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    A low-key, high-contrast, semi-realistic painterly adult illustration. Ines from Arknights — loose long black hair, black horns, pointed ears, yellow-orange eyes, black nail polish — straddles a tall, heavily built dark-skinned man; the two figures fill the frame in a strict side view framed from the hips upward, both heads and the point where their bodies meet staying clearly readable inside the crop. She kneels upright on top of him, knees planted on the mattress, thighs spread wide and pressed against his hips, her spine arched so the ribs and waist fold into soft creases and the skin of her belly pulls tight. Her face is flushed from cheeks to nose bridge, eyes rolled up until mostly the whites show, mouth open with the tongue pushed out and a thin thread of drool sliding from her lip; a shiver of small motion lines runs along her shoulder and thigh. Sweat beads and runs in streaks down her neck, chest and back, and the whole body glazes into an oil-slick sheen so that hard, small specular points and long bright highlights ride over the pale warm-pink skin. One of his broad hands presses into her waist, fingers sinking into the flesh, while her hand grips his forearm so the tendons read under the skin. Lighting is a single dim, warm side key from the upper right that carves a bright rim along her arm and cheek, letting the rest of the body sink into deep, richly saturated shadow, and the background is a dark, soft-focus bedroom of rumpled bedding and a dim wall, closed off by gentle vignetting. The rendering keeps thick visible brush strokes over airbrushed gradients, meticulous skin creases and muscle shifts, and a tactile oily finish rather than flat cel shading.
<lora:nai1:1.0>
    Prompt

    A low-key, high-contrast, semi-realistic painterly adult illustration. Ines from Arknights — loose long black hair, black horns, pointed ears, yellow-orange eyes, black nail polish — straddles a tall, heavily built dark-skinned man; the two figures fill the frame in a strict side view framed from the hips upward, both heads and the point where their bodies meet staying clearly readable inside the crop. She kneels upright on top of him, knees planted on the mattress, thighs spread wide and pressed against his hips, her spine arched so the ribs and waist fold into soft creases and the skin of her belly pulls tight. Her face is flushed from cheeks to nose bridge, eyes rolled up until mostly the whites show, mouth open with the tongue pushed out and a thin thread of drool sliding from her lip; a shiver of small motion lines runs along her shoulder and thigh. Sweat beads and runs in streaks down her neck, chest and back, and the whole body glazes into an oil-slick sheen so that hard, small specular points and long bright highlights ride over the pale warm-pink skin. One of his broad hands presses into her waist, fingers sinking into the flesh, while her hand grips his forearm so the tendons read under the skin. Lighting is a single dim, warm side key from the upper right that carves a bright rim along her arm and cheek, letting the rest of the body sink into deep, richly saturated shadow, and the background is a dark, soft-focus bedroom of rumpled bedding and a dim wall, closed off by gentle vignetting. The rendering keeps thick visible brush strokes over airbrushed gradients, meticulous skin creases and muscle shifts, and a tactile oily finish rather than flat cel shading. <lora:nai1:1.0>

    Generation Settings

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    Created with
    AUTOMATIC1111
    CFG Scale5
    Sampler
    Euler simple
    Seed1799796091
    Steps25
    Negative Prompt

    low quality, worst quality, blurry, jpeg artifacts, bad anatomy, worst hands, deformed hands, deformed fingers, deformed feet, deformed toes, extra limbs, extra arms, extra legs, extra fingers, extra digits, extra digit, fused fingers, missing limbs, missing arms, missing fingers, missing toes, wrong hands, ugly hands, ugly fingers, twisted hands

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    Created
    11/5/2026
    Source
    CivitAI
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