors: blood red, jade green, pitch black. Details: cracks in the ground from which arms twist, a river of molten metal. Heaven (right): A celestial city of crystal towers, enveloped in golden light, angels with transparent wings flying among clouds of pink cushion. Colors: pearly white, sky blue, golden-pink accents. Details: flowers that glow, giant trees with fruits of light. Transition (center): A portal between the two worlds, where light and darkness collide — abstract forms resembling a battle of energies. Style: A mix of baroque drama and modern surrealism, with an emphasis on textures like oil paint and digital strokes. Additional effects: mystical fog along the border, mirror reflections of souls choosing a direction." Style: Oil painting with elements of fantastic realism. Mood: Contrast between the chaos of hell and the harmony of heaven. Techniques: Hyper-detail in architecture, soft transitions between colors, dramatic lighting. Symbols: Tree of life in the center, whose roots are in hell and branches are in heaven.

"Surreal digital painting, divided vertically into two contrasting worlds. Hell (left): A pit of molten lava, twisted silhouettes of demons with wings of ash, broken chains, and fiery whirlwinds. Colors: blood red, jade green, pitch black. Details: cracks in the ground from which arms twist, a river of molten metal. Heaven (right): A celestial city of crystal towers, enveloped in golden light, angels with transparent wings flying among clouds of pink cushion. Colors: pearly white, sky blue, golden-pink accents. Details: flowers that glow, giant trees with fruits of light. Transition (center): A portal between the two worlds, where light and darkness collide — abstract forms resembling a battle of energies. Style: A mix of baroque drama and modern surrealism, with an emphasis on textures like oil paint and digital strokes. Additional effects: mystical fog along the border, mirror reflections of souls choosing a direction." Style: Oil painting with elements of fantastic realism. Mood: Contrast between the chaos of hell and the harmony of heaven. Techniques: Hyper-detail in architecture, soft transitions between colors, dramatic lighting. Symbols: Tree of life in the center, whose roots are in hell and branches are in heaven.

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(medieval_armory:1.5), (glowing_runes:1.3)(stone_wall_background:1.3), (gothic_architecture:1.2), dimly_lit_room_with_torches, wooden_weapon_racks, (two_handed_longsword:1.6) with (floral_engravings:1.4) on the blade, leather_wrapped_hilt, steel_crossguard, (chainmail_armor:1.2) hanging on the wall, (knightly_shields:1.3) with heraldic_symbols, scattered_arrows_and_maces, atmospheric_dust_particles, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Piotr Jabłoński and Jeremy Mann

"Surreal digital painting, divided vertically into two contrasting worlds. Hell (left): A pit of molten lava, twisted silhouettes of demons with wings of ash, broken chains, and fiery whirlwinds. Colors: blood red, jade green, pitch black. Details: cracks in the ground from which arms twist, a river of molten metal. Heaven (right): A celestial city of crystal towers, enveloped in golden light, angels with transparent wings flying among clouds of pink cushion. Colors: pearly white, sky blue, golden-pink accents. Details: flowers that glow, giant trees with fruits of light. Transition (center): A portal between the two worlds, where light and darkness collide — abstract forms resembling a battle of energies. Style: A mix of baroque drama and modern surrealism, with an emphasis on textures like oil paint and digital strokes. Additional effects: mystical fog along the border, mirror reflections of souls choosing a direction." Style: Oil painting with elements of fantastic realism. Mood: Contrast between the chaos of hell and the harmony of heaven. Techniques: Hyper-detail in architecture, soft transitions between colors, dramatic lighting. Symbols: Tree of life in the center, whose roots are in hell and branches are in heaven.

