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    silbriolinocut, Create one original contemporary hand-carved two-block linocut artwork. A low empty fabric tent stands on the ground, its triangular entrance partly open. Two coherent curved poles tension the fabric, with four restrained ground anchor points. Square 1:1, ground-level three-quarter view: a low-left dome opposes the smaller right entrance and large air reserve above. Use only vivid cyan and warm vermilion spot inks. Cyan is a broad ground plane crossing one fabric side and continuing behind the dome. Vermilion constructs the front panel, near pole and a ground return. Their substantial deep violet overprint at the dome foot makes fabric tension and contact legible. Paper defines the entrance interior, bounded by a printed return edge, two folds and the open sky; do not fill the entrance with a separate dark pigment. Three broad cuts converge toward attachments; leave fabric fields calm. Keep poles connected and anchors on the ground, without scenery, ropes everywhere or a detached floating canopy. Use dense matte flat ink fields on clean near-white paper, sensitive hand-cut edges and restrained local ink skips; shape must dominate grain. Preserve the stated contacts and connections. Print the composition directly across the image area without an added frame. No lettering, logo, signature, watermark, mockup, collage, panels, extra independent ink, photographic shading, continuous gradients, all-over distress, dense descriptive hatching or uniformly perfect vector edges.
    Prompt

    silbriolinocut, Create one original contemporary hand-carved two-block linocut artwork. A low empty fabric tent stands on the ground, its triangular entrance partly open. Two coherent curved poles tension the fabric, with four restrained ground anchor points. Square 1:1, ground-level three-quarter view: a low-left dome opposes the smaller right entrance and large air reserve above. Use only vivid cyan and warm vermilion spot inks. Cyan is a broad ground plane crossing one fabric side and continuing behind the dome. Vermilion constructs the front panel, near pole and a ground return. Their substantial deep violet overprint at the dome foot makes fabric tension and contact legible. Paper defines the entrance interior, bounded by a printed return edge, two folds and the open sky; do not fill the entrance with a separate dark pigment. Three broad cuts converge toward attachments; leave fabric fields calm. Keep poles connected and anchors on the ground, without scenery, ropes everywhere or a detached floating canopy. Use dense matte flat ink fields on clean near-white paper, sensitive hand-cut edges and restrained local ink skips; shape must dominate grain. Preserve the stated contacts and connections. Print the composition directly across the image area without an added frame. No lettering, logo, signature, watermark, mockup, collage, panels, extra independent ink, photographic shading, continuous gradients, all-over distress, dense descriptive hatching or uniformly perfect vector edges.

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    Created with
    AUTOMATIC1111
    CFG Scale4.5
    Sampler
    er_sde
    Seed2026111008
    Steps30

    Copies the original metadata text embedded by AUTOMATIC1111.

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    Created
    11/10/2026
    Source
    CivitAI
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