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    A vertical portrait-oriented black-and-white digital illustration with a tall aspect ratio. A vertical portrait-oriented black-and-white pencil drawing with a tall aspect ratio. Medium close-up of a young woman approximately 20 to 25 years old, framed from the upper chest upward. She turns her head slightly to the left, looking toward the viewer with a soft, distant expression. The face is built from strong contour lines, visible cross-hatching, and layered graphite rather than smooth realistic skin — the features feel deliberately drawn, with emphasized shadows under the eyes, along the nose, and around the mouth.Long dark wavy hair cascades over her shoulders and is crowned with a dense cluster of large, detailed butterflies that form a living headdress. Additional butterflies of various sizes float around her head and shoulders. The butterflies are rendered with intricate wing patterns using tight, precise linework and delicate hatching. Her left shoulder is bare, with subtle floral and botanical elements lightly suggested across the skin and lower frame through loose pencil marks.The composition places her face slightly left of center, with the large butterflies on the right side of her head creating a strong visual counterweight. Flowing strands of hair and the curved wings of the butterflies form elegant leading lines that guide the eye across the frame. The head sits near the upper third line in a classic rule-of-thirds placement. Depth of field is shallow and illustrative: the eyes, the nearest butterflies, and the upper part of the face are the most detailed and heavily worked with pencil, while the outer butterflies and lower hair soften into looser, sketchier marks and lighter graphite.Lighting is soft yet dramatic, created entirely through pencil technique. Gentle directional light from the upper left is expressed with bright reserved highlights on the forehead, cheekbone, and the upper surfaces of the butterfly wings, while delicate layered cross-hatching builds soft shadows across the right side of the face and beneath the hair. The graphite work is expressive and visible — you can see the pressure changes, the direction of the strokes, and the build-up of tone.The entire image is clearly a hand-drawn pencil illustration. Line weight varies, hatching is finer and more controlled on the face and butterfly wings, more open and energetic in the flowing hair. Edges are sometimes left rough, and small graphite textures and stray marks remain visible, giving the drawing a raw, investigated, and strongly graphic quality. The face avoids photographic smoothness and instead feels constructed from deliberate pencil work, making the whole piece more illustrative and less realistic.
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    Prompt

    A vertical portrait-oriented black-and-white digital illustration with a tall aspect ratio. A vertical portrait-oriented black-and-white pencil drawing with a tall aspect ratio. Medium close-up of a young woman approximately 20 to 25 years old, framed from the upper chest upward. She turns her head slightly to the left, looking toward the viewer with a soft, distant expression. The face is built from strong contour lines, visible cross-hatching, and layered graphite rather than smooth realistic skin — the features feel deliberately drawn, with emphasized shadows under the eyes, along the nose, and around the mouth.Long dark wavy hair cascades over her shoulders and is crowned with a dense cluster of large, detailed butterflies that form a living headdress. Additional butterflies of various sizes float around her head and shoulders. The butterflies are rendered with intricate wing patterns using tight, precise linework and delicate hatching. Her left shoulder is bare, with subtle floral and botanical elements lightly suggested across the skin and lower frame through loose pencil marks.The composition places her face slightly left of center, with the large butterflies on the right side of her head creating a strong visual counterweight. Flowing strands of hair and the curved wings of the butterflies form elegant leading lines that guide the eye across the frame. The head sits near the upper third line in a classic rule-of-thirds placement. Depth of field is shallow and illustrative: the eyes, the nearest butterflies, and the upper part of the face are the most detailed and heavily worked with pencil, while the outer butterflies and lower hair soften into looser, sketchier marks and lighter graphite.Lighting is soft yet dramatic, created entirely through pencil technique. Gentle directional light from the upper left is expressed with bright reserved highlights on the forehead, cheekbone, and the upper surfaces of the butterfly wings, while delicate layered cross-hatching builds soft shadows across the right side of the face and beneath the hair. The graphite work is expressive and visible — you can see the pressure changes, the direction of the strokes, and the build-up of tone.The entire image is clearly a hand-drawn pencil illustration. Line weight varies, hatching is finer and more controlled on the face and butterfly wings, more open and energetic in the flowing hair. Edges are sometimes left rough, and small graphite textures and stray marks remain visible, giving the drawing a raw, investigated, and strongly graphic quality. The face avoids photographic smoothness and instead feels constructed from deliberate pencil work, making the whole piece more illustrative and less realistic. .

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    Created with
    AUTOMATIC1111
    CFG Scale1
    Sampler
    er_sde_simple
    Seed77077495084572
    Steps6

    Copies the original metadata text embedded by AUTOMATIC1111.

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    Created
    8/10/2026
    Source
    CivitAI
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