Genur.art

Dexters_Lab_Dexters_Mom, non-standing 1970s–1990s Playboy boudoir photograph, live photography, she is on her stomach on the satin bed, propped on both elbows, the pale mint-green blouse bunched above the bust so both breasts and both nipples stay visible under her, the failed cover of the white apron clutched low and doing nothing to hide them, both yellow-gloved hands on the mattress near the elbows, not in the hair. Caught and pleased, mouth closed in a small pleased set, red lipstick intact, no tongue, no wink, both eyes open, gaze just beside the lens. She is one tall woman of Irish descent with a visible fair-skinned Caucasian face, inherent fair skin fair on the back and the chest, bright red slightly curled bob loose against the pillow, large doe-shaped eyes with long eyelashes, pearl earrings, curvaceous pear shape, large bust, narrow waist, wide hips, prominently large buttocks under dark green bottoms that are still on, slender arms, shapely legs, small feet crossed at the ankles in green pumps at the foot of the bed. Card-color cloth is still on the body, not a nude with nothing left. Background is the same warm boudoir, champagne satin, a low cream headboard, a parchment practical, creamy bokeh, no logos, no camera in the frame. Light is a warm boudoir key and a gold rim along the spine and the red hair. Camera lock once: 1970s–1990s centerfold, creamy bokeh. Style lock once: non-standing Playboy photograph, hide fails, both nipples visible. Anatomy once: one head, two arms, two hands with five fingers, two legs, two feet. The bunched mint cloth makes a soft ridge under the collarbone, the apron string trails on the satin, and the pleased expression sits entirely in the eyes and the closed mouth. Elbows sink a little into the satin so the bunched mint blouse stays above the bust, both nipples clear of the cloth and of the apron that has slipped toward the waist. The pleased expression is only in the eyes and the closed mouth, lipstick even, lashes lowered a fraction but both eyes open, gaze beside the lens rather than through it. Dark green bottoms remain on the hips, opaque, so the body is not stripped to nothing. Fair skin reads the same on the shoulder and the chest, Irish-descended face turned three-quarter into the pillow edge. Red bob spills in a curled shape on the satin, no hand near it. Pearl earring on the near ear takes the gold rim. Green pumps at the foot of the bed are small and matched. Parchment shade blooms into creamy bokeh. The failed cover is the point of the plate: cloth still present, both nipples visible under her, non-standing, warm key, centerfold grain.