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    A photorealistic first-person view looking through a door peephole, the whole image a circular fisheye-distorted lens view with heavy dark vignetting at the edges, shot from inside an apartment door looking out into a narrow apartment corridor at night, lit by cold white fluorescent corridor light. In the center of the peephole view, a tall East Asian woman around 180 cm leans heavily against a man, her body slack and limp; she has a pale oval face with a high nose bridge, almond-shaped eyes now half-closed, flushed cheeks, her lips slightly parted, and long black hair hanging loose over half her face; she wears a rumpled business shirt whose collar is pulled crooked and one button popped open, baring a small patch of pale skin and the lacy edge of a bra at her collarbone, and a tight navy-blue pencil skirt hugging her hips and thighs; her head lolls against the man's shoulder. Beside and behind her, a fat middle-aged East Asian man in profile supports her, his round face with flat features, narrow small eyes, and a fleshy jaw; his dark polo shirt stretches tight over a bulging beer belly, his neck short and thick, the sparse hair on his head thin and greasy under the fluorescent light; his small eyes stare down at the woman's exposed chest with a lewd, greedy gaze; one hand grips her waist to hold her up, while his other fat hand rests on her left breast, its thick fingers pressing deep into the full, high curve of her chest through the thin shirt, squeezing it possessively. The narrow corridor stretches behind them, with a cold white ceiling light, a gray security door, the elevator landing, and pale tiled walls; the peephole lens warps and bulges the two figures at the center, their edges curving outward, while the dark ring of the door surrounds the circular image, the whole scene tense and cramped like a secret glimpse through a small glass eye. The composition keeps the groping hand and the woman's flushed face sharply in the center of the circle, the corridor light washing them out slightly, the fisheye distortion making the fat man loom larger and closer than he really is.
    Prompt

    A photorealistic first-person view looking through a door peephole, the whole image a circular fisheye-distorted lens view with heavy dark vignetting at the edges, shot from inside an apartment door looking out into a narrow apartment corridor at night, lit by cold white fluorescent corridor light. In the center of the peephole view, a tall East Asian woman around 180 cm leans heavily against a man, her body slack and limp; she has a pale oval face with a high nose bridge, almond-shaped eyes now half-closed, flushed cheeks, her lips slightly parted, and long black hair hanging loose over half her face; she wears a rumpled business shirt whose collar is pulled crooked and one button popped open, baring a small patch of pale skin and the lacy edge of a bra at her collarbone, and a tight navy-blue pencil skirt hugging her hips and thighs; her head lolls against the man's shoulder. Beside and behind her, a fat middle-aged East Asian man in profile supports her, his round face with flat features, narrow small eyes, and a fleshy jaw; his dark polo shirt stretches tight over a bulging beer belly, his neck short and thick, the sparse hair on his head thin and greasy under the fluorescent light; his small eyes stare down at the woman's exposed chest with a lewd, greedy gaze; one hand grips her waist to hold her up, while his other fat hand rests on her left breast, its thick fingers pressing deep into the full, high curve of her chest through the thin shirt, squeezing it possessively. The narrow corridor stretches behind them, with a cold white ceiling light, a gray security door, the elevator landing, and pale tiled walls; the peephole lens warps and bulges the two figures at the center, their edges curving outward, while the dark ring of the door surrounds the circular image, the whole scene tense and cramped like a secret glimpse through a small glass eye. The composition keeps the groping hand and the woman's flushed face sharply in the center of the circle, the corridor light washing them out slightly, the fisheye distortion making the fat man loom larger and closer than he really is.

    Generation Settings

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    Created with
    AUTOMATIC1111
    CFG Scale1
    Sampler
    ER SDE
    Seed141048623
    Steps8

    Copies the original metadata text embedded by AUTOMATIC1111.

    Info
    Image
    Likes
    19
    Created
    8/23/2026
    Base Model
    Krea 2
    Source
    CivitAI
    Models Used

    AI models used to generate this content

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