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    Use the uploaded original official second-awakening artwork as the exact source image and the highest-priority reference for the character's identity, original black garment, body proportions, pose, composition, and painterly illustration style.
Create a faithful clothing-layer edit of the same character. Remove all external clothing while retaining the original black close-fitting garment visible in the source artwork.
This is a clothing simplification task, not a character redesign.
1. Remove the complete outer coat.
Remove the entire original outer coat, including its main panels, sleeves, connected fabric, and all remaining coat sections visible in the uploaded image.
The coat is one continuous garment. Remove all visible parts that belong to it, including any remaining fabric flying to the left side of the composition.
Do not leave disconnected coat fragments, floating fabric strips, partial sleeves, or fabric remnants attached to the character.
Do not reconstruct portions of the coat that have already been cropped out of the source image.
Where the coat previously obscured the background, reconstruct only the minimum necessary background using the surrounding colors, lighting, visual effects, and original painterly rendering.
2. Remove the complete original uniform configuration.
Remove the entire original uniform as one coordinated outfit, including:
The blue uniform top.
The white collar lining and all collar components belonging to the uniform.
Both sleeves attached to the uniform top, including their fabric around the upper arms, elbows, forearms, and cuffs.
The blue uniform skirt.
The black uniform belt.
The holster attached to the belt.
The pistol carried in that holster as part of the uniform configuration.
Remove all these items completely. Do not leave partial sleeves, cuffs, blue fabric fragments, white collar pieces, skirt fragments, belt sections, holster parts, or the holstered pistol.
The original uniform sleeves are part of the uniform and must be removed along with the uniform top. Do not confuse them with the outer coat.
Do not merely recolor the uniform or transform its blue fabric into black fabric. Remove the actual external clothing layers.
3. Remove the original gloves and shoes.
Remove both original gloves and both original shoes, including the tall boots, laces, fastenings, and other components belonging to the footwear.
Do not leave partial gloves, cuffs, boot fragments, shoe-shaped remnants, or separate ankle coverings.
Preserve the character's original hand and foot positions, anatomy, contours, and proportions.
Do not add replacement gloves, shoes, boots, socks, stockings, or other external accessories.
The existing black garment continues over the feet in the original character design. Preserve that original garment coverage rather than introducing separate socks or additional footwear.
4. Preserve the original black close-fitting garment as the only remaining clothing.
The black material visible at the cleavage and across the legs and feet is the primary visual reference for the original garment that remains after the external clothing is removed.
Preserve its original color, surface texture, sheen, highlights, shadows, tonal variation, and painterly rendering.
Continue this same material naturally through the areas previously covered by the outer coat and uniform, including the torso, waist, hips, and relevant arm areas.
The reconstructed torso must look like a natural continuation of the black material already visible at the chest and on the lower body.
Maintain consistent material appearance throughout the garment. The torso and lower body must look like the same original garment, painted by the same artist as part of the same illustration.
Do not create a new inner top, bra, decorative bodice, corset, special lingerie outfit, or another independently designed garment.
Do not introduce a different textile, contrasting material, decorative panels, special straps, lace, ribbons, cutouts, ornamental stitching, or unsupported garment details.
Do not assume hidden construction details that cannot be established from the source image. Continue the visible original garment conservatively rather than inventing a new design.
5. The remaining black garment must have no collar or V-shaped neckline structure.
The original white collar and V-shaped neckline belonged to the removed uniform. Both must disappear completely with the uniform.
The black garment must not inherit or reproduce the original uniform's V-shaped neckline geometry in any form.
Do not create a V-shaped opening, V-shaped garment edge, V-shaped seam, V-shaped outline, collar-like border, or curved contour line that recreates the appearance of the old uniform neckline.
Do not replace the original V shape with a black outline, a dark shadow-shaped contour, a different-colored trim, or another decorative edge.
The remaining garment must have no collar structure of any kind, including a high neck, raised collar, neckband, collar ring, lapel, folded fabric edge, or raised material surrounding the neck.
It must also have no collar-like or V-neck-like linework. Do not add piping, contrasting trim, ornamental stitching, an artificial seam, or a curved border that frames the neck.
The upper portion of the garment should continue naturally from the original black material visible at the chest without becoming a separate inner top with a newly designed neckline.
Preserve the character's natural neck and shoulder anatomy. Do not extend the garment upward around the neck or introduce a raised fabric structure.
6. Preserve the original character identity and hairstyle.
Keep the original face shape, eye shape and position, eyebrows, nose, mouth, facial expression, facial proportions, hairstyle, hairline, hair length, hair color, hair accessories, and recognizable character identity unchanged.
Preserve the original wind-blown arrangement of the hair. Do not make the hair fall naturally or change its direction a
    Prompt

