
A mysterious moth priestess stands beneath the arched doorway of an abandoned woodland cathedral, her slender figure draped in an elaborate black ceremonial gown with layered feather-like sleeves and intricate silver embroidery. Her face is entirely concealed beneath a smooth obsidian mask, its only features two narrow eyes glowing with intense fluorescent turquoise light. An enormous pair of folded moth wings extends from her back, their intricate patterns resembling ancient stained glass, with luminous cyan markings scattered across deep black surfaces. A delicate crown of curved insect antennae rises from her long silver-white hair, while dozens of smaller luminous moths gather along her shoulders and outstretched fingers. She gently holds a single glowing moth between her cupped hands, its light illuminating the intricate patterns of her gown and the lower half of her mask. Behind her, the ruined cathedral is overgrown with dark vines and enormous mushrooms, its broken pointed arches disappearing into a dense forest of black silhouettes. Medium full-body frontal portrait, powerful symmetrical composition, the priestess occupying most of the frame with her wings forming a decorative silhouette against the ruined architecture. Dominant fluorescent turquoise against charcoal black, restrained desaturated silver and deep teal undertones, glowing ornamental details, layered storybook silhouettes, painterly textures, mystical creature design, unsettling elegance, and the ethereal atmosphere of a forgotten nocturnal goddess.
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