
Subject: A goat-headed humanoid figure with a shaggy black goat's head, curved ridged horns sweeping back from the skull, a narrow muzzle with a wet dark nose, and pointed ears angled outward. The torso is a lean human male build with visible ribs and collarbones, skin rendered in flat tan and ochre shapes with no gradient. Arms end in human hands with long fingers; legs are human, ending in cloven hooves. A five-pointed star is inscribed on the forehead between the horns. Action: The figure sits cross-legged in mid-air, hooves tucked under the thighs, weight suspended with no support beneath. The right arm is raised with the palm turned inward toward the chest; the left arm rests on the left knee with fingers spread. The head tilts slightly down and to its left. Framing: Straight-on frontal view, full body from horn tips to hooves, centered, with even margins above and below. The frame cuts off nothing، set inside a decorative arched frame with a line of script above it. Expression: The eyes are wide open with heavy upper lids, irises centered and looking directly forward. The brows are drawn down and inward. The mouth is closed, the jaw set, the lips pressed in a flat line. The gaze rests straight ahead at the viewer's eye level. Setting: A flat unbroken background of aged parchment in warm cream and tan, with darker brown mottling along the edges. No landscape, no objects, no architecture behind the figure. Style: Flat woodcut-style illustration in the manner of an old manuscript plate, built from solid unshaded blocks of muted ochre, burnt umber, dull brick red and charcoal black. Lines are thick, uneven and hand-cut, with visible gouge marks and slight misregistration between colour blocks. The surface carries the grain and foxing of old paper, with ink bleed at the edges of each shape and a few small wormholes. Palette limited to four earth tones. Lighting: No directional light source; the figure is defined entirely by flat tonal blocks. A thin dark contour line runs around every edge, and no cast shadow falls beneath the figure
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