
A cinematic photorealistic cyberpunk action scene at night on a rain-soaked rooftop high above a neon city. A dark-haired woman in a long black leather trench coat performs an extreme contortionist backbend to dodge incoming gunfire. She bends **all the way backward into a full bridge pose**, with both boots firmly planted on the wet rooftop and **both hands pressed flat against the ground behind her**, supporting her body. Her torso forms a deep arch, her chest and face turned upward toward the rain, and her long wet hair hangs downward toward the rooftop. A volley of bullets travels **horizontally from LEFT to RIGHT across the image**, passing just above her arched torso. Every bullet tip points RIGHT. Every bullet wake trails behind toward the LEFT. The bullets pass only centimeters above her abdomen, chest and face, clearly showing that she has dropped beneath their path at the last possible instant. None of the bullets travel toward the camera, away from the camera, downward toward her, or in different directions. No circular or radial arrangement. Each bullet cuts through the heavy rain and leaves a narrow wake of displaced water droplets, mist and tiny spray behind it. Suspended rain droplets make the trajectories visible in extreme slow motion. The rooftop is open and exposed, with wet concrete, puddles, drainage grates, low parapet walls, ventilation units and distant antennas. Beyond the roof edge is a dense futuristic city glowing with teal, cyan and magenta neon through the rain and fog. Camera positioned low and slightly to the side, showing her entire body in profile so the extreme bridge pose is unmistakable. The bullets occupy the upper half of the frame, traveling in parallel above her body. Her coat hangs and spreads naturally downward because of gravity, wet fabric clinging to parts of her body while the coat tails fall toward the rooftop. Strong cinematic backlight, rain illuminated by city glow, realistic wet reflections, physically coherent anatomy, believable contortion pose, detailed hands planted on the rooftop, detailed boots and clothing, dramatic but realistic bullet-time photography, high-end science-fiction action film still. **Key composition rule:** she is not merely leaning backward — she is in a full gymnast/contortionist bridge position with hands and feet on the rooftop while the bullets fly horizontally over her.
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