Genur.art

# Created using Guyanonymous' Wildcards v107 # Selected versions available for download at https://civitai.red/models/3017255/guyanonymous-wildcards # ALL and most up-to-date versions available at: https://github.com/Guyanonymous-x/Guyanonymous_MetaData_Prompt_Comment_Inserter <lora:MOSSwSh4rpD3tails:0.3> The location is a boatyard shed with a hull on a cradle. Its materials are raw and oiled timber of several species, white and blue antifouling, bare GRP in a yellowish white, galvanized and bronze fastenings, steel cradle and props, and the particular combination of sawdust. A big door onto a yard and a slipway, grimy rooflights, a work light under the curved hull, and light off the water outside coming in through the door. The tide table pinned on the wall. The loose items include a bilge pump on the floor with a hose out of the door and a jar of copper roves and nails. The furniture and equipment include a steel cradle with timber chocks and a tide table. The built-in features include a set of hand tools that belong to individuals rather than to the business and a tide table, and a clientele of owners who are present far more than any customer in section A and who help. Left lying about is a tide table pinned on the wall that decides when anything can be launched or recovered. Signs of people include a lid that no longer fits. This version of the place is a yard in spring with everything being launched against tides. One person is here. A woman, 44 years old, in their mid forties, from Colombia, has coffee brown eyes with a slightly lighter centre and walnut brown hair, styled as mid-back-length hair with blunt one-length ends, blunt full bangs, in a long braid down the back, and tan skin with golden undertones, and has a build described as toned build with short legs. The woman looks her age. She is wearing minimalist hazelnut layered cardigan, broderie anglaise paper-bag culotte shorts, espadrilles, a baseball cap, everyday casual look. Full-length environmental portrait with the whole body, including hands and feet, fully inside the frame and generous margins on every side.