<lora:Director Wes Anderson style:1>Director Wes Anderson style - style wall, C

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$<lora:Director Wes Anderson style:1>Director Wes Anderson style - style wall, Cinematic, Photoshoot, professional studio photo, Tilt Blur, Shutter Speed 1 1000, F 22, White Balance, 32k, Super-Resolution, Pro Photo RGB, Half rear Lighting, Backlight, Dramatic Lighting, Incandescent, Soft Lighting, Conte-Jour, Global Illumination, Screen Space Global Illumination, Scattering, Shadows, Rough, Shimmering, Lumen Reflections, Screen Space Reflections, Diffraction Grading, Chromatic Aberration, Scan Lines, Ambient Occlusion, FKAA, TXAA, RTX, SSAO, OpenGL-Shader’s, Post Processing, Post-Production, Cell Shading, Tone Mapping, CGI, VFX, SFX, insanely detailed and intricate, hyper maximalist, photography, volumetric, ultra-detailed, intricate details, super detailed, ambient –uplight –v 4 –q 2$

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<lora:Director Wes Anderson style:1>Director Wes Anderson style - style wall, Cinematic, Photoshoot, professional studio photo, Tilt Blur, Shutter Speed 1 1000, F 22, White Balance, 32k, Super-Resolution, Pro Photo RGB, Half rear Lighting, Backlight, Dramatic Lighting, Incandescent, Soft Lighting, Conte-Jour, Global Illumination, Screen Space Global Illumination, Scattering, Shadows, Rough, Shimmering, Lumen Reflections, Screen Space Reflections, Diffraction Grading, Chromatic Aberration, Scan Lines, Ambient Occlusion, FKAA, TXAA, RTX, SSAO, OpenGL-Shader’s, Post Processing, Post-Production, Cell Shading, Tone Mapping, CGI, VFX, SFX, insanely detailed and intricate, hyper maximalist, photography, volumetric, ultra-detailed, intricate details, super detailed, ambient –uplight –v 4 –q 2

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