Genur.art

# Created using Guyanonymous' Wildcards v107 # Selected versions available for download at https://civitai.red/models/3017255/guyanonymous-wildcards # ALL and most up-to-date versions available at: https://github.com/Guyanonymous-x/Guyanonymous_MetaData_Prompt_Comment_Inserter <lora:MOSSwSh4rpD3tails:0.3> The location is an elite tier, nineteenth-century spa casino in decline. Its materials are scagliola, gilt and crimson, painted ceilings with visible water staining in two bays, herringbone parquet in three patterns, etched mirror with the silvering clouded at the edges, crystal chandeliers, marble that has been patched in a slightly wrong color, netting, dust sheets, and a palette of faded crimson and tarnished gilt that is magnificent at eye level and visibly failing above it. The finest room-light in section D and the hardest to serve, tall windows with shutters giving a genuine architectural daylight into the enfilade, chandeliers that are original, beautiful and provide almost no useful light so that the tables have been given discreet modern pendants that the conservation officer argued about at length, the *salle privée* shuttered permanently, a ballroom lit only when hired, a reading room with excellent light and nothing to read in it, and the recurring contrast of this tier, a building that is extraordinary at dusk under candles and chandeliers and merciless at eleven in the morning. The eighteen darker rectangles in the parquet where tables used to stand. The loose items include an enfilade of three gaming rooms with painted ceilings and eight tables where there were twenty-six with the empty positions marked by darker rectangles in the parquet. The furniture and equipment include a two-table *salle privée* and parquet. The built-in features include a hotel conversion, or closure with the building passing to the municipality that franchised it and a conservation regime that controls every surface including the parquet. Left lying about is netting under the terrace balustrade to catch falling stone, which is the cheapest possible response to a failing cornice and is a semi-permanent arrangement. Signs of people include a cloakroom rail bent. This version of the place is the building closed and in municipal hands awaiting a use, which has also happened. One person is here. A man, 65 years old, in their mid sixties, a senior citizen with clearly aged features, from Kazakhstan, has medium brown irises with fine radial streaks and salt-and-pepper grey mixed hair, styled as slicked-back hair combed straight back, styled with matte clay, and medium beige skin with neutral balanced undertones, and has a build described as slim narrow build. The man's face is clearly aged, thin, creased lips and a slower, careful stance. He is wearing sharp pale lilac double-vented pinstripe suit, crisp shirt, loafers, a boutonniere, polished formal look. Wide environmental portrait with the complete figure centred, head to toe, the whole body well inside the frame with open space on every side.