ARRI Alexa 35mm anamorphic, Kodak Vision3 500T color grade pushed +1 stop for saturated primaries, Bauhaus-De Stijl hybrid composition, two androgynous figures in rigid symmetrical stance, left subject in fire-engine red long-sleeve dress with matte black geometric collar inserts, right subject in ultramarine blue dress with cadmium yellow piping along trapezoidal seam lines, both wearing Bauhaus-style black felt bowler hats tilted at precise 15-degree angles, flat pancake makeup with simplified facial features - single stroke eyebrows, dot eyes, straight-line mouths - skin rendered in matte porcelain texture, standing before an abstract grid of interlocking rectangles in Mondrian-esque distribution (black 40%, white 30%, primary colors 30%), harsh theatrical lighting from four directions creating razor-sharp shadows that bisect forms at 90/45 degree angles, textile details show subtle pixelation artifacts from digital weaving process, dresses constructed from stiff neoprene-like material with visible stitch lines following De Stijl orthogonal principles, background pattern extends infinitely with M.C. Escher-style non-repeating algorithmic variation, color palette strictly limited to RAL Classic hues (1026/5017/9005/1023/3020), influence of Oskar Schlemmer's Triadic Ballet costumes combined with Gerrit Rietveld's architectural austerity, shot at f/11 to maintain edge-to-edge sharpness across geometric planes, emotional tone of detached mechanized intimacy, chromatic aberration intentionally heightened along primary color boundaries
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