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    Photorealistic full-body portrait of a cheerful young adult woman with bilateral above-knee amputations, captured in a lively, slightly turned pose inside a rustic hunting lodge. Vertical composition, showing her from the sunglasses resting on her head to the rubber bases of her short prostheses on the concrete floor. Her torso turns slightly toward the viewer’s right while her face turns directly toward the camera, her mouth open in a broad, spontaneous smile.

She has a warm, lightly tanned complexion, an athletic build, a defined waist, expressive eyebrows, and shoulder-length dark brown curls cascading around her face and shoulders. Black-framed sunglasses sit on top of her hair. She wears a fitted cream-beige cropped top with narrow shoulder straps and a gently plunging neckline, exposing her abdomen. Her pale blue denim cutoff shorts have frayed hems, visible seams, front pockets, belt loops, and a medium-brown leather belt with a silver buckle. Several narrow bracelets encircle her right wrist, while dark beaded bracelets decorate her left wrist.

Both legs end above the knees, with her residual limbs completely enclosed inside glossy black carbon-fiber prosthetic sockets emerging directly beneath the shorts. No bare residual-limb skin is visible. The sockets have elongated, rounded contours, a subtle woven surface pattern, and strong reflections from the daylight. Each socket connects at its lower end to a short exposed silver metal pylon terminating in a broad, black, flared rubber ground-contact base. These compact prostheses have no knee joints or anatomically shaped feet. Small blue fittings are visible near the lower sides of the sockets.

Her right prosthesis, on the viewer’s left, is positioned farther forward, while her left prosthesis stands slightly behind and toward the viewer’s right, creating the impression of a small step or playful dance movement. Her right elbow is bent, with her hand loosely raised near her chest; her left arm bends outward with its relaxed hand near waist height. Her shoulders and hips rotate naturally with the pose.

The background consists of honey-brown vertical wooden wall boards decorated with mounted antlered deer heads, pale animal skulls, and vintage red, white, and blue beer signs, several displaying Budweiser branding. A mounted bird appears high on the left, and a taxidermy turkey with a spread fan of tail feathers stands near the lower-left corner. Two black rectangular equipment cases with silver catches rest against the back wall. A small shelf with bottles and several leaning wooden pieces occupies the far-right edge. Overhead, a tan fabric canopy forms soft folds around a central dark support and partially cropped ceiling fixture.

The worn gray concrete floor has irregular brown stains, fine cracks, and soft shadows beneath the woman. Warm frontal daylight illuminates her face, skin, denim, and reflective prosthetic sockets. Natural proportions, detailed curls, realistic fabric textures, crisp carbon-fiber surfaces, and the relaxed atmosphere of a candid photograph.
    Prompt

    Photorealistic full-body portrait of a cheerful young adult woman with bilateral above-knee amputations, captured in a lively, slightly turned pose inside a rustic hunting lodge. Vertical composition, showing her from the sunglasses resting on her head to the rubber bases of her short prostheses on the concrete floor. Her torso turns slightly toward the viewer’s right while her face turns directly toward the camera, her mouth open in a broad, spontaneous smile. She has a warm, lightly tanned complexion, an athletic build, a defined waist, expressive eyebrows, and shoulder-length dark brown curls cascading around her face and shoulders. Black-framed sunglasses sit on top of her hair. She wears a fitted cream-beige cropped top with narrow shoulder straps and a gently plunging neckline, exposing her abdomen. Her pale blue denim cutoff shorts have frayed hems, visible seams, front pockets, belt loops, and a medium-brown leather belt with a silver buckle. Several narrow bracelets encircle her right wrist, while dark beaded bracelets decorate her left wrist. Both legs end above the knees, with her residual limbs completely enclosed inside glossy black carbon-fiber prosthetic sockets emerging directly beneath the shorts. No bare residual-limb skin is visible. The sockets have elongated, rounded contours, a subtle woven surface pattern, and strong reflections from the daylight. Each socket connects at its lower end to a short exposed silver metal pylon terminating in a broad, black, flared rubber ground-contact base. These compact prostheses have no knee joints or anatomically shaped feet. Small blue fittings are visible near the lower sides of the sockets. Her right prosthesis, on the viewer’s left, is positioned farther forward, while her left prosthesis stands slightly behind and toward the viewer’s right, creating the impression of a small step or playful dance movement. Her right elbow is bent, with her hand loosely raised near her chest; her left arm bends outward with its relaxed hand near waist height. Her shoulders and hips rotate naturally with the pose. The background consists of honey-brown vertical wooden wall boards decorated with mounted antlered deer heads, pale animal skulls, and vintage red, white, and blue beer signs, several displaying Budweiser branding. A mounted bird appears high on the left, and a taxidermy turkey with a spread fan of tail feathers stands near the lower-left corner. Two black rectangular equipment cases with silver catches rest against the back wall. A small shelf with bottles and several leaning wooden pieces occupies the far-right edge. Overhead, a tan fabric canopy forms soft folds around a central dark support and partially cropped ceiling fixture. The worn gray concrete floor has irregular brown stains, fine cracks, and soft shadows beneath the woman. Warm frontal daylight illuminates her face, skin, denim, and reflective prosthetic sockets. Natural proportions, detailed curls, realistic fabric textures, crisp carbon-fiber surfaces, and the relaxed atmosphere of a candid photograph.

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    ComfyUI
    CFG Scale2.5
    Sampler
    er_sde
    Seed2
    Steps25
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    Created
    10/30/2026
    Source
    CivitAI
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