Princess Ashelia B'nargin Dalmasca walks forward through empty cream space, short wind-tossed blonde hair falling across one grey eye, chin lifted and mouth set in restrained grief that is trying to become resolve, weight on the leading left boot, right arm hanging with a long straight sword point-down. Fair skin, a small firm mouth, a beauty-mark stillness at the cheek. She wears a white off-shoulder cropped jacket with gold-trimmed detached sleeves and a knotted white scarf at the throat set with a green jewel; a dark blue-black boned corset leaves a strip of midriff; a wide blue sash-belt with a heavy round gold buckle; a short wine-red skirt; ornate gold scale cuisses on both thighs; white metal greaves over rose-madder hose and gold-toed boots. A translucent rose-and-pearl cape streams behind her like watercolor smoke. Michael C. Hayes oil on panel: Watts Atelier anatomy, Pre-Raphaelite enamel on skin, funerary gold and umber, imaginative realism.
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bad anatomy, bad hands, watermark, ugly, distorted, censored, lowres, pixelated, distorted, jpeg artifacts, signature, (watermark), overexposed, underexposed, missing fingers, extra fingers, missing limbs, extra limbs, bad eyes, cloned face
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