Interior architectural photography, opulent Belle Époque Parisian cafe, maximalist Rococo aesthetic, wide angle shot, low angle perspective, lavish gold leaf gilded moldings, deep forest green matte walls, ornate gold filigree carvings, colossal crystal chandelier casting multifaceted prismatic light, warm golden glow, flickering candlelight, soft natural daylight filtering through tall arched windows, opulent velvet upholstery in burgundy and champagne gold, tufted satin armchairs with curved mahogany frames, white marble floors with intricate grey geometric inlay, polished reflective surfaces, a headless white mannequin wearing an avant-garde haute couture gown made of voluminous ruffled tulle and metallic gold embroidery, tiered fabric cascading like a fountain, meticulously set round marble bistro tables, white porcelain plates, polished silver cutlery, an ornate gold-framed oval mirror reflecting the room, intricate ceiling coffers, luxury atmosphere, sophisticated moody ambience, shot on Phase One XF, 35mm lens, f/8 aperture, Kodak Portra 400 film stock, color palette of emerald green, deep crimson, brilliant gold, and creamy ivory, soft diffused shadows, rich textural contrast between cold marble and plush velvet, cinematic depth of field, high-end interior design editorial, influence of Georges Beéke and Wes Anderson, intricate micro-details of gold leaf flaking, velvet grain, and crystal refraction, quiet luxury, silent opulence, afternoon light in autumn.
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