Imagine an image in the style of cinematic photorealism. A severely damaged male synthetic person slumps against the cold metal wall of a dimly lit industrial facility. His torso is torn open, exposing intricate mechanical components and tangled wires, sparking faintly beneath a slick coating of white synthetic fluid. His face, eerily lifelike, bears a vacant expression, artificial skin peeling away to reveal an underlying skeletal frame of composite alloys. One flickering eye struggles to focus, while his shattered arm twitches involuntarily, disconnected from any central control. The surrounding environment is harsh and sterile, bathed in the cold glow of malfunctioning emergency lights, casting long shadows over the remnants of his once-functional body.
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