
Viokumahina. Digital painting in a tender, apocalyptic, deeply personal style. The scene is a vast, open meadow, but instead of grass, the ground is covered in letters — thousands of handwritten letters, envelopes, pages, scrolls — spread in a thick, rustling carpet. And they are all burning, but slowly, gently, each letter curling and blackening at its own pace, creating a field of tiny, individual fires that produce no heat, only light. The smoke rises in thin, straight columns, creating a forest of grey pillars above the field. The sky above is a deep, saturated violet, with no stars, no moon, only a faint, warm glow at the horizon suggesting a sun that has already set or has not yet risen. In the far background, the silhouette of a city is visible, but it is upside-down, reflected in the sky as if the world has been inverted.
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