
{ "id": 1, "titel": "Nahlinse", "kamera": "Rolleiflex 2.8F", "objektiv": "Zeiss Planar 80 mm f/2.8 mit Rolleinar 2 Nahlinsensatz und Parallaxenprisma", "material": "Fujifilm Neopan Acros 100 II, 6x6", "blende": "f/5.6", "verschlusszeit": "1/60 s, Stativ", "makrograd": "1:4 — Gesicht randfüllend im Quadrat", "kamerawinkel": "Brusthöhe, Sucherblick leicht von unten", "posing": "Kopf gerade, Kinn minimal gesenkt, Blick ruhig ins Objektiv, Schultern entspannt abfallend", "licht": "großes Nordfenster von links, weißer Karton rechts knapp außerhalb", "farbstimmung": "Acros: sehr feines Korn, klare Trennung im Mittelton, tiefe aber gezeichnete Schatten", "ratio": "1:1", "prompt": "claireredfieldtailor. A black and white square close portrait of a woman with ponytail in her late twenties, her whole face filling the frame from just inside the hairline to the base of the chin, with the tops of her shoulders entering at the lower corners. Her hair is loose and slightly undone, a few strands crossing her temple. She wears a plain grey wool sweater with a wide neckline. Her head is held straight, the chin dropped a few millimetres, her lips closed and relaxed, her eyes open and level on the lens with a calm, unforced steadiness. A large north facing window on the left is the only source, laying a broad soft gradient from the lit cheek across the bridge of the nose into the shaded side, while a white card just outside the right edge returns a faint fill so the shadow keeps its detail. The plane of focus sits on her near eye and falls away gently toward the far cheek. Photographed on a Rolleiflex twin lens reflex with an 80mm lens and a close up attachment lens at one to four magnification, f/5.6, 1/60s on a tripod, on Fujifilm Acros 100 II black and white film. Very fine grain, clean midtone separation, deep shadows that still hold detail, and the slightly lower viewpoint of a waist level finder. Pores, individual lashes and the fine hair at the temple fully resolved.", "pruefpunkte": "Ein Auge kritisch scharf, das andere leicht abfallend. Kein Kontrastsprung wie bei Digital — Mitteltöne müssen durchlaufen. Blick minimal von unten, Sucherhöhe." }
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