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    <lora:training_9454627-20261105081218948-u4g3:1> 
 ythara, this is a highly detailed, digital photograph of Ythara, a young woman from Aethelgard, one leg extended forward, on moss bridge over a ravine. She has long light blue hair braided. Her eyes are red. She has a medium-breasted build. She has pale skin, pink streaks and feathered fox ears. She also has fangs, pink facial markings, a soft body and sharp blue claws. Her face is close enough to see the small things: the shadow her lashes throw, the shine on her lower lip, a freckle or two where the sun reached and the way the skin creases when she smiles. You could count the strands closest to the light, and at the edges of the mass a few hairs break away and catch the air. She is wearing a sheer green gauze with nothing beneath. Everything in the frame carries its own texture: skin with visible pores and a faint uneven tone, cotton gone soft and slightly bobbly from washing and brushed steel with fine circular scratches. The space around her is lived-in: a few objects sit where somebody left them and the room belongs to somebody who uses it. The hand nearest the camera is in a simple, believable position, the fingers following the surface they rest on. She has a tired expression. The light is high key lighting. She is framed top-down view, from above, looking up. A close lens at her own height with the aperture opened up: the near edge of the frame falls away and the depth of field is shallow around her face. Candid lifestyle photography: real skin with visible pores, individual hair strands catching the light, fabric that behaves like fabric and reflections that follow the surfaces. Everything in the frame stays believable and human: the face, the hands, the fabric and the light all behave the way they do in life.
    Prompt

    <lora:training_9454627-20261105081218948-u4g3:1> ythara, this is a highly detailed, digital photograph of Ythara, a young woman from Aethelgard, one leg extended forward, on moss bridge over a ravine. She has long light blue hair braided. Her eyes are red. She has a medium-breasted build. She has pale skin, pink streaks and feathered fox ears. She also has fangs, pink facial markings, a soft body and sharp blue claws. Her face is close enough to see the small things: the shadow her lashes throw, the shine on her lower lip, a freckle or two where the sun reached and the way the skin creases when she smiles. You could count the strands closest to the light, and at the edges of the mass a few hairs break away and catch the air. She is wearing a sheer green gauze with nothing beneath. Everything in the frame carries its own texture: skin with visible pores and a faint uneven tone, cotton gone soft and slightly bobbly from washing and brushed steel with fine circular scratches. The space around her is lived-in: a few objects sit where somebody left them and the room belongs to somebody who uses it. The hand nearest the camera is in a simple, believable position, the fingers following the surface they rest on. She has a tired expression. The light is high key lighting. She is framed top-down view, from above, looking up. A close lens at her own height with the aperture opened up: the near edge of the frame falls away and the depth of field is shallow around her face. Candid lifestyle photography: real skin with visible pores, individual hair strands catching the light, fabric that behaves like fabric and reflections that follow the surfaces. Everything in the frame stays believable and human: the face, the hands, the fabric and the light all behave the way they do in life.

    Generation Settings

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    Created with
    AUTOMATIC1111
    CFG Scale1
    Sampler
    Euler
    Seed1240228372
    Steps8

    Copies the original metadata text embedded by AUTOMATIC1111.

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    Image
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    Created
    11/10/2026
    Base Model
    Krea 2
    Creator
    Mikur79
    Source
    CivitAI
    Models Used

    AI models used to generate this content

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