The black-and-white monochrome sketch of the triptych depicts a female Chort alone. She has small curved horns, a thin pointed tail, clawed hands and hoofed feet, and is wearing a simple short little dress that clings to her body. On the top panel, Chort stands at a wooden table in a rustic kitchen, carefully dropping raw pelmeni into a large boiling pot on the stove. Steam rises around her; her expression is focused and slightly mischievous, tongue peeking out in concentration. On the middle panel, Chort sits at the same table, greedily stuffing the cooked pelmeni into her mouth with both hands, cheeks puffed out, eyes half-closed in pure delight, empty plates and scattered dough scraps around her. On the last lower panel, a close-up shows Chort leaning back, one hand gently stroking her now hugely swollen round belly that strains against the tight little dress, a smug, satisfied smile on her face as she looks down at it with half-lidded eyes.
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