
A modern Japanese anime illustration with flat cel shading: hard-edged shadow shapes, clean uniform line weight and crisp lineart, bright limited-palette colors held in flat fields. Painterly impasto appears only as a thin accent layer on hair highlights, fabric folds and cheek shadows — everywhere else the edges stay hard and the color stays flat. Secondary elements keep volume and lighting but drop fine detail. The background is radically simplified into large flat color fields holding only silhouette and light-dark structure, creating a clear three-tier detail hierarchy from character to environment. A statuesque woman kneels on the rain-slick parapet of a ruined high-rise, one heeled boot braced on the ledge, looking back over her shoulder at the viewer with a slow, knowing smile, eyes half-closed. Her combat suit is a glossy black-purple latex catsuit fitting like a second skin, with a high collar, a corset-panelled waist, and precise cutouts at the chest, midriff and outer thighs revealing pale skin etched with faintly glowing violet circuit lines; thin luminous seams pulse along the suit, and a drug-injector module is strapped to her thigh above thigh-high heeled latex boots. Long silver-white hair clings damply to the latex, and her irises glow violet beneath multi-lens thermal goggles pushed up on her head. She balances a long-barreled energy sniper rifle whose glowing purple capacitor rings light her face from below. Far beneath the rooftop, the dead city glimmers with purple fungal bioluminescence through falling rain. A distant searchlight rims her silhouette from behind. Low-angle medium-full composition; the figure and rifle carry the detail while the city below dissolves into soft glowing shapes.
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