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    <lora:training_9454627-20261024150555798-y57y:1> 
 fantasma, this is a highly detailed, digital photograph of Fantasma, a young woman from Starward Vanguard, sitting on the floor, in dark obsidian landscape, glowing magenta energy cracks, no sun. She has long black straight hair. Her eyes are green. She has a curvy build. She has smooth tanned skin and a dark complexion. At this distance the face reads as a person: freckles that sit IN the skin rather than on top of it, a nose that goes slightly red at the tip, lashes shading the eyes and lips with a fine, real edge. The ends of the hair split and curl slightly, the top holds a soft sheen and the whole of it sits the way hair sits after a long day. She is wearing a sleek black and purple gown with semi-translucent fabric and high side slit. Everything in the frame carries its own texture: skin with visible pores and a faint uneven tone, raw linen with its weave clearly readable and wood with the varnish rubbed away where hands go. The light lands on real surfaces: proper walls, the place as it is, with its own materials showing. Her fingers are long and relaxed, with the light catching the fine hairs on the back of the hand and a clean, unvarnished nail. She looks determined. The light is volumetric light, haze. She is framed from behind, no face. The camera sits close to the surface, at her own height, and the room opens up behind her with its perspective natural and undistorted. Editorial-grade photography with true-to-life skin, hair that reads strand by strand, fabric with real folds and highlights that only land where a real light would put them. What matters here is that it looks taken rather than made: real light, real surfaces and a person who is actually there.
    Prompt

    <lora:training_9454627-20261024150555798-y57y:1> fantasma, this is a highly detailed, digital photograph of Fantasma, a young woman from Starward Vanguard, sitting on the floor, in dark obsidian landscape, glowing magenta energy cracks, no sun. She has long black straight hair. Her eyes are green. She has a curvy build. She has smooth tanned skin and a dark complexion. At this distance the face reads as a person: freckles that sit IN the skin rather than on top of it, a nose that goes slightly red at the tip, lashes shading the eyes and lips with a fine, real edge. The ends of the hair split and curl slightly, the top holds a soft sheen and the whole of it sits the way hair sits after a long day. She is wearing a sleek black and purple gown with semi-translucent fabric and high side slit. Everything in the frame carries its own texture: skin with visible pores and a faint uneven tone, raw linen with its weave clearly readable and wood with the varnish rubbed away where hands go. The light lands on real surfaces: proper walls, the place as it is, with its own materials showing. Her fingers are long and relaxed, with the light catching the fine hairs on the back of the hand and a clean, unvarnished nail. She looks determined. The light is volumetric light, haze. She is framed from behind, no face. The camera sits close to the surface, at her own height, and the room opens up behind her with its perspective natural and undistorted. Editorial-grade photography with true-to-life skin, hair that reads strand by strand, fabric with real folds and highlights that only land where a real light would put them. What matters here is that it looks taken rather than made: real light, real surfaces and a person who is actually there.

    Generation Settings

    Parameters used to generate this content

    Created with
    AUTOMATIC1111
    CFG Scale1
    Sampler
    ER SDE
    Seed3411806406
    Steps8
    Negative Prompt

    worst quality, low quality, score_1, score_2, score_3, loli, sex

    Copies the original metadata text embedded by AUTOMATIC1111.

    Info
    Image
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    Created
    11/2/2026
    Base Model
    Krea 2
    Creator
    Mikur79
    Source
    CivitAI
    Models Used

    AI models used to generate this content

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