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Seraphina strides through a bustling docking bay on a lunar colony, the camera capturing her from a low angle, emphasizing her commanding presence against the towering spacecraft around her. Her suit, a rugged, practical design with scuffed armor plating and worn joints, bears the marks of countless missions. The environment is a mix of high-tech and wear-and-tear, with grime and dust coating the bulkheads and the occasional spark flickering from exposed cables. Her face, half-illuminated by the overhead fluorescent lights, is framed by the clear visor of her helmet, which displays a soft blue glow around its edges. Her Finnish-Japanese heritage is evident in her high cheekbones and striking ice-blue eyes, which scan the bay for any sign of danger. Her hair, a deep black with silver streaks, floats gently within the helmet, free from the pull of gravity. In the background, cargo loaders trundle past, their mechanical limbs clanking as they move crates of supplies. Workers in similar suits mill about, their movements slow and deliberate in the low gravity. The camera’s wide-angle shot captures the scale of the bay, but the focus remains on Seraphina, her expression one of determination as she approaches a large, heavily armored spacecraft. The weight of her sidearm, a well-worn plasma pistol, hangs at her hip, ready for whatever comes next. Directed by Denis Villeneuve, from Lunar Frontier