
Crossing a broad winter marsh, a six-legged walking house carries an entire family archive within its body. Its load-bearing skeleton is made from old ship timber joined to iron knees; overlapping roof tiles form protective scales, translucent paper walls reveal miniature rooms where framed portraits, dining tables, fruit trees remain upright as the structure moves. Thick reed roots grow through the feet, flex like tendons without obscuring the engineering. A child walks beside one enormous leg holding a guiding rope. Show the house as coherent inhabitable architecture rather than a generic machine, with believable weight, weathered materials, quiet smoke, a sense that migration itself has become an heirloom
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