a 1950s cheesecake magazine illustration on illustration board, Norman Rockwell brushstrokes in the set and drapery, airbrush on the flesh, gouache and varnish. DC_Comics_Lady_Shiva sits on a trunk in the Copacabana dressing corridor, mirrored bulbs and red flock, her assassin world recast as a 1950s backstage sitting, a wardrobe rack, board tooth in the painted plaster, magazine illustration stock taking the print grain. She is a woman in her early twenties, lean and highly toned, a Chinese face with light-tan skin that stays that color on the throat, the opened chest, the belly, the mound, the thighs, and the hands, almond-shaped brown eyes, high cheekbones, a narrow jaw, straight black hair worn long and loose past the shoulders and set with 1950s pin-up shine. The visible body is one head, two arms, two hands with five fingers, two legs, two feet. Head lock: that long straight black hair only. A laugh sits in the cheeks; the gaze goes past the frame. A deep-red evening bodice with frog-button trim is down off the chest; a black silk wrap is gone from the hips; wedge espadrilles stay on. Both hands are empty, one on the trunk lid, one on her thigh. Evening bodice down, both breasts and nipples visible. Frontally bottom-nude, a small neat triangle of short pubic hair and her pussy, wrap skirt gone from the hips. Both breasts are uncovered painted light-tan flesh, nipples found in enamel shine, with no cloth and no sheer over them. The mound is uncovered painted light-tan flesh. A small neat triangle of short black hair, trimmed close to the skin, the same family as the hair on her head, sits above her pussy; it is not a bush; the light tan of the mound shows through. No shorts, skirt, slacks, or brief cover the groin. The red bodice stops at a hard airbrushed edge under the breasts and does not paint across the chest. Hair-edge gold leaf, side view, still showing the chest and the lap. Rockwell bristle sits in the furniture of the trunk and the wardrobe rack; an airbrush plume on the skin feathers the throat, the breasts, and the inner thigh; stipple sits in the cheek; enamel shine beads on the frog buttons and the nipples; varnish pools on the board margin; a painted seam cuts the bodice; gouache blocks the corridor dark. Style lock: Norman Rockwell brush in the room, Alberto Vargas and Gil Elvgren airbrush on the body, Earl Moran and George Petty cheesecake, 1950s magazine illustration on illustration board.
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a 1950s cheesecake magazine illustration on illustration board, Norman Rockwell brushstrokes in the set and drapery, airbrush on the flesh, gouache and varnish. DC_Comics_Lady_Shiva sits on a trunk in the Copacabana dressing corridor, mirrored bulbs and red flock, her assassin world recast as a 1950s backstage sitting, a wardrobe rack, board tooth in the painted plaster, magazine illustration stock taking the print grain. She is a woman in her early twenties, lean and highly toned, a Chinese face with light-tan skin that stays that color on the throat, the opened chest, the belly, the mound, the thighs, and the hands, almond-shaped brown eyes, high cheekbones, a narrow jaw, straight black hair worn long and loose past the shoulders and set with 1950s pin-up shine. The visible body is one head, two arms, two hands with five fingers, two legs, two feet. Head lock: that long straight black hair only. A laugh sits in the cheeks; the gaze goes past the frame. A deep-red evening bodice with frog-button trim is down off the chest; a black silk wrap is gone from the hips; wedge espadrilles stay on. Both hands are empty, one on the trunk lid, one on her thigh. Evening bodice down, both breasts and nipples visible. Frontally bottom-nude, a small neat triangle of short pubic hair and her pussy, wrap skirt gone from the hips. Both breasts are uncovered painted light-tan flesh, nipples found in enamel shine, with no cloth and no sheer over them. The mound is uncovered painted light-tan flesh. A small neat triangle of short black hair, trimmed close to the skin, the same family as the hair on her head, sits above her pussy; it is not a bush; the light tan of the mound shows through. No shorts, skirt, slacks, or brief cover the groin. The red bodice stops at a hard airbrushed edge under the breasts and does not paint across the chest. Hair-edge gold leaf, side view, still showing the chest and the lap. Rockwell bristle sits in the furniture of the trunk and the wardrobe rack; an airbrush plume on the skin feathers the throat, the breasts, and the inner thigh; stipple sits in the cheek; enamel shine beads on the frog buttons and the nipples; varnish pools on the board margin; a painted seam cuts the bodice; gouache blocks the corridor dark. Style lock: Norman Rockwell brush in the room, Alberto Vargas and Gil Elvgren airbrush on the body, Earl Moran and George Petty cheesecake, 1950s magazine illustration on illustration board.
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