
DnD_Sheila stands in an epic fantasy digital painting in the style of Greg Rutkowski, clothed, on a broken stone causeway that once crossed a gorge in the Realm. The causeway is three spans of cut block, the middle span collapsed into mist, iron rings still set in the near parapet, wet slabs reflecting a pale sky, and god rays sliding through a high tear in the cloud to strike the stone in long bars. She is a fair-skinned woman with a warm peach complexion that stays that color under the haze, green eyes, short fiery orange hair to the collarbone with wind in it, not being touched. She is turned back three-quarter, face found over the near shoulder, both hands down at her sides, five fingers on each hand, relaxed, clear of the hair. Both feet are set in sleek brown thigh-high leather boots, the far foot a little higher on a broken block, the near foot planted on the wet slab. The daring violet mini-dress tunic is an opaque fantasy cut, plunging neckline with a hint of cleavage, clean folds at the hip, and the deep purple hooded cloak hangs off the shoulders, hood down, head uncovered, the hem moving in the gorge wind. Her face carries a laugh stopped in the cheeks, mouth closed, the amusement held, both eyes open. Her gaze sits just beside the viewer, not quite meeting, both irises green and matched. Volumetric god rays, deep shadow in the gorge, saturated fantasy color in the violet cloth against gray stone and warm ochre light on the hair. Mist beads on the boot leather. The parapet stones show chisel marks. A far tower is only a shape in the haze. Style lock once: Greg Rutkowski digital painting, clothed, card kit, mist and rays. One head, two arms, two hands, two legs, two feet, anatomy named once. Mouth closed. Both eyes open. The collapsed middle span is a jaw of broken blocks dropping into white mist, the far span returning as a darker line, and the gorge itself is only depth and a faint ribbon of water light. Iron rings in the parapet are rust-dark, empty, no rope, and the chisel marks on the near stones catch the god ray as small bright ticks. A laugh stopped in the cheeks is color and a slight lift at the cheekbones, the mouth remaining closed, both eyes open, the gaze set just beside the viewer. Back three-quarter shows the cloak's drape down the spine and the turn of the neck that finds the face, orange hair blown across the near cheek and still ending at the collarbone. Both hands hang, the near hand a little forward of the thigh, the far hand lost partly in cloak shadow, each with five fingers, neither lifted toward the hair.
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