A documentary-style, photorealistic moment inside a wardrobe department — Elizabeth Dulau stands before a mirror, dressed in the uniform of her Andor character. The navy-blue tunic is formal and well fitted. Her hair is pinned up tightly in preparation for a wig cap, and a costume assistant adjusts a silver clasp on her sleeve. Fluorescent ceiling lights cast a cool glow across the fitting room: racks of military-style coats line the wall behind her, along with mood boards featuring sketches, fabric swatches, and stills from the show. Elizabeth holds a datapad in one hand, reviewing dialogue or blocking with relaxed focus. A water bottle rests nearby, the label half-peeled from handling. The scene is utilitarian, intimate — a quiet moment in the machinery of television production. She catches her reflection in the mirror, eyes distant, internalizing something. A breath before stepping into another world.
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