A continuous single 10-second take, no cuts. Landscape. The first-frame composition starts exactly as the still: a tight POV looking down. A topless female tattoo artist with short ash-blonde hair, two yellow clips, small round dark sunglasses, an unlit cigarette in the corner of her mouth, large red-and-orange rose tattoos on her chest and arms. Black nitrile gloves. Her right hand holds a tattoo machine with a clear plastic sleeve near the tip of an erect penis; her left hand steadies the base. Colorful cartoon tattoos already on the penis stay as in the first frame. Stainless ink-cup tray at left, bright studio light. No text. No extra people. One camera move only: a very slight, slow third-person-feeling rotation around the penis and her hands — just a few degrees, hip-height, clockwise — then lock off. Not a full orbit, not a 180, not a zoom. The artist’s face and the shaft stay in frame the whole time. Seconds 0–3: hold. She looks into the lens, machine buzzing at the skin, tiny needle motion. Seconds 3–8: the camera eases that small rotation around the join of glove, machine, and shaft. She keeps working. He stays still. Seconds 8–10: camera locks. She wipes once with the glove, cigarette unlit, still looking up. No spoken words. No dialogue. No language. Audio: tattoo machine buzz, quiet studio, her nasal breath, no music vocals, no speech.
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