    Use the uploaded original official second-awakening artwork as the exact source image and the highest-priority reference for the character's identity, original black garment, body proportions, pose, composition, and painterly illustration style. Create a faithful clothing-layer edit of the same character. Remove all external clothing while retaining the original black close-fitting garment visible in the source artwork. This is a clothing simplification task, not a character redesign. 1. Remove the complete outer coat. Remove the entire original outer coat, including its main panels, sleeves, connected fabric, and all remaining coat sections visible in the uploaded image. The coat is one continuous garment. Remove all visible parts that belong to it, including any remaining fabric flying to the left side of the composition. Do not leave disconnected coat fragments, floating fabric strips, partial sleeves, or fabric remnants attached to the character. Do not reconstruct portions of the coat that have already been cropped out of the source image. Where the coat previously obscured the background, reconstruct only the minimum necessary background using the surrounding colors, lighting, visual effects, and original painterly rendering. 2. Remove the complete original uniform configuration. Remove the entire original uniform as one coordinated outfit, including: The blue uniform top. The white collar lining and all collar components belonging to the uniform. Both sleeves attached to the uniform top, including their fabric around the upper arms, elbows, forearms, and cuffs. The blue uniform skirt. The black uniform belt. The holster attached to the belt. The pistol carried in that holster as part of the uniform configuration. Remove all these items completely. Do not leave partial sleeves, cuffs, blue fabric fragments, white collar pieces, skirt fragments, belt sections, holster parts, or the holstered pistol. The original uniform sleeves are part of the uniform and must be removed along with the uniform top. Do not confuse them with the outer coat. Do not merely recolor the uniform or transform its blue fabric into black fabric. Remove the actual external clothing layers. 3. Remove the original gloves and shoes. Remove both original gloves and both original shoes, including the tall boots, laces, fastenings, and other components belonging to the footwear. Do not leave partial gloves, cuffs, boot fragments, shoe-shaped remnants, or separate ankle coverings. Preserve the character's original hand and foot positions, anatomy, contours, and proportions. Do not add replacement gloves, shoes, boots, socks, stockings, or other external accessories. The existing black garment continues over the feet in the original character design. Preserve that original garment coverage rather than introducing separate socks or additional footwear. 4. Preserve the original black close-fitting garment as the only remaining clothing. The black material visible at the cleavage and across the legs and feet is the primary visual reference for the original garment that remains after the external clothing is removed. Preserve its original color, surface texture, sheen, highlights, shadows, tonal variation, and painterly rendering. Continue this same material naturally through the areas previously covered by the outer coat and uniform, including the torso, waist, hips, and relevant arm areas. The reconstructed torso must look like a natural continuation of the black material already visible at the chest and on the lower body. Maintain consistent material appearance throughout the garment. The torso and lower body must look like the same original garment, painted by the same artist as part of the same illustration. Do not create a new inner top, bra, decorative bodice, corset, special lingerie outfit, or another independently designed garment. Do not introduce a different textile, contrasting material, decorative panels, special straps, lace, ribbons, cutouts, ornamental stitching, or unsupported garment details. Do not assume hidden construction details that cannot be established from the source image. Continue the visible original garment conservatively rather than inventing a new design. 5. The remaining black garment must have no collar or V-shaped neckline structure. The original white collar and V-shaped neckline belonged to the removed uniform. Both must disappear completely with the uniform. The black garment must not inherit or reproduce the original uniform's V-shaped neckline geometry in any form. Do not create a V-shaped opening, V-shaped garment edge, V-shaped seam, V-shaped outline, collar-like border, or curved contour line that recreates the appearance of the old uniform neckline. Do not replace the original V shape with a black outline, a dark shadow-shaped contour, a different-colored trim, or another decorative edge. The remaining garment must have no collar structure of any kind, including a high neck, raised collar, neckband, collar ring, lapel, folded fabric edge, or raised material surrounding the neck. It must also have no collar-like or V-neck-like linework. Do not add piping, contrasting trim, ornamental stitching, an artificial seam, or a curved border that frames the neck. The upper portion of the garment should continue naturally from the original black material visible at the chest without becoming a separate inner top with a newly designed neckline. Preserve the character's natural neck and shoulder anatomy. Do not extend the garment upward around the neck or introduce a raised fabric structure. 6. Preserve the original character identity and hairstyle. Keep the original face shape, eye shape and position, eyebrows, nose, mouth, facial expression, facial proportions, hairstyle, hairline, hair length, hair color, hair accessories, and recognizable character identity unchanged. Preserve the original wind-blown arrangement of the hair. Do not make the hair fall naturally or change its direction a

    Generation Settings

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    AUTOMATIC1111
    CFG Scale0
    Sampler
    GPT-Image-2.5-sunburst
    Seed-1
    Steps0

    Copies the original metadata text embedded by AUTOMATIC1111.

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    Created
    10/12/2026
    Source
    CivitAI
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