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    Vertical short-video still with a soft cinematic phone grade and shallow depth of field, framed tight inside a modern hotel corridor whose dark wood-and-bronze wall panels and a single hanging pendant lamp recede into shadow behind her, and the beat already frozen mid-turn: a woman (S1) seated on a low upholstered stool has already twisted her whole torso back over her shoulder, one hand already raised to her own throat, the open-back dress already slipped down her spine so her bare upper thigh is bared to the lens.
She is slender with long straight black hair falling down her open back and over one bare shoulder, her face turned back over the curve of her neck toward camera, dark eyes locked on the viewer and lips already parted and faintly wet, the raised fingers already curled against her collarbone as if she has just caught her own breath; the camel dress hangs backless to the small of her back, its crisscross chain straps already stretched across the bare swell of her spine, the gathered skirt already hiked and pooled at her hips so the smooth flesh of one thigh and knee is bare, one strappy heel already lifted off the seat.
There is no second figure, so the room carries the rest of the frame: the beige woven stool with thin dark legs already weighted by her seated pose, the warm pendant lamp glowing at the top right edge, a small round side table and a lit wall niche already blurred in the mid-ground, and the long empty corridor already stretching dark behind her like a hallway she has not yet walked down.
The warm pendant and recessed ceiling light already fall from above and the right, licking a rim of gold across her hair, her bare shoulder and the wet sheen of her parted mouth while the far corridor already drops to black shadow; the focus is sharpest on the tight over-shoulder two-shot of her watching face and the chain-strapped bare back with its exposed thigh, that turned neck and open neckline the single hardest point of the image, the whole still already held at the instant before she either leans further back or lets the dress slide another inch.
    Prompt

    Vertical short-video still with a soft cinematic phone grade and shallow depth of field, framed tight inside a modern hotel corridor whose dark wood-and-bronze wall panels and a single hanging pendant lamp recede into shadow behind her, and the beat already frozen mid-turn: a woman (S1) seated on a low upholstered stool has already twisted her whole torso back over her shoulder, one hand already raised to her own throat, the open-back dress already slipped down her spine so her bare upper thigh is bared to the lens. She is slender with long straight black hair falling down her open back and over one bare shoulder, her face turned back over the curve of her neck toward camera, dark eyes locked on the viewer and lips already parted and faintly wet, the raised fingers already curled against her collarbone as if she has just caught her own breath; the camel dress hangs backless to the small of her back, its crisscross chain straps already stretched across the bare swell of her spine, the gathered skirt already hiked and pooled at her hips so the smooth flesh of one thigh and knee is bare, one strappy heel already lifted off the seat. There is no second figure, so the room carries the rest of the frame: the beige woven stool with thin dark legs already weighted by her seated pose, the warm pendant lamp glowing at the top right edge, a small round side table and a lit wall niche already blurred in the mid-ground, and the long empty corridor already stretching dark behind her like a hallway she has not yet walked down. The warm pendant and recessed ceiling light already fall from above and the right, licking a rim of gold across her hair, her bare shoulder and the wet sheen of her parted mouth while the far corridor already drops to black shadow; the focus is sharpest on the tight over-shoulder two-shot of her watching face and the chain-strapped bare back with its exposed thigh, that turned neck and open neckline the single hardest point of the image, the whole still already held at the instant before she either leans further back or lets the dress slide another inch.

    Generation Settings

    Parameters used to generate this content

    Created with
    AUTOMATIC1111
    CFG Scale1
    Sampler
    Euler
    Seed1031965614152734
    Steps10
    Negative Prompt

    Prompts from:internet contributors | ASOP.UK | RedCraft-K2T-DUAL-MASO-MangaDrama-V4.0 Supporting models serve: | Dark Beast | 黑兽 H3 单采 Director Edition 短剧生产 @AiMetatron | https://civitai.red/models/2242173/dark-beast-or-h3-director-edition | Trained with SDA (Semantic Directional Alignment) — a teacher-guided diversity alignment loss — wrapped in Forward XM best-of-5 candidate exploration, on a single high-noise sigma node (σ = 0.9567). This method is commercially licensed by @fok3827 . It employs two models with dedicated high-noise and low-noise sigma schedules (i.e., denoising parameter sequences), alternating between them for cross-denoising in a 4H + 6L configuration. | This model belongs to the AiMetatron Paid Access model service package. All users who have purchased the RedCraft/Dark Beast H3 service can contact me to obtain an authorized download address. Purchasing REDKREA2 separately on this page will only provide access to the REDGPT2 Krea2 fine-tune files.

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    Info
    Image
    Likes
    17
    Created
    9/16/2026
    Base Model
    Krea 2
    Creator
    AiMetatron
    Source
    CivitAI
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