
A cinematic medium shot inside Tony Montana’s opulent Miami mansion. Tony Montana, a Cuban man in his 40s with short disheveled black hair, is wearing a tailored black suit with a crisp creamy-white open-neck shirt. His face is contorted in a fierce yell, mouth wide open as he screams: “Say hello to my little friend!” He holds a fully automatic M16 rifle in both hands, aiming it forward with raw intensity. The background features lavish decor: plush red narrow carpet, ornate gold-framed mirrors, heavy velvet curtains, and elegant furniture like carved wooden chairs and a grand desk. Behind him on the right, multiple vintage CRT televisions display blurred images of mansion. Dim, moody lighting casts dramatic shadows across the room, with warm golden tones from wall sconces contrasting against the cool blue hues of the night sky visible through shattered windows with dark curtains. Shallow depth of field emphasizes Tony’s face and gun, while bokeh softens the background. Strong lens flares and film grain add to the analog aesthetic. Photorealistic textures include sweat on Tony’s skin, fabric wrinkles on his suit, polished wood, and reflective surfaces. Cinematic color grading — deep contrast, muted earth tones with blood-red highlights, high saturation. Shot on vintage anamorphic lens, ultra-detailed, natural dirty textures, abandoned opulence, source photo realism, 1980s crime drama aesthetic.
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