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    in the style of chargen_stylised_illustration image of a woman embodying an avant-garde high fashion editorial presence, caught in ((a standing pose of extreme studied nonchalance: one hand in a trouser pocket, the other raised with a single finger pressing lightly against her lower lip)), ((one knee bent, the hip canting out)), ((gaze sliding sideways off the frame with supreme disinterest)), shot from ((a medium close three-quarter angle from slightly above)) that makes the outfit the architecture and the face the punctuation; she wears ((a sculptural coat in off-white bonded wool, the silhouette aggressively geometric: oversized perfect square shoulders, zero waist shaping, hem cut in a sharp diagonal from mid-thigh to ankle)), ((beneath it nothing but a bodysuit in sheer black mesh)), ((the coat worn completely open)), ((thigh-high stockings in sheer black with a back seam)), ((architectural mule heels in ivory leather with an origami-folded toe box)), and ((a single long leather glove on the right hand only, black, to the elbow)); her ((hair is bleached to a near-white ivory, cut in a severe architectural mohawk that lies flat to one side like a collapsed fin)); secondary elements include ((a single oversized black leather tote hanging from the bent elbow)), ((sunglasses in an extreme horizontal flat lens pushed down to expose the eyes)), and ((a lit cigarette between the gloved fingers, unsmoked)); the background is ((a flat stark cream field with a single diagonal slash of black from corner to corner, razor-edged, the whole composition suggesting a Constructivist poster restaged as fashion)).
    Prompt

    in the style of chargen_stylised_illustration image of a woman embodying an avant-garde high fashion editorial presence, caught in ((a standing pose of extreme studied nonchalance: one hand in a trouser pocket, the other raised with a single finger pressing lightly against her lower lip)), ((one knee bent, the hip canting out)), ((gaze sliding sideways off the frame with supreme disinterest)), shot from ((a medium close three-quarter angle from slightly above)) that makes the outfit the architecture and the face the punctuation; she wears ((a sculptural coat in off-white bonded wool, the silhouette aggressively geometric: oversized perfect square shoulders, zero waist shaping, hem cut in a sharp diagonal from mid-thigh to ankle)), ((beneath it nothing but a bodysuit in sheer black mesh)), ((the coat worn completely open)), ((thigh-high stockings in sheer black with a back seam)), ((architectural mule heels in ivory leather with an origami-folded toe box)), and ((a single long leather glove on the right hand only, black, to the elbow)); her ((hair is bleached to a near-white ivory, cut in a severe architectural mohawk that lies flat to one side like a collapsed fin)); secondary elements include ((a single oversized black leather tote hanging from the bent elbow)), ((sunglasses in an extreme horizontal flat lens pushed down to expose the eyes)), and ((a lit cigarette between the gloved fingers, unsmoked)); the background is ((a flat stark cream field with a single diagonal slash of black from corner to corner, razor-edged, the whole composition suggesting a Constructivist poster restaged as fashion)).

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    Created
    6/17/2026
    Source
    CivitAI
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