(medieval_armory:1.5), (glowing_runes:1.3)(stone_wall_background:1.3), (gothic_architecture:1.2), dimly_lit_room_with_torches, wooden_weapon_racks, (two_handed_longsword:1.6) with (floral_engravings:1.4) on the blade, leather_wrapped_hilt, steel_crossguard, (chainmail_armor:1.2) hanging on the wall, (knightly_shields:1.3) with heraldic_symbols, scattered_arrows_and_maces, atmospheric_dust_particles, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Piotr Jabłoński and Jeremy Mann

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(medieval_armory:1.5), (stone_wall_background:1.3), (gothic_architecture:1.2), dimly_lit_room_with_torches, wooden_weapon_racks, (two_handed_longsword:1.6) with (floral_engravings:1.4) on the blade, leather_wrapped_hilt, steel_crossguard, (chainmail_armor:1.2) hanging on the wall, (knightly_shields:1.3) with heraldic_symbols, scattered_arrows_and_maces, atmospheric_dust_particles, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Piotr Jabłoński and Jeremy Mann

(medieval_armory:1.5), (stone_wall_background:1.3), (gothic_architecture:1.2), dimly_lit_room_with_torches, wooden_weapon_racks, (two_handed_longsword:1.6) with (floral_engravings:1.4) on the blade, leather_wrapped_hilt, steel_crossguard, (chainmail_armor:1.2) hanging on the wall, (knightly_shields:1.3) with heraldic_symbols, scattered_arrows_and_maces, atmospheric_dust_particles, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Piotr Jabłoński and Jeremy Mann

(medieval_armory:1.5), (glowing_runes:1.3)(stone_wall_background:1.3), (gothic_architecture:1.2), dimly_lit_room_with_torches, wooden_weapon_racks, (two_handed_longsword:1.6) with (floral_engravings:1.4) on the blade, leather_wrapped_hilt, steel_crossguard, (chainmail_armor:1.2) hanging on the wall, (knightly_shields:1.3) with heraldic_symbols, scattered_arrows_and_maces, atmospheric_dust_particles, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Piotr Jabłoński and Jeremy Mann

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

"Surreal digital painting, divided vertically into two contrasting worlds. Hell (left): A pit of molten lava, twisted silhouettes of demons with wings of ash, broken chains, and fiery whirlwinds. Colors: blood red, jade green, pitch black. Details: cracks in the ground from which arms twist, a river of molten metal. Heaven (right): A celestial city of crystal towers, enveloped in golden light, angels with transparent wings flying among clouds of pink cushion. Colors: pearly white, sky blue, golden-pink accents. Details: flowers that glow, giant trees with fruits of light. Transition (center): A portal between the two worlds, where light and darkness collide — abstract forms resembling a battle of energies. Style: A mix of baroque drama and modern surrealism, with an emphasis on textures like oil paint and digital strokes. Additional effects: mystical fog along the border, mirror reflections of souls choosing a direction." Style: Oil painting with elements of fantastic realism. Mood: Contrast between the chaos of hell and the harmony of heaven. Techniques: Hyper-detail in architecture, soft transitions between colors, dramatic lighting. Symbols: Tree of life in the center, whose roots are in hell and branches are in heaven.

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(morning_star:1.7), (spiked_ball:1.6) chained to (steel_shaft:1.5), (rust_spotting:1.4) on spikes, (wooden_handle:1.3) with (iron_rivets:1.2), (dark_forest_background:1.4), (footman:1.3) in gambeson wielding the weapon, (foggy_atmosphere:1.5), ultra_detailed_textures, dramatic_lighting, 8k, by Piotr Jabłoński

(glowing_arrows:1.5), (elven_runes:1.4),(english_longbow:1.7), (yew_wood:1.6) with (leather_grip:1.5), (hemp_string:1.4), (quiver:1.3) full of (feathered_arrows:1.5), (archer:1.4) in (chainmail_coif:1.3) drawing the bow, (battle_of_agincourt:1.5) background with mud and rain, dynamic_action_pose, ultra_detailed_textures, PBR_materials, cinematic_lighting, 8k, historical_accuracy, by Karl Kopinski

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative:

(medieval_armory:1.6), (stone_wall_chamber:1.4) with (gothic_arches:1.3), warm_torchlight_illumination, wooden_weapon_racks, (full_plate_armor:1.5) on a stand, (chainmail_coif:1.2) draped over a barrel, (knightly_shields:1.3) with (heraldic_emblems:1.4), (two_handed_sword:1.6) leaning against the wall, blade_with_floral_engravings, leather_scabbard, (steel_gauntlets:1.2), (tattered_banners:1.3) hanging from the ceiling, atmospheric_dust_motes, ultra_detailed_textures, PBR_materials, cinematic_volumetric_lighting, 8k, historical_authenticity, by Ivan Meštrović and Daniel Zrom Negative: