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    1990s vintage anime cel animation still of a teenage girl pausing on a
narrow concrete overpass at the edge of a small Japanese suburb in late
summer afternoon, her bicycle leaned against the metal railing beside her
as she rests her forearms on the top rail and looks out toward the camera
with a quiet half-smile, caught mid-thought. Short windblown black hair
falling across one eye, large warm hazel eyes with carefully painted
highlights and a single tiny reflection of the sky, a faint flush of pink
across the cheeks and nose, a small bandage on the chin. She wears a
loose white short-sleeved school blouse with a soft cream and pale blue
striped sailor collar, a thin red neckerchief knotted at the throat, and a
navy pleated skirt. The background, painted in the classic Studio Ghibli-
adjacent hand-painted style, shows a hazy valley of low tile-roofed houses,
distant electrical pylons, swaying telephone wires that cut diagonals
across the sky, and a vast cumulus cloud stack lit gold from below.
Flat cel-shading with only two or three discrete tones per surface, hard-
edged shadow shapes on the face and uniform, soft airbrushed gradients
limited to the sky and clouds, deliberate slight film grain and dust
specks consistent with original 16mm telecine, faintly muted colors with
a warm magenta cast in the highlights and cool teal in the shadows,
crisp black ink line work of medium weight, no digital glow effects. Wide
cinematic 2.39:1 framing, low-angle three-quarter shot, gentle breeze
implied by a few strands of hair and the hem of the skirt lifting, the
overall mood nostalgic, suspended, slightly melancholic.
    Prompt

    1990s vintage anime cel animation still of a teenage girl pausing on a narrow concrete overpass at the edge of a small Japanese suburb in late summer afternoon, her bicycle leaned against the metal railing beside her as she rests her forearms on the top rail and looks out toward the camera with a quiet half-smile, caught mid-thought. Short windblown black hair falling across one eye, large warm hazel eyes with carefully painted highlights and a single tiny reflection of the sky, a faint flush of pink across the cheeks and nose, a small bandage on the chin. She wears a loose white short-sleeved school blouse with a soft cream and pale blue striped sailor collar, a thin red neckerchief knotted at the throat, and a navy pleated skirt. The background, painted in the classic Studio Ghibli- adjacent hand-painted style, shows a hazy valley of low tile-roofed houses, distant electrical pylons, swaying telephone wires that cut diagonals across the sky, and a vast cumulus cloud stack lit gold from below. Flat cel-shading with only two or three discrete tones per surface, hard- edged shadow shapes on the face and uniform, soft airbrushed gradients limited to the sky and clouds, deliberate slight film grain and dust specks consistent with original 16mm telecine, faintly muted colors with a warm magenta cast in the highlights and cool teal in the shadows, crisp black ink line work of medium weight, no digital glow effects. Wide cinematic 2.39:1 framing, low-angle three-quarter shot, gentle breeze implied by a few strands of hair and the hem of the skirt lifting, the overall mood nostalgic, suspended, slightly melancholic.

    Generation Settings

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    AUTOMATIC1111
    CFG Scale1
    Sampler
    er_sde_beta
    Seed604816109422238
    Steps10

    Copies the original metadata text embedded by AUTOMATIC1111.

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    Created
    6/26/2026
    Source
    CivitAI
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