
The woman is the adult elf woman from the reference images and must keep her exact face from the second reference and her outfit from the first: long wavy pink-to-cyan gradient hair, long pointed elf ears, bright aqua eyes, full lips, ornate royal-blue galaxy armour with hot-pink swirl breastplate cups and pink pauldrons with lime-green gems, gold filigree, black fingerless gloves, a white loincloth with gold trim, a curvy figure. Photorealistic rendering of this character as a real woman: real skin with pores and soft highlights, real hair, real fabric and metal; the design, colours and proportions of the reference are preserved exactly. She wears royal-blue armoured knee-high boots with hot-pink trim, and her long square fingernails have a nude French manicure with hot-pink tips. Everyday life in a provincial Russian town: in her full shining fantasy armour she arrives home from the grocery store and steps up to the open metal entrance door of a grey five-storey Soviet khrushchevka apartment block, a bulging string bag of potatoes in her right hand and white plastic supermarket bags with bread, milk and green onions in her left hand. She glances back over her shoulder toward the camera with her beautiful calm face, a confident little smile, glossy lips, perfectly styled hair, proud and radiant. Next to the entrance on a wooden bench sit three old babushkas in headscarves and cardigans, leaning close together, whispering to each other behind their hands and staring at her with judging, scandalised side-eyes. Around them: peeling paint on the entrance, a rusty mailbox panel, cracked asphalt, tall poplars, a flower bed in an old painted tyre, an overcast late-summer evening. The bright fantasy armour stands out vividly against the faded grey courtyard. Vertical framing of her whole figure and the bench. Exactly two hands with five fingers each on every person. Candid documentary street photography, realistic skin texture, sharp focus.
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