Genur.art

photorealistic full body photograph of a tall young japanese woman in her early twenties, her entire figure visible in frame. She has the body of a Paris haute couture runway supermodel: a small delicate head on a swan-like long neck, a ten-heads-tall silhouette, impossibly long legs, long willowy arms, a narrow high waist, large full round breasts, and long curved hips. Her face has deeply hydrated glass skin, translucent like porcelain glass, dewy water-light glow, youthful and fresh, real living skin. Her eyes are extremely narrow horizontal slits, barely open, like two thin ink lines drawn on her face. Heavy hooded single-fold eyelids hide most of her eyes, only tiny dark pupils visible through the slits. She is drunk and bewitching: cheeks flushed rose red from sake, heavy-lidded smoldering sideways gaze at the viewer, moist glossy lips slightly parted, loose strands of hair falling from her updo, languid and utterly fearless. Her body is covered in a magnificent traditional Japanese irezumi tattoo, a full-body horimono masterpiece: a coiling dragon and swimming koi fish among peonies, cherry blossoms and swirling finger waves, inked in deep indigo, muted crimson and touches of gold, flowing unbroken from her shoulders down both arms, across her chest framing her bare breasts, over her back, and covering her legs like a tattoo bodysuit with no gaps — the fronts of her thighs, both kneecaps, her shins and calves down to the tops of her feet all filled with ink — crisp linework and soft bokashi shading glowing in the moonlight, real ink in real skin. She wears nothing but a crisp white cotton fundoshi loincloth tied low around her hips, the traditional cloth wrapping her groin with its knotted end hanging at her hip, brilliant white against her tattooed skin. Otherwise she is bare: topless, barefoot, her tattooed chest and large bare breasts exposed in the moonlight. Her pose is bold and defiant: she sits on the edge of the veranda leaning far back on one arm, one long leg hanging down to the garden stone, the other knee drawn up high with her foot planted flat on the boards, her tattooed thigh open outward, her chest lifted proudly to the moonlight, chin raised, the sakazuki cup dangling from her free hand. She is on the wooden engawa veranda of an old japanese house at night, the polished dark wooden boards reflecting pale light, shoji screens glowing faintly warm behind her, a quiet moonlit garden beyond the veranda edge. A bright full moon floods the scene with pale blue moonlight, cool light modeling her tattooed skin, a red lacquered sakazuki cup and a ceramic tokkuri flask on the boards beside her. tsukikage, 1girl, solo, tall female, very long legs, small head, fundoshi, white string bikini bottom, thong, lowleg, hip bones, topless, full body tattoo, irezumi, bare shoulders, bare legs, barefoot, narrow eyes, full body, wide shot, night, veranda, full moon, moonlight. Bewitching, seductive Japanese allure, an air of yoen erotic elegance. Shot on a full-frame camera with a 35mm lens at night with available light, a fashion editorial composition, this is a real photograph, not a painting.