![{"summary":{"caption":"A tall vertical illustration on a plain off-white paper page with visible fibre grain and no frame or border, built from two cropped profile heads of the same girl placed diagonally, one at the upper left and one at the lower right, with two huge pink peony-like flowers and ragged green foliage cutting across the middle between them. The heads are not left floating: the upper one is buried in an upturned hood that swallows its stump of neck, and both are caught from underneath by leaves and forked branches that cup the jawline, with the lower head's hair tangling into the stems, so every cut edge is carried by plant or cloth. Everything is drawn in blunt dry marker and flat colour with thick black lineart, choked with dark blood-red ink splatter that eats into hair, petals and skin alike, the page reading as a rough, half-abstract painted collage rather than a finished portrait.","canvas":"single","meta":["illustration","marker drawing","flat colour","collage","paper texture"]},"items":[{"label":"character","caption":"Ye Shunguang's everyday self cropped to a profile at the upper left, nose and jaw pointing off the left edge so only one half-lidded red eye and part of the cheek stay readable: spiky warm brown hair with olive-gold highlights escaping from the rim of a hood, a drooping white-fluffed fox ear, a small clover hair ornament and white hairband. A hooded cape is worn up, the fabric swallowing the back of her skull and the base of her neck so the cut edge disappears inside the hood instead of floating, with hair spilling out over the hood's lining; flat skin with a rough orange blush that stops at the sharp jawline, all in scratchy dry marker strokes.","bbox":[-468,-472,158,-71]},{"label":"character","caption":"The same girl's enlightened form cropped to a profile at the lower right facing out past the right edge, one sharp red eye looking away beneath pale lashes: spiky white hair streaked with red and bruised lavender shadows, the hint of a small translucent horn at the temple, cool flat skin tones with rough brush edges. No cut neck shows, because her long hair falls straight past the jaw and tangles into the branch and leaves behind her, so the head rests on that bed of hair and foliage.","bbox":[192,8,657,392]},{"label":"object","caption":"One oversized pink flower head at the top, a peony-like bloom of layered rose-pink petals with ragged torn tips and paler edges, a deep crimson core built from scribbled ink and clotted paint, thick black outlines and warm paper gaps letting the page show through the strokes.","bbox":[-660,-54,-254,388]},{"label":"object","caption":"A second, larger pink flower head in the centre with its stalk running down from beneath it, the same layered rose-pink petals and dark crimson heart smothered in dark blood-red ink splatter and spatter that blots out parts of the petals.","bbox":[-228,-96,146,464]},{"label":"object","caption":"A broad olive-green leaf reaching up from the lower left, its upper edge curving into a shallow cup that catches the underside of the left head's jaw and presses against the hood, so the leaf itself becomes the support that holds the head and hides the cut; hard dark veins, jagged edges and fat red ink blots and drips soaking through it.","bbox":[92,-422,459,-19]},{"label":"object","caption":"The forked lower end of the central stalk, splitting into two thick woody branches that rise behind the lower head, one branch folding under her jaw and the other curling behind her ear while a smaller leaf tucks against her cheek, the twigs threading through her white hair; bark painted in black-brown and green with red ink running down the joints.","bbox":[392,-82,652,368]}],"bbox_coord_space":"abs_centralized","bbox_format":"yxyx"},
<lora:sbyv1:1.0>](https://c.genur.art/11aff834-c3e8-40ba-a5a6-40869f266ea3_large.webp)
{"summary":{"caption":"A tall vertical illustration on a plain off-white paper page with visible fibre grain and no frame or border, built from two cropped profile heads of the same girl placed diagonally, one at the upper left and one at the lower right, with two huge pink peony-like flowers and ragged green foliage cutting across the middle between them. The heads are not left floating: the upper one is buried in an upturned hood that swallows its stump of neck, and both are caught from underneath by leaves and forked branches that cup the jawline, with the lower head's hair tangling into the stems, so every cut edge is carried by plant or cloth. Everything is drawn in blunt dry marker and flat colour with thick black lineart, choked with dark blood-red ink splatter that eats into hair, petals and skin alike, the page reading as a rough, half-abstract painted collage rather than a finished portrait.","canvas":"single","meta":["illustration","marker drawing","flat colour","collage","paper texture"]},"items":[{"label":"character","caption":"Ye Shunguang's everyday self cropped to a profile at the upper left, nose and jaw pointing off the left edge so only one half-lidded red eye and part of the cheek stay readable: spiky warm brown hair with olive-gold highlights escaping from the rim of a hood, a drooping white-fluffed fox ear, a small clover hair ornament and white hairband. A hooded cape is worn up, the fabric swallowing the back of her skull and the base of her neck so the cut edge disappears inside the hood instead of floating, with hair spilling out over the hood's lining; flat skin with a rough orange blush that stops at the sharp jawline, all in scratchy dry marker strokes.","bbox":[-468,-472,158,-71]},{"label":"character","caption":"The same girl's enlightened form cropped to a profile at the lower right facing out past the right edge, one sharp red eye looking away beneath pale lashes: spiky white hair streaked with red and bruised lavender shadows, the hint of a small translucent horn at the temple, cool flat skin tones with rough brush edges. No cut neck shows, because her long hair falls straight past the jaw and tangles into the branch and leaves behind her, so the head rests on that bed of hair and foliage.","bbox":[192,8,657,392]},{"label":"object","caption":"One oversized pink flower head at the top, a peony-like bloom of layered rose-pink petals with ragged torn tips and paler edges, a deep crimson core built from scribbled ink and clotted paint, thick black outlines and warm paper gaps letting the page show through the strokes.","bbox":[-660,-54,-254,388]},{"label":"object","caption":"A second, larger pink flower head in the centre with its stalk running down from beneath it, the same layered rose-pink petals and dark crimson heart smothered in dark blood-red ink splatter and spatter that blots out parts of the petals.","bbox":[-228,-96,146,464]},{"label":"object","caption":"A broad olive-green leaf reaching up from the lower left, its upper edge curving into a shallow cup that catches the underside of the left head's jaw and presses against the hood, so the leaf itself becomes the support that holds the head and hides the cut; hard dark veins, jagged edges and fat red ink blots and drips soaking through it.","bbox":[92,-422,459,-19]},{"label":"object","caption":"The forked lower end of the central stalk, splitting into two thick woody branches that rise behind the lower head, one branch folding under her jaw and the other curling behind her ear while a smaller leaf tucks against her cheek, the twigs threading through her white hair; bark painted in black-brown and green with red ink running down the joints.","bbox":[392,-82,652,368]}],"bbox_coord_space":"abs_centralized","bbox_format":"yxyx"}, <lora:sbyv1:1.0>
Parameters used to generate this content
low quality, worst quality, blurry, jpeg artifacts, bad anatomy, worst hands, deformed hands, deformed fingers, deformed feet, deformed toes, extra limbs, extra arms, extra legs, extra fingers, extra digits, extra digit, fused fingers, missing limbs, missing arms, missing fingers, missing toes, wrong hands, ugly hands, ugly fingers, twisted hands
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