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    Tidus and Yuna stand hip-deep in still, dark copper-tinted water under a bruised sunset sky streaked with apricot and violet, their bodies locked in a full standing embrace — she pressed against his shoulder, eyes closed, mouth softly parted, arms clamped around his neck and yellow collar as if the sea might swallow him if she releases; her chestnut hair tousled by wind lifts at the crown, long red braid trailing down her back with a turquoise bead near her ear, pink shawl slipping off one shoulder; white lace-up midriff bodice with scalloped pink hem, yellow buckled armband, blue sash knotted low over dark briefs and wet blue-and-white patterned wrap clinging to her thigh — Tidus’s face obscured by her head, dirty-blond spikes crushed against her temple, eyes buried in the curve of her neck, arms wrapped tight around her waist with the desperate certainty of someone who already knows the end; yellow short jacket over a purple knit collar, red-and-gold geometric bracer on his forearm, heavy black leather coat hanging off one shoulder by silver chain, blue shorts, bare wet calves slick with saltwater — behind them, a shattered Spiran vessel lies half-submerged in the water, paddle-wheels rusted and broken, masts snapped like bone; low sun slants from the right, casting long, sharp-edged shadows across their skin while catching every droplet on their bodies, clothing, and the surrounding debris with specular highlights that feel liquid and alive — rendered as a hyperreal fantasy illustration in Michael C. Hayes’ oil-on-panel style: Watts Atelier two-figure knot composition, Pre-Raphaelite enamel finish on closed lids, imaginative realism with cinematic depth — atmospheric lighting like funerary gold, color palette saturated yet emotionally restrained, juxtaposing warm sunset hues against cool water and dark armor; camera angle slightly low, looking up at the figures as they’re framed tightly in the center, their intimacy emphasized by the vast desolation behind them: broken ships, silent waves, crumbling wood — every detail rendered with photorealistic texture: wet skin glistening under light, fabric clinging to muscle, hair strands lifted by wind, metal corrosion on wreckage, the sheen of saltwater across exposed skin and clothing — fantasy illustration with otherworldly elements, emotionally charged, evoking themes of love, loss, and resilience in a broken world.
    Prompt

    Tidus and Yuna stand hip-deep in still, dark copper-tinted water under a bruised sunset sky streaked with apricot and violet, their bodies locked in a full standing embrace — she pressed against his shoulder, eyes closed, mouth softly parted, arms clamped around his neck and yellow collar as if the sea might swallow him if she releases; her chestnut hair tousled by wind lifts at the crown, long red braid trailing down her back with a turquoise bead near her ear, pink shawl slipping off one shoulder; white lace-up midriff bodice with scalloped pink hem, yellow buckled armband, blue sash knotted low over dark briefs and wet blue-and-white patterned wrap clinging to her thigh — Tidus’s face obscured by her head, dirty-blond spikes crushed against her temple, eyes buried in the curve of her neck, arms wrapped tight around her waist with the desperate certainty of someone who already knows the end; yellow short jacket over a purple knit collar, red-and-gold geometric bracer on his forearm, heavy black leather coat hanging off one shoulder by silver chain, blue shorts, bare wet calves slick with saltwater — behind them, a shattered Spiran vessel lies half-submerged in the water, paddle-wheels rusted and broken, masts snapped like bone; low sun slants from the right, casting long, sharp-edged shadows across their skin while catching every droplet on their bodies, clothing, and the surrounding debris with specular highlights that feel liquid and alive — rendered as a hyperreal fantasy illustration in Michael C. Hayes’ oil-on-panel style: Watts Atelier two-figure knot composition, Pre-Raphaelite enamel finish on closed lids, imaginative realism with cinematic depth — atmospheric lighting like funerary gold, color palette saturated yet emotionally restrained, juxtaposing warm sunset hues against cool water and dark armor; camera angle slightly low, looking up at the figures as they’re framed tightly in the center, their intimacy emphasized by the vast desolation behind them: broken ships, silent waves, crumbling wood — every detail rendered with photorealistic texture: wet skin glistening under light, fabric clinging to muscle, hair strands lifted by wind, metal corrosion on wreckage, the sheen of saltwater across exposed skin and clothing — fantasy illustration with otherworldly elements, emotionally charged, evoking themes of love, loss, and resilience in a broken world.

    Generation Settings

    Parameters used to generate this content

    Created with
    AUTOMATIC1111
    CFG Scale2
    Sampler
    euler
    Seed2476648596067139
    Steps10
    Negative Prompt

    bad anatomy, bad hands, watermark, ugly, distorted, censored, lowres, pixelated, distorted, jpeg artifacts, signature, (watermark), overexposed, underexposed, missing fingers, extra fingers, missing limbs, extra limbs, bad eyes, cloned face

    Copies the original metadata text embedded by AUTOMATIC1111.

    Info
    Image
    Likes
    7
    Created
    9/24/2026
    Base Model
    Krea 2
    Creator
    haiti5
    Source
    CivitAI
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