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    A cinematic still of a New York subway car at night captured from a doorway-distance mid shot, medium-full distance, with train fluorescent light and black windows. Nearest the camera on a bench seat, a 24-year-old mixed-race woman with a soft hourglass build and short stature. She has warm beige skin, straight black hair with brown lights, a mixed bone structure, a medium nose, and a full mouth, medium breasts that fall toward her sides. She wears a hoodie unzipped with no top under it, no footwear. She sits on a bench seat because there is no room to lie flat. Her back is against the nearest wall, knees pulled in, head down. two fingers of her right hand pumping in her vagina while her left hand holds the nearest solid edge. Both nipples are visible. Her vulva is turned toward the lens enough to show the labia. Around them: orange-yellow bench seats, poles, ads above the windows, a door at the end. The car is empty except for these figures. Windows show tunnel dark. Focus stays on her hands, nipples, and the nearest contact. The far side of a New York subway car at night goes slightly soft. The key light crosses the wet skin at her vulva and the upper curve of each breast.
    Prompt

    A cinematic still of a New York subway car at night captured from a doorway-distance mid shot, medium-full distance, with train fluorescent light and black windows. Nearest the camera on a bench seat, a 24-year-old mixed-race woman with a soft hourglass build and short stature. She has warm beige skin, straight black hair with brown lights, a mixed bone structure, a medium nose, and a full mouth, medium breasts that fall toward her sides. She wears a hoodie unzipped with no top under it, no footwear. She sits on a bench seat because there is no room to lie flat. Her back is against the nearest wall, knees pulled in, head down. two fingers of her right hand pumping in her vagina while her left hand holds the nearest solid edge. Both nipples are visible. Her vulva is turned toward the lens enough to show the labia. Around them: orange-yellow bench seats, poles, ads above the windows, a door at the end. The car is empty except for these figures. Windows show tunnel dark. Focus stays on her hands, nipples, and the nearest contact. The far side of a New York subway car at night goes slightly soft. The key light crosses the wet skin at her vulva and the upper curve of each breast.

    Generation Settings

    Parameters used to generate this content

    Created with
    ComfyUI
    CFG Scale3
    Sampler
    er_sde
    Seed37089569802002
    Steps16
    Negative Prompt

    worst quality, low quality, bad anatomy, deformed hands, extra fingers, malformed limbs, distorted face, plastic skin, overly smooth skin, waxy skin, oversharpening, excessive skin retouching, blurry, jpeg artifacts, watermark, text, logo

    ComfyUI Workflow

    The node graph used to generate this content — pan and zoom to explore, or download it to run in ComfyUI.

    Info
    Image
    Likes
    18
    Created
    10/22/2026
    Base Model
    MOSS Image
    Source
    CivitAI
    Actions